E.A. Bucchianeri photo

E.A. Bucchianeri

E.A. Bucchianeri hails from the old Wild West, Virginia City, Nevada to be precise. A town made famous by its gold and silver mines, the Bonanza TV series, and Mark Twain who immortalized his experiences as a miner, journalist, and writer's blocked editor for the local paper in his autobiography "Roughing It". She later moved to Co. Tipperary Ireland, finished High School there at Loreto Academy and graduated from University College Cork. While classical music and musicology was her major, she loves to write. When not roughing through a case of writer's block, the author enjoys writing non-fiction. When the author is suffering that dreaded affliction, drowning in chocolate is the next best thing.

Bucchianeri currently lives in Fatima, Portugal. Vocation of a Gadfly is her second fiction novel, Book Two of the Gadfly Saga.

Visit the author's website for more information on the various publications and reviews received.

http://www.ea-bucchianeri.blogspot.pt

Also, don't be fooled by "Out of Stock" or "Temporarily Out Of Stock" listings on Amazon ~ ALL books are in print! Click the 'Online Bookstores' under the titles to see a list of retailers carrying them, or, take down the book details, such as Title, Author, ISBN number and Publisher, and order a copy from your local bookstore.

EXTRA! EXTRA! Read all about it! Three books are ABSOLUTELY FREE in ebook form:

*)We Are Warned: The Prophecies of Marie-Julie Jahenny

*) Lord of the Rings: Apocalyptic Prophceies

*)Marie-Julie of the Crucifix. Stigmatist and Prophet

Or, you can just drop an e-mail and you will be sent a PDF file.

eabucchaineriATyahoo.com


“... you’ll have to fall in love at least once in your life, or Paris has failed to rub off on you.”
E.A. Bucchianeri
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“Upon the publication of Goethe’s epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy.”
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“While she could hardly fathom what had just happened to her that night, she reached some conclusions before she fell asleep, certain things now made perfect sense; Moon River didn’t sound so syrupy, mistletoe wasn’t such a bad idea, and perhaps dating was not such a frivolous waste of time after all.”
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“Sweetheart, darling, dearest, it was funny to think that these endearments, which used to sound exceedingly sentimental in movies and books, now held great importance, simple but true verbal affirmations of how they felt for each other. They were words only the heart could hear and understand, words that could impart entire pentameter sonnets in their few, short syllables.”
E.A. Bucchianeri
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“So it’s true, when all is said and done, grief is the price we pay for love.”
E.A. Bucchianeri
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“It was only high school after all, definitely one of the most bizarre periods in a person’s life. How anyone can come through that time well adjusted on any level is an absolute miracle.”
E.A. Bucchianeri
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“... how terrible is the pain of the mind and heart when the freedom of mankind is suppressed!”
E.A. Bucchianeri
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“No one messes around with a nerd’s computer and escapes unscathed.”
E.A. Bucchianeri
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“Love, like everything else in life, should be a discovery, an adventure, and like most adventures, you don’t know you’re having one until you’re right in the middle of it.”
E.A. Bucchianeri
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“It’s the unknown that draws people.”
E.A. Bucchianeri
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“(The Mona Lisa), that really is the ugliest portrait I’ve seen, the only thing that supposedly makes it famous is the mystery behind it,” Katherine admitted as she remembered her trips to the Louvre and how she shook her head at the poor tourists crowding around to see a jaundiced, eyebrow-less lady that reminded her of tight-lipped Washington on the dollar bill. Surely, they could have chosen a better portrait of the First President for their currency?”
E.A. Bucchianeri
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“If you are what you eat, you are what you see and hear.”
E.A. Bucchianeri
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“Evil influence is like a nicotine patch, you cannot help but absorb what sticks to you.”
E.A. Bucchianeri
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“Falling in love is very real, but I used to shake my head when people talked about soul mates, poor deluded individuals grasping at some supernatural ideal not intended for mortals but sounded pretty in a poetry book. Then, we met, and everything changed, the cynic has become the converted, the sceptic, an ardent zealot.”
E.A. Bucchianeri
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“Errors do not cease to be errors simply because they’re ratified into law.”
E.A. Bucchianeri
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“Righteous, I like that. Kinda fitting when you think about it. If we danced and shared music, we'd be too busy en-joy-in' life to start a war.”
E.A. Bucchianeri
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“... there was one new metallic monstrosity stacked in one corner that she hadn’t seen the last time she was a visitor to his strange chamber, it appeared to be a mass of hard drives all fused together, but they looked too sophisticated to be merely hard drives.“What on earth is that?” “That’s my Kung Fu,” he said proudly, patting the top of the futuristic-looking stack.“Is that what you wanted to show me?”“No, but it’s impressive, isn’t it?”“If you say so.”Steves sighed and shook his head, so few people could appreciate the intellectual complexity of an almost untraceable hacking device.”
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“That´s the problem with planning a late night supper after the opera, not only does the hero or the heroine die singing, but you end up famished after the last notes of the finale.”
E.A. Bucchianeri
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“Make your lives a masterpiece, you only get one canvas.”
E.A. Bucchianeri
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“... true evil needs no reason to exist, it simply is and feeds upon itself.”
E.A. Bucchianeri
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“There has to be a cut-off somewhere between the freedom of expression and a graphically explicit free-for-all.”
E.A. Bucchianeri
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“... food is not simply organic fuel to keep body and soul together, it is a perishable art that must be savoured at the peak of perfection.”
E.A. Bucchianeri
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“Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.”
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“It was exciting to be off on a journey she had looked forward to for months. Oddly, the billowing diesel fumes of the airport did not smell like suffocating effluence, it assumed a peculiar pungent scent that morning, like the beginning of a new adventure, if an adventure could exude a fragrance.”
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“When Hitler marched across the RhineTo take the land of France,La dame de fer decided,‘Let’s make the tyrant dance.’Let him take the land and city,The hills and every flower,One thing he will never have,The elegant Eiffel Tower.The French cut the cables,The elevators stood still,‘If he wants to reach the top,Let him walk it, if he will.’The invaders hung a swastikaThe largest ever seen.But a fresh breeze blewAnd away it flew,Never more to be seen.They hung up a second mark,Smaller than the first,But a patriot climbedWith a thought in mind:‘Never your duty shirk.’Up the iron ladyHe stealthily made his way,Hanging the bright tricolour,He heroically saved the day.Then, for some strange reason,A mystery to this day,Hitler never climbed the tower,On the ground he had to stay.At last he ordered she be razedDown to a twisted pile.A futile attack, for still she standsBeaming her metallic smile.”
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“... an artist should paint from the heart, and not always what people expect. Predictability often leads to the dullest work, in my opinion, and we have been bored stiff long enough I think.”
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“Finally, Charlie gave up the hunt and placed (the puppy) back on the floor, dispatching fleas was not his idea of a romantic evening, unless you happened to be a twisted exterminator, he thought.”
E.A. Bucchianeri
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“God Is, Lucifer is a devil, and there is a Hell.”
E.A. Bucchianeri
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“To be, or not to be: what a question!”
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“I mean really, how could an artistic individual stay grounded in the nitty-gritty of how many minutes per pound meat has to stay in the oven when trying to fathom the creative philosophy behind the greatest artistic minds of the world?”
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“...it’s just another one of those things I don’t understand: everyone impresses upon you how unique you are, encouraging you to cultivate your individuality while at the same time trying to squish you and everyone else into the same ridiculous mould. It’s an artist’s right to rebel against the world’s stupidity.”
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“It is unfortunate that in most cases when the sins of the father fall on the son it is because unlike God, people refuse to forgive and forget and heap past wrongs upon innocent generations.”
E.A. Bucchianeri
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“You mean something like ‘truth or dare’? I haven’t played that in a long time.” She didn’t think he would ever get himself entangled in a game like that, but it was addictive, a compromising icebreaker featuring all the strategy of Poker, minus the cards, mixed with a dash of danger from Russian Roulette, without the revolver.”
E.A. Bucchianeri
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“...Come on let’s see the degree.” Katherine unrolled her scroll displaying a long declaration in Latin affixed with a red seal proclaiming her a Master of Art. “Imagine working for years to obtain a piece of paper we can hardly read ” Katherine joked. “And to officially declare you have talent ” Suzy returned.”
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“I am an artist you know ... it is my right to be odd.”
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“Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner.”
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“Pops added,"you know, they say if you don't vote, you get the government you deserve.""And if you do, you never get the results you expected," (Katherine) replied.”
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“You can’t enjoy art or books in a hurry.”
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“It’s not unpatriotic to denounce an injustice committed on our behalf, perhaps it’s the most patriotic thing we can do.”
E.A. Bucchianeri
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“Since art is considered a noble field, art should be used to promote all that is good and noble, and in a noble fashion.”
E.A. Bucchianeri
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“Weirdism is definitely the cornerstone of many an artist's career.”
E.A. Bucchianeri
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“Ah, the magic of music, with it, all things are possible.”
E.A. Bucchianeri
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“Socrates: Have you noticed on our journey how often the citizens of this new land remind each other it is a free country? Plato: I have, and think it odd they do this.Socrates: How so, Plato?Plato: It is like reminding a baker he is a baker, or a sculptor he is asculptor.Socrates: You mean to say if someone is convinced of their trade, they haveno need to be reminded.Plato: That is correct.Socrates: I agree. If these citizens were convinced of their freedom, they would not need reminders.”
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“If a man cannot serve two masters, neither can Christianity, or several thousand of them as the case may be.”
E.A. Bucchianeri
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“If Christ is God, He cannot sin, and if suffering was a sin in and by itself, He could not have suffered and died for us. However, since He took the most horrific death to redeem us, He showed us in fact that suffering and pain have great power.”
E.A. Bucchianeri
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“Poor God, how often He is blamed for all the suffering in theworld. It’s like praising Satan for allowing all the good that happens.”
E.A. Bucchianeri
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“Faustus, who embraced evil and shunned righteousness, became the foremost symbol of the misuse of free will, that sublime gift from God with its inherent opportunity to choose virtue and reject iniquity. “What shall a man gain if he has the whole world and lose his soul,” (Matt. 16: v. 26) - but for a notorious name, the ethereal shadow of a career, and a brief life of fleeting pleasure with no true peace? This was the blackest and most captivating tragedy of all, few could have remained indifferent to the growing intrigue of this individual who apparently shook hands with the devil and freely chose to descend to the molten, sulphuric chasm of Hell for all eternity for so little in exchange. It is a drama that continues to fascinate today as powerfully as when Faustus first disseminated his infamous card in the Heidelberg locale to the scandal of his generation. In fine, a life of good or evil, the hope of Heaven or the despair of Hell, Faustus stands as a reminder that the choice between these two absolutes also falls to us.”
E.A. Bucchianeri
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