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Émile Zola

Émile François Zola was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France.

More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations.

As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."

Although Zola and Cézanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in his novel L'Œuvre (The Masterpiece, 1886).

From 1877 with the publication of L'Assommoir, Émile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author.

The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.


“İlle de bir sınıfın öbürünü yenmesi gerekiyorsa, çok daha yeni ve canlı bir sınıf olan emekçi halkın zevke eğlenceye dalıp çürümüş olan kentsoylu sınıfı yenmesi daha akla yatkın değil miydi? Belki kan dökülecek, ama sonunda yepyeni bir toplum ortaya çıkacaktı. Yaşlanmış ulusları canlandıracak bu barbarca saldırıyı işteyişte aslında pek yakında patlak verecek gerçek devrime, emekçi halkın devrimine duyulan şaşmaz inanç gizliydi; bu devrim şu anda gökyüzünü kana boyayan güneş gibi yüzyılın son günlerinde bütün dünyayı tutuşturacaktı.”
Émile Zola
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“She wanted to live, and live fully, and to give life, she who loved life! What was the good of existing, if you couldn't give yourself?”
Émile Zola
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“Boredom was at the root of Lazare's unhappiness, an oppressive, unremitting boredom, exuding from everything like the muddy water of a poisoned spring. He was bored with leisure, with work, with himself even more than with others. Meanwhile he blamed his own idleness for it, he ended by being ashamed of it.”
Émile Zola
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“Did not one spend the first half of one's days in dreams of happiness and the second half in regrets and terrors?”
Émile Zola
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“Oh, that's typical of you modern young men; you've nibbled at science and it's made you ill, because you've not been able to satisfy that old craving for the absolute that you absorbed in your nurseries. You'd like science to give you all the answers at one go, whereas we're only just beginning to understand it, and it'll probably never be anything but an eternal quest. And so you repudiate science, you fall back on religion, and religion won't have you any more. Then you relapse into pessimism...Yes, it's the disease of our age, of the end of the century: you're all inverted Werthers.”
Émile Zola
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“How the thought of meeting lost loved ones would sweeten one's last moments, how eagerly would one embrace them, and what bliss to live together once more in immortality! He suffered agonies when he considered religion's charitable lie, which compassionately conceals the terrible truth from feeble creatures. No, everything finished at death, nothing that we had loved was ever reborn, our farewells were for ever. For ever! For ever! That was the dreadful thought that carried his mind hurtling down abysses of emptiness.”
Émile Zola
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“If you shut up truth and bury it under the ground, it will but grow, and gather to itself such explosive power that the day it bursts through it will blow up everything in its way.”
Émile Zola
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“It was always the same; other people gave up loving before she did. They got spoilt, or else they went away; in any case, they were partly to blame. Why did it happen so? She herself never changed; when she loved anyone, it was for life. She could not understand desertion; it was something so huge, so monstrous that the notion of it made her little heart break.”
Émile Zola
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“Hélène slowly surveyed the room. In this respectable society, amongst these apparently decent middle-class people, were there none but faithless wives? With her strict provincial morality, she was amazed at the licensed promiscuity of Parisian life.”
Émile Zola
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“The whole of Paris was lit up. The tiny dancing flames had bespangled the sea of darkness from end to end of the horizon, and now, like millions of stars, they burned with a steady light in the serene summer night. There was no breath of wind to make them flicker as they hung there in space. They made the unseen city seem as vast as a firmament, reaching out into infinity.”
Émile Zola
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“It all seemed a hollow sham now - that strict code, that conscientious virtue that condemned her to the sterile joys of pious women! No, no, she'd had enough of that; she wanted to live!”
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“Hélène, her eyes once more raised and remote, was deep in a dream. She was Lady Rowena, she was in love, with the deep peaceful passion of a noble soul. This spring morning, the loveliness of the great city, the first wallflowers scenting her lap, had little by little melted her heart.”
Émile Zola
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“On a pitch black, starless night, a solitary man was trudging along the main road from Marchiennes to Montsou, ten kilometres of cobblestones running straight as a die across the bare plain between fields of beet.”
Émile Zola
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“A new dynasty is never founded without a struggle. Blood makes good manure. It will be a good thing for the Rougon family to be founded on a massacre, like many illustrious families."--Monsieur de Carnavant”
Émile Zola
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“Kings may usurp thrones, republics may be established, but the town scarcely stirs. Plassan sleeps while Paris fights.”
Émile Zola
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“The Revolution of 1848 found all the Rougons on the lookout, frustrated by their bad luck, and ready to use any means necessary to advance their cause. They were a family of bandits lying in wait, ready to plunder and steal.”
Émile Zola
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“When a peasant begins to feel the need for instruction, he usually becomes fiercely calculating.”
Émile Zola
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“The vision that had emerged from the invisible was returning to the invisible. It was no more an appearance that was fading away, having created an illusion. All is but a dream. And, at the peak of happiness, Angélique had vanished, in the faint breath of a kiss.”
Émile Zola
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“But you said so yourself,the poor lass will die of it...Do you really want her to die?'Yes, I'd rather she died than have a bad life.”
Émile Zola
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“Al principio, pretendía aprovechar las ocasiones, a fé de buena ama de casa: luego, se dejaba llevar por la coquetería: al final, se la comían viva.”
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“All round there was a rising tide of beer, widow Désir's barrels had all been broached, beer had rounded all paunches and was overflowing in all directions, from noses, eyes - and elsewhere. People were so blown out and higgledy-piggledy, that everybody's elbows or knees were sticking into his neighbour and everybody thought it great fun to feel his neighbour's elbows. All mouths were grinning from ear to ear in continuous laughter.”
Émile Zola
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“The road to Lourdes is littered with crutches,but not one wooden leg.”
Émile Zola
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“It was at times like this that one of those waves of bestiality ran through the mine, the sudden lust of the male that came over a miner when he met one of these girls on all fours, with her rear in the air and her buttocks busting out of her breeches.”
Émile Zola
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“Why then should money be blamed for all the dirt and crimes it causes? For is love less filthy - love which creates life?”
Émile Zola
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“Since the same human mire remains beneath, does not all civilisation reduce itself to the superiority of smelling nice and living well?”
Émile Zola
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“Raising her arms, she defied Heaven. 'So,' she cried, 'you prefer your God to me? You think he is stronger than I am. You think he will love you better than I would? Ah, what a child you are! Do stop talking such twaddle. What we are going to do is go back to the garden together, and love each other, be happy and free, for that is life.”
Émile Zola
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“There Albine lay, panting, exhausted by love, her hands clutched closer and closer to her heart, breathing her last. She parted her lips, seeking the kiss which should obliterate her, and then the hyacinths and tuberoses exhaled their incense, wrapping her in a final sigh, so profound that it drowned the chorus of roses, and in this culminating gasp of blossom, Albine was dead.”
Émile Zola
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“He was possessed now with that obsession for the cross in which so many lips have worn themselves away on crucifixes.”
Émile Zola
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“For a few moments, raising his arms desperately, the Reverend Mouret implored Heaven. His shoulder-blades cracked, with such fantastic force did he pray. But soon enough his arms fell to his sides, his hopes abashed. From heaven came one of those silences utterly void of hope known to the devout.”
Émile Zola
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“Albine now yielded to him, and Serge possessed her.And the whole garden was engulfed together with the couple in one last cry of love's passion. The tree-trunks bent as under a powerful wind. The blades of grass emitted sobs of intoxication. The flowers, fainting, lips half-open, breathed out their souls. The sky itself, aflame with the setting of the great star, held its clouds motionless, faint with love, whence superhuman rapture fell. And it was the victory of all the wild creatures, all plants and all things natural, which willed the entry of these two children into the eternity of life.”
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“These people came into the world and left it bound to their soil, proliferating on their own dung-hills with slow deliberation like the uncomplicated soul of trees which scatter their seed about their feet, with little conception of any larger world beyond the dun rocks among which they vegetated.”
Émile Zola
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“He mused on this village of his, which had sprung up in this place, amid the stones, like the gnarled undergrowth of the valley. All Artaud's inhabitants were inter-related, all bearing the same surname to such an extent that they used double-barrelled names from the cradle up, to distinguish one from another. At some antecedent date an ancestral Artaud had come like an outcast, to establish himself in this waste land. His family had grown with the savage vitality of the vegetation, drawing nourishment from this stone till it had become a tribe, then the tribe turned to a community, till they could not sort out their cousinage, going back for generations. They inter-married with unblushing promiscuity.”
Émile Zola
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“At the street corner, a one-storey house built of freestone, but repulsively decrepit and filthy, seemed to command the entrance, like a gaol. And here, indeed, lived La Méchain, like a vigilant proprietess, ever on the watch, exploiting in person her little population of starving tenants.”
Émile Zola
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“In love as as in speculation there is much filth; in love also, people think only of their own gratification; yet without love there would be no life, and the world would come to an end.”
Émile Zola
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“Speculation, speculation!' she [Caroline Hamelin] mechanically repeated, struggling with her doubts. 'Ah! the idea of it fills my heart with disturbing anguish.”
Émile Zola
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“All of a sudden, in the good-natured child, the woman stood revealed, a disturbing woman with all the impulsive madness of her sex, opening the gates of the unknown world of desire. Nana was still smiling, but with the deadly smile of a man-eater.”
Émile Zola
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“Denise était venue à pied de la gare Saint-Lazare, où un train de Cherbourg l’avait débarquée avec ses deux frères, après une nuit passée sur la dure banquette d’un wagon de troisième classe. Elle tenait par la main Pépé, et Jean la suivait, tous les trois brisés du voyage, effarés et perdus, au milieu du vaste Paris, le nez levé sur les maisons, demandant à chaque carrefour la rue de la Michodière, dans laquelle leur oncle Baudu demeurait. Mais, comme elle débouchait enfin sur la place Gaillon, la jeune fille s’arrêta net de surprise.”
Émile Zola
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“From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!”
Émile Zola
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“When lovers kiss on the cheeks, it is because they are searching, feeling for one another's lips. Lovers are made by a kiss.”
Émile Zola
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“O şimdiye kadar bedeniyle sevmişti. Şimdi kafasıyla sevmeye başladı.”
Émile Zola
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“Angelique, with both hands open, lying limply on her knees, was giving herself. And Felicien remembered the evening on which she had run barefoot through the grass, so adorable that he had pursued her, and whispered in her ear, "I love you". And he understood full well that only now had she replied, with the same cry, "I love you." And he understood full well that only now had she replied, with the same cry, "I love you", the eternal cry that had finally emerged from her wide-open heart. "I love you... Take me, carry me away, I am yours.”
Émile Zola
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“Sin became a luxury, a flower set in her hair, a diamond fastened on her brow.”
Émile Zola
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“He [Maxime] was twenty, and already there was nothing left to surprise or disgust him. He had certainly dreamt of the most extreme forms of debauchery. Vice with him was not an abyss, as with certain old men, but a natural, external growth.”
Émile Zola
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“This was the time when the rush for the spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.”
Émile Zola
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“She [Sidonie Rougon] never spoke of her husband, nor of her childhood, her family, or her personal concerns. There was only one thing she never sold, and that was herself.”
Émile Zola
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“The Empire was on the point of turning Paris into the bawdy house of Europe. The gang of fortune-seekers who had succeeded in stealing a throne required a reign of adventures, shady transactions, sold consciences, bought women, and rampant drunkenness.”
Émile Zola
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“Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.”
Émile Zola
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“And then there was pain and blood and tears, all those things that cause suffering and revolt, the killing of Françoise, the killing of Fouan, vice triumphing, and the stinking, bloodthirsty peasants, vermin who disgrace and exploit the earth. But can you really know? Just as the frost that burns the crops, the hail that chops them down, the thunderstorms which batter them are all perhaps necessary, maybe blood and tears are needed to keep the world going. And how important is human misery when weighed against the mighty mechanism of the stars and the sun? What does God care for us? We earn our bread only by dint of a cruel struggle, day in, day out. And only the earth is immortal, the Great Mother from whom we spring and to whom we return, love of whom can drive us to crime and through whom life is perpetually preserved for her own inscrutable ends, in which even our wretched degraded nature has its part to play.”
Émile Zola
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“The stench of the manure that Jean was turning had cheered him up a little. He adored its promise of fertility and was sniffing it with the relish of a man smelling a randy woman.”
Émile Zola
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“Violence has never prospered, you can't remake the world in a day. Anyone who promises to change everything for you all at once is either a fool or a rogue!”
Émile Zola
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