E.M. Forster
Edward Morgan Forster, generally published as E.M. Forster, was an novelist, essayist, and short story writer. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. His humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect".
He had five novels published in his lifetime, achieving his greatest success with A Passage to India (1924) which takes as its subject the relationship between East and West, seen through the lens of India in the later days of the British Raj.
Forster's views as a secular humanist are at the heart of his work, which often depicts the pursuit of personal connections in spite of the restrictions of contemporary society. He is noted for his use of symbolism as a technique in his novels, and he has been criticised for his attachment to mysticism. His other works include Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908) and Maurice (1971), his posthumously published novel which tells of the coming of age of an explicitly gay male character.
“If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.”
“My conviction gains infinitely the moment another soul will believe in it.”
“They had started speaking of “women and children”—that phrase that exempts the male from sanity when it has been repeated a few times. Each felt that all he loved best in the world was at stake, demanded revenge, and was filled with a not unpleasing glow, in which the chilly and half-known features of Miss Quested vanished, and were replaced by all that is sweetest and warmest in private life. “But it’s the women and children,” they repeated, and the Collector knew he ought to stop them intoxicating themselves, but he hadn’t the heart.”
“I suggest that the only books that influence us are those for which we are ready, and which have gone a little further down our particular path than we have yet gone ourselves.”
“If God could tell the story of the Universe, the Universe would become fictitious.”
“Every little trifle, for some reason, does seem incalculably important today, and when you say of a thing that 'nothing hangs on it,' it sounds like blasphemy. There's never any knowing—(how am I to put it?)—which of our actions, which of our idlenesses won't have things hanging on it for ever.”