Edouard Leve

“You used to give yourself over to endless sessions of doubt. You would claim to be an expert on the subject. But doubting would tire you so much that you would end up doubting doubt itself. I saw you one day at the end of an afternoon of solitary speculation. You were unmoving and petrified. Running several kilometers in a deep forest full of ravines and pitfalls would have exhausted you less.”

“At the beach girls arouse me less than in the library.”

“Fifteen years old is the middle of my life, regardless of when I die.”

“When I am coming back from a trip, the best part isn’t going through the airport or getting home, but the taxi ride in between: you’re still travelling, but not really.”

“I don’t write in the morning, my brain isn’t up to it yet, I don’t write in the afternoon, I’m too sad, I write from five o’clock on, I need to have been awake a long time, my body relaxed from a day’s fatigue.”

“You had felt idle in this city through which you had paced only to kill time. But the emptiness that you believed yourself confronted with was an illusion: you had filled those moments with sensations all the more powerful in that nothing and no one had distracted you from them.”

“To know makes me growNot to know harms meTo forget frees me.”

“Your suicide makes the lives of those who outlive you more intense. Should they be threatened by boredom, or tshould the absurdity of their lives leap out at them from the curve of some cruel mirror, let them remember you, and the pain of existence will seem preferable to the disquietude of no longer being.”

“Your life was a hypothesis. Those who die old are made of the past. Thinking of them, one thinks of what they have done. Thinking of you, one thinks of what you could have become. You were, and you will remain, made up of possibilities.”

“And so you worried about not remembering what happened in between the things you wrote down. You had lived those moments too. Where had they gone?”

“When you were awake, stretched out in your bed in the dark, shutters drawn, your thoughts would flow freely. They would grow obscure when you got up and opened the curtains. The violence of daylight would efface the nocturnal clarity. In the daytime, people were barriers, dividing you up, preventing you from hearing what you listened to at night: the voice of your brain.”

“You spoke to strangers for hours. Afterward you walked the streets in search of other cafes, but they were closed. You stretched out on the park benches of a square near the Gare Saint-Lazare, and you remarked on the shape of the clouds. At six o’clock you had breakfast. At seven you took the first train home. When, the next day, your friends repeated to you the words you had spoken to strangers in the cafe, you remembered nothing of them. It was as though someone else inside you had spoken. You recognized neither your words, nor your thoughts, but you liked them better than you would have if you had remembered saying them. Often all it took was for someone else to speak your own words back to you for you to like them.”

“You did not fear death. You stepped in its path, but without really desiring it: how can one desire something one doesn’t know? You didn’t deny life but affirmed your taste for the unknown, betting that if something existed on the other side, it would be better than here.”

“You didn’t like to travel. You rarely went abroad. You would spend your time in your bedroom. It seemed useless to you to travel for miles in order to stay in a place less comfortable than your own.”

“You couldn’t have been said to dance, exactly. Despite the music sounding around you, bodies being carried away by the whirling bass, it didn’t get inside you. You used to trace out the steps, but you were mimicking dancing, rather than doing it. You would dance alone. When a look crossed yours, you’d smile like someone caught off guard in an absurd situation.”

“You were said to have died of suffering. But there was notas much sadness in you as there is now in those whoremember you. You died because you searched forhappiness at the risk of finding the void.”

“The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.”

“You were not surprised to find yourself ill adapted to the world, but it did surprise you that the world had produced a being who now lived in it as a foreigner. Do plants commit suicide? Do animals die of helplessness? They either function or disappear. You were perhaps a weak link, an accidental evolutionary dead end, a temporary anomaly not destined to burgeon again.”

“You used to believe that with age you would become less unhappy, because you then would have reasons to be sad. When you were still young, your suffering was inconsolable because you believed it to be unfounded.Your suicide was scandalously beautiful…You died because you searched for happiness at the risk of finding the void. We shall have to wait for death before we can know what it is that you found. Or before leaving off knowing anything at all, if it is to be silence and emptiness that awaits us.”

“Since you seldom spoke, you were rarely wrong. You seldom spoke because you seldom went out. If you did go out, you listened and watched. Now, since you no longer speak, you will always be right. In truth, you do still speak: through those, like me, who bring you back to life, and interrogate you. We hear your responses and admire their wisdom. If the facts turned out to contradict your counsel, we blame ourselves for having misinterpreted you. Yours are the truths, ours are the errors.”

“Only once can I say “I’m dying” without telling a lie. The best day of my life may already be behind me.”