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Emma Bull

Emma Bull is a science fiction and fantasy author whose best-known novel is War for the Oaks, one of the pioneering works of urban fantasy. She has participated in Terri Windling's Borderland shared universe, which is the setting of her 1994 novel Finder. She sang in the rock-funk band Cats Laughing, and both sang and played guitar in the folk duo The Flash Girls while living in Minneapolis, Minnesota.

Her 1991 post-apocalyptic science fiction novel Bone Dance was nominated for the Hugo, Nebula, and World Fantasy Awards. Bull wrote a screenplay for War for the Oaks, which was made into an 11-minute mini-film designed to look like a film trailer. She made a cameo appearance as the Queen of the Seelie Court, and her husband, Will Shetterly, directed. Bull and Shetterly created the shared universe of Liavek, for which they have both written stories. There are five Liavek collections extant.

She was a member of the writing group The Scribblies, which included Will Shetterly as well as Pamela Dean, Kara Dalkey, Nate Bucklin, Patricia Wrede and Steven Brust. With Steven Brust, Bull wrote Freedom and Necessity (1997), an epistolary novel with subtle fantasy elements set during the 19th century United Kingdom of Great Britain and Ireland Chartist movement.

Bull graduated from Beloit College in 1976. Bull and Shetterly live in Arizona.


“You may attack royalty, or deny its will, but you must never, never ignore it”
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“Coincidence is the word we use when we can't see the levers and pulleys.”
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“I love you like my own sister. Which is why I won't hesitate to tell you that I don't believe it.”
Emma Bull
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“The way to get through normal life is to pretend it isn't getting to you. If you let on that you're hurt, the other animals will turn on you and tear you to pieces. Don't attract the attention of predators.”
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“There are at least two sets of Rules for Life, as far as I can tell. There are the ones that get you picked up by the cops or taken to the assistant principal's office if you break them: Don't leave school grounds, don't spray paint stop signs, don't drink, ,don't drop firecrackers in the toliets.But there's a different set that you really can't break if you don't want your life to suck relentlessly. At the head of the list, Rule Number One: Don't get noticed. As long as you stay exactly the person everyone thinks you're supposed to be, you're fine.”
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“Here's what I think I'm having trouble with: this is what happiness is. When I was a kid, I thought I'd just get happier and happier as I got older, and have more things to be happy about. I based this theory on observation of select adults. The problem with my results is that I couldn't tell the difference then between happy and fake-happy. Now I know you pretend to be just frigging ecstatic over everything, maybe because you're so glad it's not worse.”
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“You've run a lot of risks, and gone to a lot of work, and all to turn me into a bullet for your gun. But I'm a bullet that thinks for itself, and I want to know what I'm being shot at.”
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“No vivieron felices para siempre, pues nada vive eternamente; pero vivieron tantos años como es natural, y después pasaron juntos a la tierra donde los árboles florecen y dan fruto a un mismo tiempo, y donde las flores de primavera nunca se marchitan.”
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“Nacemos solos en nuestra cabeza; vivimos solos allí; morimos solos. Los secretos, pues, a la tumba. Por un momento sentí deseos desesperados de no estar a solas...”
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“Sex without love is like a goddamn business transaction. And sometimes both parties feel as if they got a good deal, but that doesn't make it any less so.”
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“Every motion she made was slow, as if she’d never before put her arms around a man, and didn’t know for certain where everything fit. When at last they were pressed close, she didn’t think she’d know how to let go when the time came. They summarized the course of passion with kisses: a chaste, half-frightened brush of the lips metamorphosed into something fierce and fast-burning, which in its turn became a more patient, more intimate touch, full of inquiry and shared pleasure.”
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“Thataway.”
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“She lifted her head. "It's easier," she said, slowly, "to be angry on someone else's behalf than on my own. And yet I find I have a well of anger in me, that I have been filling for years from my own hurts. If I spill it out in defense of another, I can deny it's mine.”
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“Are you decent?" Tick-Tick called through the door.I said what I was supposed to: "No, but I'm dressed.”
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“You're not bothering me. I'm not doing anything." Well, I was breathing, and my heart was beating. But the rest of me wasn't busy.”
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“If I had to, I'd fight it like death itself. But with you, I don't have to.”
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“Do you remember, we used to long to cut our hair, dress in boy's clothes, and run off to the gipsies? Irresponsible, we were told, and dangerous. No, the real danger is that running away to the gipsies is fairy food. Had we done it, neither of us would have thought of coming back.”
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“If you were anyone else, I'd tell you it's unbecoming to gloat."But you'd tell me..."That even gloating becomes you. It's a sad thing, an intelligent woman in love.”
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“If the obligations of friendship are constraints, then I am so constrained.”
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“I’ve told you that I’m a tricksy wight, and I am, my sweet. But there are those in the Seelie Court who would make me seem a very perfect knight.”
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“It occurs to me to wonder: do I believe in any god, or even positively not believe, as James does? I believe in systems and methods. I believe in the beauties of philosophy and poetry. I believe that the work we do and leave behind us is our afterlife; and I believe that history lies, but sometimes so well that I can't bring myself to resent it. I believe that truth is beauty, but not, I'm afraid, the reverse. It doesn't seem sufficient to sustain one in life's rigorous moments. Perhaps I shall embrace Islam. Its standards for poetry seem very high.”
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“To those who see the magical surface of things, you are invisible.' Good grief. Will you still be able to see me?' He met her eyes in a way that made her shiver pleasantly. 'I see you in a great many ways. It would be hard to blind me in all of them.”
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“You're good, did you know that?' Oh, yes.”
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“How old are you?' The question startled him. 'Earth and Air. There are times you are no more comfortable a companion than I am. The answer to that serves no conceivable purpose, and I refuse to give it to you.' When I was a kid I read Black Beauty. There were horse-drawn cabs in that. Are you that old?' Older, older, older. I shall not tell you, so you may as well leave off, my primrose.' She snorted. 'I think that means I should give up. You've started sweet-talking.' I am torn,' the phouka said, grinning, 'between responding, 'Oh, absolutely!' and 'What do you mean, started?'' He grabbed her hand, dropped a kiss on the knuckles, and loped across the street. Eddi felt the touch of his mouth on her hand for an inexplicably long time.”
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“Could I make you believe something that wasn't true?' He studied her through his eyelashes. 'You could make me believe anything at all.”
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“I see the light at the end of the candle.”
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“Is negative space the space you don't like, or the space that is not there? And if it's not there how can you tell?”
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“You have to break an omelette to make eggs.”
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“We're all immortal until we die.”
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“It was like him, too, to love her and admit to it before he knew if she loved him. Maybe only mortals expected to barter their hearts.”
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“I’ve no surety that it is. I know only parts of what I feel; I may be misnaming the whole. You dwell in my mind like a household spirit. All that I think is followed with, ‘I shall tell that thought to Eddi.’ Whatever I see or hear is colored by what I imagine you will say of it. What is amusing is twice so, if you have laughed at it. There is a way you have of turning your head, quickly with a little tilt, that seems more wonderful to me than the practiced movements of dancers. All this, taken together, I’ve come to think of as love, but it may not be.It is not a comfortable feeling. But I find that, even so, I would wish the same feeling on you. The possibility that I suffer it alone–that frightens me more than all the host of the Unseelie Court.”
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“We cannot resist the lure of that mortal brilliance. It is its own kind of glamour, that dazzles the senses. And once we have found it, we cannot turn away.”
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“She has her own glamour, Willy lad. All poets do, all the bards and artists, all the musicians who truly take the music into their own hearts. They all straddle the border of Faerie, and they see into both worlds. Not dependably into either, perhaps, but that uncertainty keeps them honest and at a distance.”
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“Sometimes, she reflected, she dressed for courage, sometimes for success, and sometimes for the consolation of knowing that whatever else went wrong, at least she liked her clothes.”
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“We're all born nameless, aren't we? And the name we end up with has only peripherally to do with our family tree.”
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