Ernest Hemingway photo

Ernest Hemingway

Terse literary style of Ernest Miller Hemingway, an American writer, ambulance driver of World War I , journalist, and expatriate in Paris during the 1920s, marks short stories and novels, such as

The Sun Also Rises

(1926) and

The Old Man and the Sea

(1952), which concern courageous, lonely characters, and he won the Nobel Prize of 1954 for literature.

Economical and understated style of Hemingway strongly influenced 20th-century fiction, whereas his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s. He published seven novels, six short story collections and two nonfiction works. Survivors published posthumously three novels, four collections of short stories, and three nonfiction works. People consider many of these classics.

After high school, Hemingway reported for a few months for the Kansas City Star before leaving for the Italian front to enlist. In 1918, someone seriously wounded him, who returned home. His wartime experiences formed the basis for his novel

A Farewell to Arms

. In 1922, he married Hadley Richardson, the first of his four wives. The couple moved, and he worked as a foreign correspondent and fell under the influence of the modernist writers and artists of the expatriate community of the "lost generation" of 1920s.

After his divorce of 1927 from Hadley Richardson, Hemingway married Pauline Pfeiffer. At the Spanish civil war, he acted as a journalist; afterward, they divorced, and he wrote

For Whom the Bell Tolls

. Hemingway maintained permanent residences in Key West, Florida, and Cuba during the 1930s and 1940s.

Martha Gellhorn served as third wife of Hemingway in 1940. When he met Mary Welsh in London during World War II, they separated; he presently witnessed at the Normandy landings and liberation of Paris.

Shortly after 1952, Hemingway went on safari to Africa, where two plane crashes almost killed him and left him in pain and ill health for much of the rest of his life. Nevertheless, in 1959, he moved from Cuba to Ketchum, Idaho, where he committed suicide in the summer of 1961.


“There was nothing to do about him. It was Easter Sunday and the Fascists were advancing toward the Ebro. It was a gray overcast day with a low ceiling so their planes were not up. That and the fact that cats know how to look after themselves was all the good luck that old man would ever have.”
Ernest Hemingway
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“I'm getting as bored with dying as with everything else, he thought.'It's a bore,' he said out loud.'What is, my dear?''Anything you do too bloody long.”
Ernest Hemingway
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“He had been contemptuous of those who wrecked. You did not have to like it because you understood it. He could beat anything, he thought, because no thing could hurt him if he did not care.All right. Now he would not care for death. One thing he had always dreaded was the pain. He could stand pain as well as any man, until it went on too long, and wore him out, but here he had something that had hurt frightfully and just when he had felt it breaking him, the pain had stopped.”
Ernest Hemingway
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“He was going to sleep a little while. He lay still and death was not there. It must have gone around another street. It went in pairs, on bicycles, and moved absolutely silently on the pavements.”
Ernest Hemingway
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“So this was how you died, in whispers that you did not hear.”
Ernest Hemingway
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“He thought about alone in Constantinople that time, having quarreled in Paris before he had gone out. He had whored the whole time and then, when that was over, and he had failed to kill his loneliness, but only made it worse, he had written her, the first one, the one who left him, a letter telling her how he had never been able to kill it . . . . How when he thought he saw her outside the Regence one time it made him go all faint and sick inside, and that he would follow a woman that looked like her in some way, along the Boulevard, afraid to see it was not she, afraid to lose the feeling it gave him. How every one he had slept with had only made him miss her more. How what she had done could never matter since he could never cure himself of loving her.”
Ernest Hemingway
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“He had loved too much, demanded too much, and he wore it all out.”
Ernest Hemingway
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“You don't have to destroy me. Do you? ...”
Ernest Hemingway
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“It was not so much that he lied as that there was no truth to tell. He had had his life and it was over and then he went on living it again with different people and more money, with the best of the same places, and some new ones.You kept from thinking and it was all marvelous. You were equipped with good insides so that you did not go to pieces that way, the way most of them had, and you made an attitude that you cared nothing for the work you used to do, now that you could no longer do it. But, in yourself, you said that you would write about these people; about the very rich; that you were really not of them but a spy in their country; that you would leave it and write of it and for once it would be written by some one who knew what he was writing of. But he would never do it, because each day of not writing, of comfort, of being that which he despised, dulled his ability and softened his will to work so that, finally, he did no work at all.”
Ernest Hemingway
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“I don't like to leave anything,' the man said. 'I don't like to leave things behind.”
Ernest Hemingway
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“You bitch,' he said. 'You rich bitch. That's poetry. I'm full of poetry now. Rot and poetry. Rotten poetry.”
Ernest Hemingway
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“If you have to go away,' she said,'is it absolutely necessary to kill off everything you leave behind? I mean do you have to take away everything? ...”
Ernest Hemingway
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“It was strange how easy being tired enough made it.”
Ernest Hemingway
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“The boy Paco had never known about any of this nor about what all these people would be doing on the next day and on other days to come. He had no idea how they really lived nor how they ended. He did not even realize they ended.”
Ernest Hemingway
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“And this,' he was saying aloud. 'And this. And this.”
Ernest Hemingway
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“There are the two curses of Spain, the bulls and the priests.”
Ernest Hemingway
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“It is by riding a bicycle that you learn the contours of a country best, since you have to sweat up the hills and coast down them.”
Ernest Hemingway
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“Then there is the other secret. There isn't any symbolysm [sic]. The sea is the sea. The old man is an old man. The boy is a boy and the fish is a fish. The shark are all sharks no better and no worse. All the symbolism that people say is shit. What goes beyond is what you see beyond when you know.”
Ernest Hemingway
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“If two people love each other there can be no happy end to it.”
Ernest Hemingway
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“Today is only one day in all the days that will ever be. But what will happen in all the other days that ever come can depend on what you do today. It's been that way all this year. It's been that way so many times. All of war is that way.”
Ernest Hemingway
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“Live the full life of the mind, exhilarated by new ideas, intoxicated by the Romance of the unusual.”
Ernest Hemingway
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“I always try to write on the principle of the iceberg. There is seven-eighths of it underwater for every part that shows.”
Ernest Hemingway
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“That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”
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“Nobody climbs on skis now and almost everybody breaks their legs but maybe it is easier in the end to break your legs than to break your heart although they say that everything breaks now and that sometimes, afterwards, many are stronger at the broken places.”
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“Happiness is often presented as being very dull but, he thought, lying awake, that is because dull people are sometimes very happy and intelligent people can and do go around making themselves and everyone else miserable. He had never found happiness dull. It always seemed more exciting than any other thing and capable of as great intensity as sorrow to those people who were capable of having it.”
Ernest Hemingway
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“I know now that there is no one thing is true–it is all true.”
Ernest Hemingway
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“But in the night he woke and held her tight as though she were all of life and it was being taken from him. He held her feeling she was all of life there was and it was true.”
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“God knows I had not wanted to fall in love with her. I had not wanted to fall in love with any one. But God knows I had and I lay on the bed in the room of the hospital in Milan and all sorts of things went through my head but I felt wonderful...”
Ernest Hemingway
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“I loved you when I saw you today and I loved you always but I never saw you before.”
Ernest Hemingway
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“Of all men the drunkard is the foulest. The thief when he is not stealing is like another. The extortioner does not practice in the home. The murderer when he is at home can wash his hands. But the drunkard stinks and vomits in this own bed and dissolves his organs in alcohol.”
Ernest Hemingway
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“Never be daunted”
Ernest Hemingway
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“As you get older it is harder to have heroes, but it is sort of necessary.”
Ernest Hemingway
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“I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.”
Ernest Hemingway
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“Love is just another dirty lie. Love is ergoapiol pills to make me come around because you were afraid to have a baby. Love is quinine and quinine and quinine until I'm deaf with it. Love is that dirty aborting horror that you took me to. Love is my insides all messed up. It's half catheters and half whirling douches. I know about love. Love always hangs up behind the bathroom door. It smells like lysol. To hell with love. Love is making me happy and then going off to sleep with your mouth open while I lie awake all night afraid to say my prayers even because I know I have no right to anymore. Love is all the dirty little tricks you taught me that you probably got out of some book. All right. I'm through with you and I'm through with love.”
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“I sometimes think my style is suggestive rather than direct. The reader must often use his imagination or lose the most subtle part of my thought.”
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“That's my town,' Joaquin said. 'What a fine town, but how the buena gente, the good people of that town, have suffered in this war.' Then, his face grave, 'There they shot my father. My mother. My brother-in-law and now my sister.' 'What barbarians,' Robert Jordan said. How many times had he heard this? How many times had he watched people say it with difficulty? How many times had he seen their eyes fill and their throats harden with the difficulty of saying my father, or my brother, or my mother, or my sister? He could not remember how many times he heard them mention their dead in this way. Nearly always they spoke as this boy did now; suddenly and apropos of the mention of the town and always you said, 'What barbarians.”
Ernest Hemingway
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“Remember to get the weather in your damn book--weather is very important.”
Ernest Hemingway
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“It could be worse,' Passini said respectfully. "There is nothing worse than war." Defeat is worse." I do not believe it," Passini said still respectfully. "What is defeat? You go home.”
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“And bed, he thought. Bed is my friend. Just bed, he thought. Bed will be a great thing. It is easy when you are beaten, he thought. I never knew how easy it was. And what beat you, the thought.”
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“For her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color."- Ernest Hemingway,”
Ernest Hemingway
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“The real reason for not committing suicide is because you always know how swell life gets again after the hell is over.”
Ernest Hemingway
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“He liked the works of his friends, which is beautiful as loyalty but can be disastrous as judgement.”
Ernest Hemingway
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“But I could tell thee of other things, Inglés, and do not doubt what thou simply cannot see nor cannot hear. Thou canst not hear what a dog hears. Nor canst thou smell what a dog smells. But already thou hast experienced a little of what can happen to man.”
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“You felt, in spite of all bureaucracy and inefficiency and party strife something that was like the feeling you expected to have and did not have when you made your first communion. It was a feeling of consecration to a duty toward all of the oppressed of the world which would be as difficult and embarrasing to speak about as religious experience and yet it was as authentic as the feeling you had when you heard Bach, or stood in Chartres Cathedral or the Cathedral at León and saw the light coming through the great windows; or when you saw Mantegna and Greco and Brueghel in the Prado. It gave you a part in something that you could believe in wholly and completely and in which you felt an absolute brotherhood with the others who were engaged in it. It was something that you had never known before but that you had experienced now and you gave such importance to it and the reasons for it that you own death seemed of complete unimportance; only a thing to be avoided because it would interfere with the performance of your duty. But the best thing was that there was something you could do about this feeling and this necessity too. You could fight.”
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“You had to have these peasant leaders quickly in this sort of war and a real peasant leader might be a little too much like Pablo. You couldn't wait for the real Peasant Leader to arrive and he might have too many peasant characteristics when he did. So you had to manifacture one. At that, from what he had seen of Campesino, with his black beard, his thick negroid lips, and his feverish, staring eyes, he thought he might give almost as much trouble as a real peasant leader. The last time he had seen him he seemed to have gotten to believe his own publicity and think he was a peasant.”
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“How would that premise stand up if he examined it? That was probably why the Communists were always cracking down on Bohemiansism. When you were drunk or when you committed adultery you recognised your own personal fallability of that so mutable substitute for the apostles' creed, the party line. Down with Bohemianism, the sin of Majakowski.”
Ernest Hemingway
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“I knew how severe I had been and how bad things had been. The one who is doing his work and getting satisfaction from it is not the one who poverty bothers.”
Ernest Hemingway
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“You ought to dream. All our biggest businessmen have been dreamers.”
Ernest Hemingway
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“Survival, with honor, that outmoded and all-important word, is as difficult as ever and as all-important to a writer. Those who do not last are always more beloved since no one has to see them in their long, dull, unrelenting, no-quarter-given-and-no-quarter-received, fights that they make to do something as they believe it should be done before they die. Those who die or quit early and easy and with every good reason are preferred because they are understandable and human. Failure and well-disguised cowardice are more human and more beloved.”
Ernest Hemingway
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“In the fall the war was always there, but we did not go to it anymore.”
Ernest Hemingway
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