Douglas J. Penick

For a long time, I’ve been committed to work that might help renew a culture of inwardness, particularly in reflecting on the relationship between society and nature. To this end, I worked on Emilio Ambasz’ visionary Universitas Project at MOMA in NY (which explored new alignments within the forces capable of re-designing the man-made environment). I then withdrew from that arena to study, practice and later teach Buddhism in the Karma Kagyu/Nyingma traditions. After twenty years, this evolved into making, with composer, Peter Lieberson, new pieces invoking various Central Asian epic traditions of spiritual and cultural renewal. The results were: King Gesar, premiered at the Munich Biennale (Sony CD), and Ashoka’s Dream about the Emperor Ashoka at the Santa Fe Opera. I’ve worked at presenting the nexus of loss and re-birth in a number of written and theater pieces centering on the Tibetan Book of the Dead (a series for the National Film Board of Canada -Leonard Cohen,Narrator), a piece at the Asia Society with Music by Philip Glass and a later one with Butoh master, Katsura Kan).

I then wrote two novels: A Journey of The North Star, an account, told by a eunuch-slave, of the third Ming Emperor’s struggle to re-create traditional Chinese culture (Publerati in 2012), and Dreamers and Their Shadows, about a revolutionary spiritual teacher, his erratic students, and their strange if lingering fate (2013-Mountain Treasury Press). In 2015, Hammer and Anvil Press published From The Empire of Fragments, a collection focused on the lives of the culturally displaced. This spring, Wakefield Press will bring out Charles Ré and my translation of Pascal Quignard’s A Terrace in Rome.

Shorter work has appeared in Cahiers de L’Herne, Agni, Chicago Quarterly, New England Quarterly, Parabola, Tricycle and Kyoto Journal among many others .