E.L. Doctorow photo

E.L. Doctorow

History based known novels of American writer Edgar Laurence Doctorow. His works of fiction include Homer & Langley, The March, Billy Bathgate, Ragtime, The Book of Daniel, City of God, Welcome to Hard Times, Loon Lake, World’s Fair, The Waterworks, and All the Time in the World. Among his honors are the National Book Award, three National Book Critics Circle Awards, two PEN Faulkner Awards, The Edith Wharton Citation for Fiction, and the presidentially conferred National Humanities Medal. In 2009 he was short listed for the Man Booker International Prize honoring a writer’s lifetime achievement in fiction, and in 2012 he won the PEN Saul Bellow Award given to an author whose “scale of achievement over a sustained career places him in the highest rank of American Literature.” In 2013 the American Academy of Arts and Letters awarded him the Gold Medal for Fiction.


“Writing teachers invariably tell students, write about what you know. That's, of course, what you have to do, but on the other hand, how do you know what you know until you've written it? Writing is knowing... I've had very little experience in my life. In fact, I try to avoid experience if I can. Most experience is bad.”
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“Ever since this day I have dreamt sometimes... I, a street rat in my soul, dream even now... that if it were possible to life this littered, paved Manhattan from the earth... and all its torn and dripping pipes and conduits and tunnels and tracks and cables--all of it, like a scab from new skin underneath--how seedlings would sprout and freshets bubble up, and brush and grasses would grow over the rolling hills...”
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“one day you stepped in snow, the next in mud, water soaked in your boots and froze them at night, it was the next worst thing to pure blizzardry, it was weather that wouldn't let you settle.”
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“A stydy today of the products of the animated cartoon industry of the twenties, thirties and forties would yield the following theology: 1. People are animals. 2. The body is mortal and subject to incredible pain. 3. Life is antagonistic to the living. 4. The flesh can be sawed, crushed, frozen, stretched, burned, bombed, and plucked for music. 5. The dumb are abused by the smart and the smart are destroyed by their own cunning. 6. The small are tortured by the large and the large destroyed by their own momentum. 7. We are able to walk on air, but only as long as our illusion supports us.”
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“...if justice cannot be made to operate under the worst possible conditions of social hysteria, what does it matter how it operates at other times?”
E.L. Doctorow
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“I’ve had very little experience in my life. In fact, I try to avoid experience if I can. Most experience is bad.”
E.L. Doctorow
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“The story was clearly over, as in juggling when the ball you throw up finds the moment to come down, hesitates as if it might not, and then drops at the same speed of that celestial light. And life is no longer good but just what you happen to be holding.”
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“-Of course movies today no longer require film. They are recorded and held in digital suspension as ones and zeroes. And so at the moment the last remaining piece of the world is lit and shot for a movie, there will be another Big Bang... and the multitudes of ones and zeroes will be strewn through the universe as particles that act like waves... until, shaken by borealic winds or ignited by solar flares or otherwise galvanized by this or that heavenly signal, they compose themselves into brilliant constellations that shine in full color across the night sky of a remote planet... where a reverent, unrecognizable form of life will look up from its rooftops at the faces of Randolph Scott, Gail Russell, George Brent, Linda Darnell... to name just a few of the stars.”
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“Orthodox devotions that do not let in the light of modern knowledge are no more than a form of ancestor worship.”
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“But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain.Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.”
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“You want God? Don't look at Scripture, look everywhere, at the planets, the constellations, the universe. Look at a bug, a flea. Look at the manifold wonders of creation, including the Nazis. That's the kind of God you're dealing with.”
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“So what I realized when I was a child was that if I were traveling as fast as light while holding a mirror before me, I would not see my image in the mirror, because as fast as the image of my face in light moved toward the mirror, why, just as fast would the mirror be moving away... It is a rather frightening idea, in fact, that if I moved at the speed of light, I could get no confirmation of my existence from an objective source of reflected light such as a mirror. I would be like a ghost in the universe, materially unverifiable in the stream of time.”
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“But I can stop on any corner at the intersection of two busy streets, and before me are thousands of lives headed in all four directions, uptown downtown east and west, on foot, on bikes, on in-line skates, in buses, strollers, cars, trucks, with the subway rumble underneath my feet... and how can I not know I am momentarily part of the most spectacular phenomenon in the unnatural world? ...The city may begin from a marketplace, a trading post, the confluence of waters, but it secretly depends on the human need to walk among strangers.”
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“I can assure you Ernest Hemingway was wrong when he said modern American literature began with Huckleberry Finn. It begins with Moby-Dick, the book that swallowed European civilization whole.”
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“She's some kind of Socialist-anarchist-anarcho-syndicalist-Communist. Unless you're one of them you can't tell exactly what any of them are.”
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“I try to avoid experience if I can. Most experience is bad.”
E.L. Doctorow
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“Jacqueline, for how many days have I been without food. There was a crash, the whole house shook. Where is Langley? Where is my brother?”
E.L. Doctorow
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“I'm Homer, the blind brother.”
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“I take the position that true faith is not a supersessional knowledge. It cannot discard the intellect.”
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“The experience of experience is untransmittable.”
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“And so the ordinary unendurable torments we all experienced were indeed exceptional in the way they were absorbed in each heart.”
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“I remember holding her in my arms and absolving God of meaninglessness.”
E.L. Doctorow
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“It is the law of wealth that such people only profit from the money that is taken from them.”
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“I am often asked the question How can the masses permit themselves to be exploited by the few. The answer is By being persuaded to identify with them.”
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“It proposed that human beings, by the act of making witness, warranted times and places for their existence other than the time and place they were living through.”
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“Because like all whores you value propriety. You are creature of capitalism, the ethics of which are so totally corrupt and hypocritical that your beauty is no more than the beauty of gold, which is to say false and cold and useless.”
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“You're nothing more than a clever prostitute. You accepted the conditions in which you found yourself and you triumphed.”
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“Father looked at her and she was beautiful in the way she had been as a girl. He did not realize the pleasure he felt in having made her cry.”
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“To Morgan, the disfigurement of his monstrous nose was the touch of God upon him, the assurance of mortality. It was the steadiest assurance he had.”
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“And why? Is our genius only in our wombs? Can we not write books and create learned scholarship and perform music and provide philosophical models for the betterment of mankind?”
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“So that individuation may be compared to a pyramid in that it is only achieved by the placement of the top stone… The Jews, Ford said. They ain't like anyone else I know. There goes you theory up shits creek. He smiled.”
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“What we call fiction is the ancient way of knowing, the total discourse that antedates all the special vocabularies... Fiction is democratic, it reasserts the authority of the single mind to make and remake the world.”
E.L. Doctorow
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“I am telling you what I know—words have music and if you are a musician you will write to hear them.”
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“The difference between Socrates and Jesus is that no one had ever been put to death in Socrates' name. And that is because Socrates' ideas were never made law. Law, in whatever name, protects privilege.”
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“Poor Father, I see his final exploration. He arrives at the new place, his hair risen in astonishment, his mouth and eyes dumb. His toe scuffs a soft storm of sand, he kneels and his arms spread in pantomimic celebration, the immigrant, as in every moment of his life, arriving eternally on the shore of his Self.”
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“Someone dying asks if there is life after death. Yes, comes the answer, only not yours.”
E.L. Doctorow
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“Poems have ideas. The ideas of poems come out of their emotions and their emotions are carried on images.”
E.L. Doctorow
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“A novelist is a person who lives in other people's skins.”
E.L. Doctorow
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“I knew he was unreliable, but he was fun to be with. He was a child’s ideal companion, full of surprises and happy animal energy. He enjoyed food and drink. He liked to try new things. He brought home coconuts, papayas, mangoes, and urged them on our reluctant conservative selves. On Sundays he liked to discover new places, take us on endless bus or trolley rides to some new park or beach he knew about. He always counseled daring, in whatever situation, the courage to test the unknown, an instruction that was thematically in opposition to my mother’s.”
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“I watched bulls bred to cows, watched mares foal, I saw life come from the egg and the multiplicative wonders of mudholes and ponds, the jell and slime of life shimmering in gravid expectation. Everywhere I looked, life sprang from something not life, insects unfolded from sacs on the surface of still waters and were instantly on prowl for their dinner, everything that came into being knew at once what to do and did it, unastonished that it was what it was, unimpressed by where it was, the great earth heaving up bloodied newborns from every pore, every cell, bearing the variousness of itself from every conceivable substance which it contained in itself, sprouting life that flew or waved in the wind or blew from the mountains or stuck to the damp black underside of rocks, or swam or suckled or bellowed or silently separated in two.”
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“Grandmamma had been the last connection to our past. I had understood her as some referent moral authority to whom we paid no heed, but by whose judgments we measured our waywardness.”
E.L. Doctorow
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“Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake. ”
E.L. Doctorow
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“There is music in words, and it can be heard you know, by thinking.”
E.L. Doctorow
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“And to top everything he's got this problem he can't let her know how he feels: What-he's shy? Shy! Tell me who in this goddamn world is shy? Young, old, the lame and halt. Clobber you over the head with what they feel. Oh Man I wish just once in my long fucked-up life someone had come up to me who was too shy to tell me what they thought of me...”
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“We are all good friends. Friendship is what endures. Shared ideals, respect for the whole character of a human being. ”
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“The Shadow had no imagination. He neither looked at naked women nor thought of ridding the world of dictators like Hitler or Mussolini.”
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“The writer isn't made in a vacuum. Writers are witnesses. The reason we need writers is because we need witnesses to this terrifying century.”
E.L. Doctorow
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“Writing is an exploration. You start from nothing.”
E.L. Doctorow
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“Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.”
E.L. Doctorow
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“Good writing is supposed to evoke sensation in the reader—not the fact that it is raining, but the feeling of being rained upon.”
E.L. Doctorow
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