Edward W. Said
(Arabic Profile إدوارد سعيد)
Edward Wadie Said was a professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies. A Palestinian American born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran.
Educated in the Western canon, at British and American schools, Said applied his education and bi-cultural perspective to illuminating the gaps of cultural and political understanding between the Western world and the Eastern world, especially about the Israeli-Palestinian conflict in the Middle East; his principal influences were Antonio Gramsci, Frantz Fanon, Aimé Césaire, Michel Foucault, and Theodor Adorno.
As a cultural critic, Said is known for the book Orientalism (1978), a critique of the cultural representations that are the bases of Orientalism—how the Western world perceives the Orient. Said’s model of textual analysis transformed the academic discourse of researchers in literary theory, literary criticism, and Middle-Eastern studies—how academics examine, describe, and define the cultures being studied. As a foundational text, Orientalism was controversial among the scholars of Oriental Studies, philosophy, and literature.
As a public intellectual, Said was a controversial member of the Palestinian National Council, because he publicly criticized Israel and the Arab countries, especially the political and cultural policies of Muslim régimes who acted against the national interests of their peoples. Said advocated the establishment of a Palestinian state to ensure equal political and human rights for the Palestinians in Israel, including the right of return to the homeland. He defined his oppositional relation with the status quo as the remit of the public intellectual who has “to sift, to judge, to criticize, to choose, so that choice and agency return to the individual” man and woman.
In 1999, with his friend Daniel Barenboim, Said co-founded the West–Eastern Divan Orchestra, based in Seville, which comprises young Israeli, Palestinian, and Arab musicians. Besides being an academic, Said also was an accomplished pianist, and, with Barenboim, co-authored the book Parallels and Paradoxes: Explorations in Music and Society (2002), a compilation of their conversations about music. Edward Said died of leukemia on 25 September 2003.
“No one today is purely one thing. Labels like Indian, or woman, or Muslim, or American are not more than starting-points, which if followed into actual experience for only a moment are quickly left behind. Imperialism consolidated the mixture of cultures and identities on a global scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly, exclusively, white, or Black, or Western, or Oriental. Yet just as human beings make their own history, they also make their cultures and ethnic identities. No one can deny the persisting continuities of long traditions, sustained habitations, national languages, and cultural geographies, but there seems no reason except fear and prejudice to keep insisting on their separation and distinctiveness, as if that was all human life was about. Survival in fact is about the connections between things; in Eliot’s phrase, reality cannot be deprived of the “other echoes [that] inhabit the garden.” It is more rewarding - and more difficult - to think concretely and sympathetically, contrapuntally, about others than only about “us.” But this also means not trying to rule others, not trying to classify them or put them in hierarchies, above all, not constantly reiterating how “our” culture or country is number one (or not number one, for that matter).”
“Every writer on the Orient (and this is true even of Homer) assumes some Oriental precedent, some previous knowledge of the Orient, to which he refers and on which he relies. Additionally, each work on the Orient affiliates itself with other works, with audiences, with institutions, with the Orient itself. The ensemble of relationships between works, audiences, and some particular aspects of the Orient therefore constitutes an analyzable formation[…]whose presence in time, in discourse, in institutions (schools, libraries, foreign services) gives it strength and authority.”
“Liberation as an intellectual mission, born in the resistance and opposition to the confinements and ravages of imperialism, has now shifted from the settled, established, and domesticated dynamics of culture to its unhoused, decentred, and exilic energies, energies whose incarnation today is the migrant, and whose conciousness is that of the intellectual and artist in exile, the political figure between domains, between forms, between homes, and between languages. From this perspective then all things are indeed counter, original, spare, strange. From this perspective also, one can see 'the complete consort dancing together' contrapuntally.”
“In short, Israel is the measure of our failings and our incompetence. We have waited for a great leader for years, but none came; we have waited for a mighty military victory, but we were defeated roundly; we have waited for outside powers (the US or,in its time, the Soviet Union), but none came to our aid. The one thing we have not tried in all seriousness is to rely on OURSELVES: until we do that with a full commitment to success there is no chance that we can advance towards self-determination and freedom from aggression.-1998”
“We can not fight for our rights and our history as well as future until we are armed with weapons of criticism and dedicated consciousness.”
“Humanism is the only - I would go so far as saying the final- resistance we have against the inhuman practices and injustices that disfigure human history.”
“exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exile’s life, these are no more than efforts meant to overcome the crippling sorrow of estrangement.”
“Just as none of us is outside or beyond geography, none of us is completely free from the struggle over geography. That struggle is complex and interesting because it is not only about soldiers and cannons but also about ideas, about forms, about images and imaginings.”
“We are at a point in our work when we can no longer ignore empires and the imperial context in our studies. (p. 5)”
“Much as I have no wish to hurt anyone's feelings, my first obligation has not been to be nice but to be true to my perhaps peculiar memories, experiences and feelings.”
“I take criticism so seriously as to believe that, even in the midst of a battle in which one is unmistakably on one side against another, there should be criticism, because there must be critical consciousness if there are to be issues, problems, values, even lives to be fought for... Criticism must think of itself as life-enhancing and constitutively opposed to every form of tyranny, domination, and abuse; its social goals are noncoercive knowledge produced in the interests of human freedom.”
“The Orient and Islam have a kind of extrareal, phenomenologically reduced status that puts them out of reach of everyone except the Western expert. From the beginning of Western speculation about the Orient, the one thing the orient could not do was to represent itself. Evidence of the Orient was credible only after it had passed through and been made firm by the refining fire of the Orientalist’s work.”
“Orientalism is after all a system for citing works and authors . __ Orientalism”
“إحدى مهام المثقف هي بذل الجهد لتهشيم الآراء المقولبة والمقولات التصغيرية, التي تحدُّ كثيراً من الفكر الإنساني والإتصال الفكري.ص12-13 كتاب صُوَر المثقف”
“Modern Orientalism embodies a systematic discipline of accumulation. Far from this being exclusively an intellectual or theoretical feature, it made Orientalism tend fatally towards the systematic accumulation of human beings and territories. To reconstruct a dead or lost Oriental language meant ultimately to reconstruct a dead or neglected Orient; it also meant that reconstructive precision, science, even imagination could prepare the way for what armies, administrators, and bureaucracies would later do on the ground.”
“Every empire, however, tells itself and the world that it is unlike all other empires, that its mission is not to plunder and control but to educate and liberate."(Los Angeles Times, July 20, 2003)”
“It is quite common to hear high officials in Washington and elsewhere speak of changing the map of the Middle East, as if ancient societies and myriad peoples can be shaken up like so many peanuts in a jar.”