Ernest Hemingway photo

Ernest Hemingway

Terse literary style of Ernest Miller Hemingway, an American writer, ambulance driver of World War I , journalist, and expatriate in Paris during the 1920s, marks short stories and novels, such as

The Sun Also Rises

(1926) and

The Old Man and the Sea

(1952), which concern courageous, lonely characters, and he won the Nobel Prize of 1954 for literature.

Economical and understated style of Hemingway strongly influenced 20th-century fiction, whereas his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s. He published seven novels, six short story collections and two nonfiction works. Survivors published posthumously three novels, four collections of short stories, and three nonfiction works. People consider many of these classics.

After high school, Hemingway reported for a few months for the Kansas City Star before leaving for the Italian front to enlist. In 1918, someone seriously wounded him, who returned home. His wartime experiences formed the basis for his novel

A Farewell to Arms

. In 1922, he married Hadley Richardson, the first of his four wives. The couple moved, and he worked as a foreign correspondent and fell under the influence of the modernist writers and artists of the expatriate community of the "lost generation" of 1920s.

After his divorce of 1927 from Hadley Richardson, Hemingway married Pauline Pfeiffer. At the Spanish civil war, he acted as a journalist; afterward, they divorced, and he wrote

For Whom the Bell Tolls

. Hemingway maintained permanent residences in Key West, Florida, and Cuba during the 1930s and 1940s.

Martha Gellhorn served as third wife of Hemingway in 1940. When he met Mary Welsh in London during World War II, they separated; he presently witnessed at the Normandy landings and liberation of Paris.

Shortly after 1952, Hemingway went on safari to Africa, where two plane crashes almost killed him and left him in pain and ill health for much of the rest of his life. Nevertheless, in 1959, he moved from Cuba to Ketchum, Idaho, where he committed suicide in the summer of 1961.


“The road to hell is paved with unbought stuffed animals”
Ernest Hemingway
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“Read anything I write for the pleasure of reading it. Whatever else you find will be the measure of what you brought to the reading.”
Ernest Hemingway
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“He was completely detached from every thing except the story he was writing and he was living in it as he built it. The difficult parts he had dreaded he now faced one after another and as he did the people, the country, the days and the nights, and the weather were all there as he wrote. He went on working and he felt as tired as if he had spent the night crossing the broken volcanic desert and the sun had caught him and the others with the dry gray lakes still ahead. He could feel the weight of the heavy double-barreled rifle carried over his shoulder, his hand on the muzzle, and he tasted the pebble in his mouth. Across the shimmer of the dry lakes he could see the distant blue of the escarpment. Ahead of him there was no one, and behind was the long line of porters who knew that they had reached this point three hours too late.It was not him, of course, who had stood there that morning, nor had he even worn the patched corduroy jacket faded almost white now, the armpits rotted through by sweat, that he took off then and handed to his Kamba servant and brother who shared with him the guilt and knowledge of the delay, watching him smell the sour, vinegary smell and shake his head in disgust and then grin as he swung the jacket over his black shoulder holding it by the sleeves as they started off across the dry-baked gray, the gun muzzles in their right hands, the barrels balanced on their shoulders, the heavy stocks pointing back toward the line of porters.It was not him, but as he wrote it was and when someone read it, finally, it would be whoever read it and what they found when they should reach the escarpment, if they reached it, and he would make them reach its base by noon of that day; then whoever read it would find what there was there and have it always.”
Ernest Hemingway
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“we would be together and have our books and at night be warm in bed together with the windows open and the stars bright.”
Ernest Hemingway
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“When I am working on a book or story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day next you hit it again.”
Ernest Hemingway
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“Now I am depressed myself,' I said. 'That's why I never think about these things. I never think and yet when I begin to talk I say the things I have found out in my mind without thinking.”
Ernest Hemingway
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“We think. We are not peasants. We are mechanics. But even the peasants know better than to believe in a war. Everybody hates war.There is a class that control a country that is stupid and down not realise anything and never can. That is why we have this war.Also they make money out of it.”
Ernest Hemingway
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“I had gone to no place where the roads were frozen and hard as iron, where it was clear cold and dry and the snow was dry and powdery and hare-tracks in the snow and the peasants took off their hats and called you Lord and there was good hunting. I had gone to no such place but to the smoke of cafés and nights when the room whirled and you needed to look at the wall to make it stop, nights in bed, drunk, when you knew that that was all there was, and the strange excitement of waking and not knowing who it was with you, and the world all unreal in the dark and so exciting that you must resume again unknowing and not caring in the night, sure that this was all and all and all and not caring. Suddenly to care very much and to sleep to wake with it sometimes morning and all that had been there gone and everything sharp and hard and clear and sometimes a dispute about the cost. Sometimes still pleasant and fond and warm and breakfast and lunch. Sometimes all niceness gone and glad to get out on the street but always another day starting and then another night. I tried to tell about the night and the difference between the night and the day and how the night was better unless the day was very clean and cold and I could not tell it; as I cannot tell it now”
Ernest Hemingway
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“When I have an idea, I turn down the flame, as if it were a little alcohol stove, as low as it will go. Then it explodes and that is my idea.”
Ernest Hemingway
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“I know the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started.”
Ernest Hemingway
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“From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough you give it immortality. That is why you write and for no other reason that you know of. But what about all the reasons that no one knows?”
Ernest Hemingway
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“If a writer of prose knows enough about what he is writing about, he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water”
Ernest Hemingway
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“There was no wind, and, outside now of the warm air of the cave, heavy with smoke of both tobacco and charcoal, with the odor of cooked rice and meat, saffron, pimentos, and oil, the tarry, wine-spilled smell of the big skin hung beside the door, hung by the neck and all the four legs extended, wine drawn from a plug fitted in one leg, wine that spilled a little onto the earth of the floor, settling the dust smell; out now from the odors of different herbs whose names he did not know that hung in bunches from the ceiling, with long ropes of garlic, away now from the copper-penny, red wine and garlic, horse sweat and man sweat died in the clothing (acrid and gray the man sweat, sweet and sickly the dried brushed-off lather of horse sweat, of the men at the table, Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew on the grass in the meadow by the stream.”
Ernest Hemingway
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“Intelligence is so damn rare and the people who have it often have such a bad time with it that they get bitter or propagandistic and then it's not much use.”
Ernest Hemingway
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“He saw the girl watching him and he smiled at her. It was an old smile that he had been using for fifty years, ever since he first smiled...”
Ernest Hemingway
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“All the passengers were crowded over on the landside of the ship, watching through the narrow windows the careened hulk of a freighter, visibly damaged by shellfire, which had driven ashore to beach her cargo. She lay aground, looking against the sand in that clear water like a whale with smokestacks that had come to the beach to die.”
Ernest Hemingway
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“My,' she said. 'We're lucky that you found the place.'We're always lucky,' I said and like a fool I did not knock on wood. There was wood everywhere in that apartment to knock on too.”
Ernest Hemingway
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“I mistrust all frank and simple people, especially when their stories hold together”
Ernest Hemingway
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“Never sit a table when you can stand at the bar.”
Ernest Hemingway
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“I would walk along the quais when I had finished work or when I was trying to think something out. It was easier to think if I was walking and doing something or seeing people doing something that they understood.”
Ernest Hemingway
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“It's this way, see--when a writer first starts out, he gets a big kick from the stuff he does, and the reader doesn't get any;then, after a while, the writer gets a little kick and the reader gets a little kick; and finally, if the writer's any good, he doesn't get any kick at all and the reader gets everything.”
Ernest Hemingway
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“Woman are a nuisance on Safari.”
Ernest Hemingway
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“Grace under pressure.”
Ernest Hemingway
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“Mice: What is the best early training for a writer?Y.C.: An unhappy childhood.”
Ernest Hemingway
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“The melon of Castile is for self abuse. The melon of Valencia for eating.”
Ernest Hemingway
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“Something, or something awful or something wonderful was certain to happen on every day in this part of Africa.”
Ernest Hemingway
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“The fish is my friend too... I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars. Imagine if each day a man must try to kill the moon, he thought. The moon runs away. But imagine if a man each day should have to try to kill the sun? We were born lucky; he thought”
Ernest Hemingway
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“He said we were all cooked but we were all right as long as we did not know it. We were all cooked. The thing was not to recognize it. The last country to realize they were cooked would win the war.”
Ernest Hemingway
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“Writing, at its best, is a lonely life. Organizations for writers palliate the writer's loneliness but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.”
Ernest Hemingway
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“This is a good place," he said."There's a lot of liquor," I agreed.”
Ernest Hemingway
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“Anything was better than Ezra learning to play the bassoon...”
Ernest Hemingway
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“For what are we born if not to aid one another?”
Ernest Hemingway
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“Don’t you ever get the feeling that all your life is going by and you’re not taking advantage of it?”
Ernest Hemingway
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“You are going to die like a dog for no good reason”
Ernest Hemingway
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“When you have two people who love each other, are happy and gay and really good work is being done by one or both of them, people are drawn to them as surely as migrating birds are drawn at night to a powerful beacon. If the two people were as solidly constructed as the beacon there would be little damage except to the birds. Those who attract people by their happiness and their performance are usually inexperienced. They do not know how not to be overrun and how to go away. They do not always learn about the good, the attractive, the charming, the soon-beloved, the generous, the understanding rich who have no bad qualities and who give each day the quality of a festival and who, when they have passed and taken the nourishment they needed, leave everything deader than the roots of any grass Attila's horses' hooves have ever scoured.”
Ernest Hemingway
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“Since I had started to break down all my writing and get rid of all facility and try to make instead of describe, writing had been wonderful to do.”
Ernest Hemingway
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“With so many trees in the city, you could see the spring coming each day until a night of warm wind would bring it suddenly in one morning. Sometimes the heavy cold rains would beat it back so that it would seem that it would never come and that you were losing a season out of your life. This was the only truly sad time in Paris because it was unnatural. You expected to be sad in the fall. Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen. When the cold rains kept on and killed the spring, it was as though a young person had died for no reason. In those days, though, the spring always came finally but it was frightening that it had nearly failed.”
Ernest Hemingway
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“No one you love is ever truly lost.”
Ernest Hemingway
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“[Imagination] is the one thing beside honesty that a good writer must have. The more he learns from experience the more he can imagine. If he gets so he can imagine truly enough people will think that the things he relates all really happened and that he is just reporting.”
Ernest Hemingway
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“If you stop complaining and asking for what you never will get, you will have a good life. A good life is not measured by any biblical span.”
Ernest Hemingway
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“We need more true mystery in our lives Hem- he said. The completely unambitious writer and the really good unpublished poem are the things we lack most. There is of course the problem of sustenance”
Ernest Hemingway
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“Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well”
Ernest Hemingway
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“It's silly not to hope. It's a sin he thought.”
Ernest Hemingway
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“But I think the Great DiMaggio would be proud of me today.”
Ernest Hemingway
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“I like to listen. I have learned a great deal from listening carefully. Most people never listen.”
Ernest Hemingway
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“I said, 'Who killed him?' and he said 'I don't know who killed him, but he's dead all right,' and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”
Ernest Hemingway
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“I'm not going to get into the ring with Tolstoy.”
Ernest Hemingway
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“But walking down the stairs feeling each stair carefully and holding to the banister he thought, I must get her away and get her away as soon as I can without hurting her. Because I am not doing too well at this. That I can promise you. But what else can you do? Nothing, he thought. There's nothing you can do. But maybe, as you go along, you will get good at it.”
Ernest Hemingway
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“You're remembering well today,' she said. 'Don't do it too much.”
Ernest Hemingway
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“Not the why but the what.”
Ernest Hemingway
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