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Edith Wharton

Edith Newbold Jones was born into such wealth and privilege that her family inspired the phrase "keeping up with the Joneses." The youngest of three children, Edith spent her early years touring Europe with her parents and, upon the family's return to the United States, enjoyed a privileged childhood in New York and Newport, Rhode Island. Edith's creativity and talent soon became obvious: By the age of eighteen she had written a novella, (as well as witty reviews of it) and published poetry in the Atlantic Monthly.

After a failed engagement, Edith married a wealthy sportsman, Edward Wharton. Despite similar backgrounds and a shared taste for travel, the marriage was not a success. Many of Wharton's novels chronicle unhappy marriages, in which the demands of love and vocation often conflict with the expectations of society. Wharton's first major novel, The House of Mirth, published in 1905, enjoyed considerable literary success. Ethan Frome appeared six years later, solidifying Wharton's reputation as an important novelist. Often in the company of her close friend, Henry James, Wharton mingled with some of the most famous writers and artists of the day, including F. Scott Fitzgerald, André Gide, Sinclair Lewis, Jean Cocteau, and Jack London.

In 1913 Edith divorced Edward. She lived mostly in France for the remainder of her life. When World War I broke out, she organized hostels for refugees, worked as a fund-raiser, and wrote for American publications from battlefield frontlines. She was awarded the French Legion of Honor for her courage and distinguished work.

The Age of Innocence, a novel about New York in the 1870s, earned Wharton the Pulitzer Prize for fiction in 1921 -- the first time the award had been bestowed upon a woman. Wharton traveled throughout Europe to encourage young authors. She also continued to write, lying in her bed every morning, as she had always done, dropping each newly penned page on the floor to be collected and arranged when she was finished. Wharton suffered a stroke and died on August 11, 1937. She is buried in the American Cemetery in Versailles, France.


“What she craved and really felt herself entitled to was a situation in which the noblest attitude should also be the easiest.”
Edith Wharton
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“There are 2 ways of spreading light: to be the candle, or the mirror that reflects it.”
Edith Wharton
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“He seemed a part of the mute melancholy landscape, an incarnation of it's frozen woe, with all that was warm and sentient in him fast bound below the surface; but there was nothing nothing unfriendly in his silence. I simply felt that he lived in a depth of moral isolation too remote for casual access, and I had the sense that his loneliness was not merely the result of his personal plight, tragic as I guessed that to be, but had in it, as Harmon Gow had hinted, the profound accumulated cold of many Starkfield winters.”
Edith Wharton
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“There are lots of ways of being miserable, but there’s only one way of being comfortable, and that is to stop running round after happiness. If you make up your mind not to be happy there’s no reason why you shouldn’t have a fairly good time.”
Edith Wharton
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“Half the trouble in life is caused by pretending there isn't any.”
Edith Wharton
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“A man has the advantage of being delivered early from the home point of view, and before Selden left for college he had learned that there are as many different ways of going without money as of spending it.”
Edith Wharton
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“Well--there it was, and the fault was doubtless neither hers nor his, but that of the world they had grown up in, of their own moral contempt for it and physical dependence on it, of his half-talents and her half-principles, of the something in them both that was not stout enough to resist nor yet pliant enough to yield.”
Edith Wharton
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“Superficially so like them all, and so eager to outdo them in detachment and adaptability, ridiculing the prejudices he had shaken off, and the people to whom he belonged, he still kept, under his easy pliancy, the skeleton of old faiths and old fashions. "He talks every language as well as the rest of us," Susy had once said of him, "but at least he talks one language better than the others.”
Edith Wharton
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“Apart from the pleasure of looking at her and listening to her--of enjoying in her what others less discriminatingly but as liberally appreciated--he had the sense, between himself and her, of a kind of free-masonry of precocious tolerance and irony. They had both, in early youth, taken the measure of the world they happened to live in: they knew just what it was worth to them and for what reasons, and the community of these reasons lent to their intimacy its last exquisite touch.”
Edith Wharton
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“...he arrived late at the office, perceived that his doing so made no difference whatever to any one, and was filled with sudden exasperation at the elaborate futility of his life”
Edith Wharton
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“Yes - it was happiness she still wanted, and the glimpse she had caught of it made everything else of no account. One by one she had detached herself from the baser possibilities , and she saw that nothing now remained to her but the emptiness of renunciation. "The House of Mirth”
Edith Wharton
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“Little as she was addicted to solitude, there had come to be moments when it seemed a welcome escape from the empty noises of her life.”
Edith Wharton
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“Everything about her was warm and soft and scented; even the stains of her grief became her as raindrops do the beaten rose.”
Edith Wharton
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“As soon as he heard of the Sillerton’s party he had said to himself that the Marchioness Manson would certainly come to Newport with the Blenkers, and that Madame Olenska might again take the opportunity of spending the day with her grandmother. At any rate, the Blenker habitation would probably be deserted, and he would be able, without indiscretion, to satisfy a vague curiosity concerning it. He was not sure that he wanted to see the Countess Olenska again; but ever since he had looked at her from the path above the bay he had wanted, irrationally and indescribably, to see the place she was living in, and to follow the movements of her imagined figure as he had watched the real one in the summer-house. The longing was with him day and night, an incessant undefinable craving, like the sudden whim of a sick man for food or drink once tasted and long since forgotten. He could not see beyond the craving, or picture what it might lead to, for he was not conscious of any wish to speak to Madame Olenska or to hear her voice. He simply felt that if he could carry away the vision of the spot of earth she walked on, and the way the sky and sea enclosed it, the rest of the world might seem less empty.”
Edith Wharton
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“She felt a stealing sense of fatigue as she walked; the sparkle had died out of her, and the taste of life was stale on her lips. She hardly knew what she had been seeking, or why the failure to find it had so blotted the light from her sky: she was only aware of a vague sense of failure, of an inner isolation deeper than the loneliness about her.”
Edith Wharton
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“He bent and laid his lips on her hands, which were cold and lifeless. She drew them away, and he turned to the door, found his coat and hat under the faint gas-light of the hall, and plunged out into the winter night bursting with the belated eloquence of the inarticulate.”
Edith Wharton
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“The stillness was so profound that he heard a little animal twittering somewhere near by under the snow. It made a small frightened cheep like a field mouse, and he wondered languidly if it were hurt. Then he understood that it must be in pain: pain so excruciating that he seemed, mysteriously, to feel it shooting through his own body. He tried in vain to roll over in the direction of the sound, and stretched his left arm out across the snow. And now it was as though he felt rather than heard the twittering; it seemed to be under his palm, which rested on something soft and springy. The thought of the animal's suffering was intolerable to him and he struggled to raise himself, and could not because a rock, or some huge mass, seemed to be lying on him. But he continued to finger about cautiously with his left hand, thinking he might get hold of the little creature and help it; and all at once he knew that the soft thing he had touched was Mattie's hair and that his hand was on her face.”
Edith Wharton
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“The young man was sincerely but placidly in love. He delighted in the radiant good looks of his betrothed, in her health, her horsemanship, her grace and quickness at games, and the shy interest in books and ideas that she was beginning to develop under his guidance. She was straightforward, loyal, and brave; she had a sense of humour (chiefly proved by her laughing at his jokes); and he suspected, in the depths of her innocently-gazing soul, a glow of feeling that it would be a joy to waken. But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent; it was full of the twists and defences of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.”
Edith Wharton
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“She wanted, passionately and persistently, two things which she believed should subsist together in any well-ordered life: amusement and respectability.”
Edith Wharton
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“Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.”
Edith Wharton
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“In any really good subject, one has only to probe deep enough to come to tears.”
Edith Wharton
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“The taste of the usual was like cinders in his mouth, and there were moments when he felt as if he were being buried alive under his future.”
Edith Wharton
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“I can give you a cup of tea in no time-and you won't meet any bores.”
Edith Wharton
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“Set wide the window. Let me drink the day.”
Edith Wharton
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“High PastureCome up--come up: in the dim vale belowThe autumn mist muffles the fading trees,But on this keen hill-pasture, though the breezeHas stretched the thwart boughs bare to meet the snow,Night is not, autumn is not--but the flowOf vast, ethereal and irradiate seas,Poured from the far world's flaming boundariesIn waxing tides of unimagined glow.And to that height illumined of the mindhe calls us still by the familiar way,Leaving the sodden tracks of life behind,Befogged in failure, chilled with love's decay--Showing us, as the night-mists upward wind,How on the heights is day and still more day.”
Edith Wharton
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“I believe I know the only cure, which is to make one’s center of life inside of one’s self, not selfishly or excludingly, but with a kind of unassailable serenity—to decorate one’s inner house so richly that one is content there, glad to welcome anyone who wants to come and stay, but happy all the same when one is inevitably alone.”
Edith Wharton
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“Não é verdade, monsieur, que o grande valor está em manter a própria liberdade intelectual, em não escravizar o nosso poder de apreciação, a nossa independência crítica?”
Edith Wharton
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“You are an artist and I happen to be the bit of color you are using today.”
Edith Wharton
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“Archer was too intelligent to think that a young woman like Ellen Olenska would necessarily recoil from everything that reminded her of her past. She might believe herself wholly in revolt against it; but what had charmed her in it would still charm her even though it were against her will.”
Edith Wharton
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“...though she had not had the strength to shake off the spell that bound her to him she had lost all spontaneity of feeling, and seemed to herself to be passively awaiting a fate she could not avert.”
Edith Wharton
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“She had given him all she had - but what was it compared to the other gifts life held for him? She understood now the case of girls like herself to whom this kind of thing happened. They gave all they had, but their all was not enough; it could not buy more than a few moments...”
Edith Wharton
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“How I hate everything!”
Edith Wharton
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“Real reading is reflex action; the born reader reads as unconsciously as he breathes; and, to carry the analogy a degree farther, reading is no more a virtue than breathing.”
Edith Wharton
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“What is reading, in the last analysis, but an interchange of thought between writer and reader? If the book enters the reader's mind just as it left the writer's -- without any of the additions and modifications inevitably produced by contact with a new body of thought -- it has been read to no purpose.”
Edith Wharton
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“The value of books is proportionate to what may be called their plasticity -- their quality of being all things to all men, of being diversely moulded by the impact of fresh forms of thought.”
Edith Wharton
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“The idea that reading is a moral quality has unhappily led many conscientious persons to renounce their innocuous dalliance with light literature for more strenuous intercourse. These are the persons who "make it a rule to read.”
Edith Wharton
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“To read is not a virtue; but to read well is an art, and an art that only the born reader can acquire. The gift of reading is no exception to the rule that all natural gifts need to be cultivated by practice and discipline; but unless the innate aptitude exist the training will be wasted. It is the delusion of the mechanical reader to think that intentions may take the place of aptitude.”
Edith Wharton
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“She herself had grown up without any one spot of earth being dearer than another: there was no center of earth pieties, of grave endearing traditions, to which her heart could revert and from which it could draw strength for itself and tenderness for others.”
Edith Wharton
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“The air of ideas is the only air worth breathing.”
Edith Wharton
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“Beware of monotony; it's the mother of all the deadly sins.”
Edith Wharton
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“Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving toward the watcher on the shore.”
Edith Wharton
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“The boy was not insensitive, he knew; but he had the facility and self-confidence that came of looking at fate not as a master but as an equal.”
Edith Wharton
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“The difference is that these young people take it for granted that they're going to get whatever they want, and that we almost always took it for granted that we shouldn't. Only, I wonder—the thing one's so certain of in advance: can it ever make one's heart beat as wildly?”
Edith Wharton
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“Who's 'they'? Why don't you all get together and be 'they' yourselves?”
Edith Wharton
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“But you'll get it back-you'll get it all back, with your face...”
Edith Wharton
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“If you're as detached as that, why does the obsolete institution of marriage survive with you?"Oh, it still has its uses. One couldn't be divorced without it.”
Edith Wharton
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“Poetry and art are the breath of life to her.”
Edith Wharton
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“He had married (as most young men did) because he had met a perfectly charming girl at the moment when a series of rather aimless sentimental adventures were ending in premature disgust; and she had represented peace, stability, comradeship, and the steadying sense of an unescapable duty.”
Edith Wharton
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“And all the while, I suppose," he thought, "real people were living somewhere, and real things happening to them ...”
Edith Wharton
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“It was before him again in its completeness--the choice in which she was content to rest: in the stupid costliness of the food and the showy dulness of the talk, in the freedom of speech which never arrived at wit and the freedom of act which never made for romance.”
Edith Wharton
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