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Ernst Jünger

Ernst Jünger was a decorated German soldier and author who became famous for his World War I memoir Storm of Steel. The son of a successful businessman and chemist, Jünger rebelled against an affluent upbringing and sought adventure in the Wandervogel, before running away to briefly serve in the French Foreign Legion, an illegal act. Because he escaped prosecution in Germany due to his father's efforts, Junger was able to enlist on the outbreak of war. A fearless leader who admired bravery above all else, he enthusiastically participated in actions in which his units were sometimes virtually annihilated. During an ill-fated German offensive in 1918 Junger's WW1 career ended with the last and most serious of his many woundings, and he was awarded the Pour le Mérite, a rare decoration for one of his rank.

Junger served in World War II as captain in the German Army. Assigned to an administrative position in Paris, he socialized with prominent artists of the day such as Picasso and Jean Cocteau. His early time in France is described in his diary Gärten und Straßen (1942, Gardens and Streets). He was also in charge of executing younger German soldiers who had deserted. In his book Un Allemand à Paris , the writer Gerhard Heller states that he had been interested in learning how a person reacts to death under such circumstances and had a morbid fascination for the subject.

Jünger appears on the fringes of the Stauffenberg bomb plot to assassinate Adolf Hitler (July 20, 1944). He was clearly an inspiration to anti-Nazi conservatives in the German Army, and while in Paris he was close to the old, mostly Prussian, officers who carried out the assassination attempt against Hitler. He was only peripherally involved in the events however, and in the aftermath suffered only dismissal from the army in the summer of 1944, rather than execution.

In the aftermath of WW2 he was treated with some suspicion as a closet Nazi. By the latter stages of the Cold War his unorthodox writings about the impact of materialism in modern society were widely seen as conservative rather than radical nationalist, and his philosophical works came to be highly regarded in mainstream German circles. Junger ended his extremely long life as a honoured establishment figure, although critics continued to charge him with the glorification of war as a transcending experience.


“I am an anarch – not because I despise authority, but because I need it. Likewise, I am not a nonbeliever, but a man who demands something worth believing in.”
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“I would like to repeat that I do not fancy myself as anything special for being an anarch. My emotions are no different from those of the average man. Perhaps I have pondered this relationship a bit more carefully and am conscious of a freedom to which “basically” everybody is entitled – a freedom that more or less dicates his actions.”
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“If I love freedom above all else, then any commitment becomes a metaphor, a symbol. This touches on the difference between the forest fleer and the partisan:this distinction is not qualitative but essential in nature. The anarch is closer to Being. The partisan moves within the social or national party structure, the anarch is outside of it. Of course, the anarch cannot elude the party structure, since he lives in society.”
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“The anarch is oriented to facts, not ideas. He fights alone, as a free man, and would never dream of sacrificing himself to having one inadequacy supplant another and a new regime triumph over the old one. In this sense, he is closer to the philistine; the baker whose chief concern is to bake good bread; the peasant, who works his plow while armies march across his fields.”
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“One of the anarch’s emoluments is that he is distinguished for things that he has done on the side or that go against his grain.”
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“When society involves the anarch in a conflict which in which he does not participate inwardly, it challenges him to launch an opposition. He will try to turn the lever with which society moves him. Society is then at his disposal, say, as a stage for grand spectacles that are devised for him. Everything changes; the fetter becomes fascinating, danger an adventure, a suspenseful task.”
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“The political trend is always to be observed, partly as a spectacle, partly for one’s own safety. The liberal is dissatisfied with regime; the anarch passes through their sequence – as inoffensively as possible – like a suite of rooms. This is the recipe for anyone who cares more about the substance of the world than its shadow – the philosopher, the artist, the believer.”
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“For the anarch, little has changed; flags have meaning for him, but not sense. I have seen them in the air and on the ground like leaves in May and November; and I have done so as a contemporary and not just as a historian. The May Day celebration will survive, but with a different meaning. New portraits will head up the processions. A date devoted to the Great Mother is re-profaned. A pair of lovers in the wood pays more homage to it. I mean the forest as something undivided, where every tree is still a liberty tree.For the anarch, little is changed when he strips off a uniform that he wore partly as fool’s motley, partly as camouflage. It covers his spiritual freedom, which he will objectivate during such transitions. This distinguishes him from the anarchist, who, objectively unfree, starts raging until he is thrust into a more rigorous straitjacket.”
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“The anarch sticks to facts, not ideas. He suffers not for facts but because of them, and usually through his own fault, as in a traffic accident. Certainly, there are unforeseeable things – maltreatments. However, I believe I have attained a certain degree of self-distancing that allows me to regard this as an accident.”
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“Man is born violent but is kept in check by the people around him. If he nevertheless manages to throw off his fetters, he can count on applause, for everyone recognizes himself in him. Deeply ingrained, nay, buried dreams come true. The unlimited radiates its magic even upon crime, which, not coincidentally, is the main source of entertainment in Eumeswil. I, as an anarch, not uninterested but disinterested, can understand that. Freedom has a wide range and more facets than a diamond.”
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“Bruno withdrew from the field of history more resolutely than Vigo; that is why I prefer the former’s retrospect but the latter’s prospect. As an anarch, I am determined to go along with nothing, ultimately take nothing seriously – at least not nihilistically, but rather as a border guard in no man’s land, who sharpens his eyes and ears between the tides.”
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“Although I am an anarch, I am not anti-authoritarian. Quite the opposite: I need authority, although I do not believe in it. My critical faculties are sharpened by the absence of the credibility that I ask for. As a historian, I know what can be offered.”
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“We do not escape our boundaries or our innermost being. We do not change. It is true we may be transformed, but we always walk within our boundaries, within the marked-off circle.”
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“Today only the person who no longer believes in a happy ending, only he who has consciously renounced it, is able to live. A happy century does not exist; but there are moments of happiness, and there is freedom in the moment.”
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“In this place a mind was at work to negate the image of a free and intact man. It intended to rely on man power in the same way that it had relied on horsepower. It wanted units to be equal and divisable, and for that purpose man had to be destroyed as the horse had already been destroyed.”
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“Human perfection and technical perfection are incompatible. If we strive for one, we must sacrifice the other: there is, in any case, a parting of the ways. Whoever realises this will do cleaner work one way or the other.Technical perfection strives towards the calculable, human perfection towards the incalculable. Perfect mechanisms - around which, therefore, stands an uncanny but fascinating halo of brilliance - evoke both fear and Titanic pride which will be humbled not by insight but only by catastrophe.The fear and enthusiasm we experience at the sight of perfect mechanisms are in exact contrast to the happiness we feel at the sight of a perfect work of art. We sense an attack on our integrity, on our wholeness. That arms and legs are lost or harmed is not yet the greatest danger.”
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“My unlucky star had destined me to be born when there was much talk about morality and, at the same time, more murders than in any other period. There is, undoubtedly, some connection between these phenomena. I sometime ask myself whether the connection was a priori, since these babblers are cannibals from the start - or a connection a posteriori, since they inflate themselves with their moralizing to a height which becomes dangerous for others.However that may be, I was always happy to meet a person who owed his touch of common sense and good manners to his parents and who didn't need big principles. I do not claim more for myself, and I am a man who for an entire lifetime has been moralized at to the right and the left - by teachers and superiors, by policemen and journalists, by Jews and Gentiles, by inhabitants of the Alps, of islands, and the plains, by cut-throats and aristocrats - all of whom looked as if butter wouldn't melt in their mouths.”
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“A critical attitude, like activity, is one of the fundamental characteristics of our time. Both are interdependent. If the critical attitude should dwindle, there would be more peace and less intelligence, to the benefit of the essential. Neither criticism nor activity, however, can steer the course in such a direction - this means that higher forces are involved.”
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“When we come under the spell of the deeper domain of technology, its economic character and even its power aspect fascinate us less than its playful side. Then we realize we that we are involved in a play, a dance of the spirit, which cannot be grasped by calculation. What is ultimately left for science is intuition alone - a call of destiny.This playful feature manifests itself more clearly in small things than in the gigantic works of our world. The crude observer can only be impressed by large quantities - chiefly when they are in motion - and yet there are as many organs in a fly as in a leviathan.”
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“All the systems which explain so precisely why the world is as it is and why it can never be otherwise, have always called forth in me the same kind of uneasiness one has when face to face with the regulations displayed under the glaring lights of a prison cell. Even if one had been born in prison and had never seen the stars or seas or woods, one would instinctively know of timeless freedom in unlimited space.My evil star, however, had fated me to be born in times when only the sharply demarcated and precisely calculable where in fashion.... "Of course, I am on the Right, on the Left, in the Centre; I descend from the monkey; I believe only what I see; the universe is going to explode at this or that speed" - we hear such remarks after the first words we exchange, from people whom we would not have expected to introduce themselves as idiots. If one is unfortunate enough to meet them again in five years, everything is different except their authoritative and mostly brutal assuredness. Now they wear a different badge in their buttonhole; and the universe now shrinks at such a speed that your hair stands on end.”
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“It is a great priviledge to hear from the mouth of an initiate what struggles we are ensnared in and what the meaning is of the sacrifices we are required to make before veiled images. Even if we should hear something evil, it would still be a blessing to see our task as something beyond a senseless cycle of recurrence.”
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“A great physicist is always a metaphysicist as well; he has a higher concept of his knowledge and his task.”
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“I came to realize that one single human being, comprehended in his depth, who gives generously from the treasures of his heart, bestows on us more riches than Caesar or Alexander could ever conquer. Here is our kingdom, the best of monarchies, the best republic. Here is our garden, our happiness.”
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“The struggle for power had reached a new stage; it was fought with scientific formulas. The weapons vanished in the abyss like fleeting images, like pictures one throws into the fire....When new models were displayed to the masses at the great parades on Red Square in Moscow or elsewhere, the crowds stood in reverent silence and then broke into jubilant shouts of triumph....Though the display was continual, in this silence and these shouts something evil, old as time, manifested itself in man, who is an outsmarter and setter of traps. Invisible, Cain and Tubalcain marched past in the parade of phantoms.”
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“How can one explain this trend towards a more colorless and shallow life? Well, the work was easier, if less healthy, and it brought in more money, more leisure, and perhaps more entertainment. A day in the country is long and hard. And yet the fruits of their present life were worthless compared to a single coin of their former life: a rest in the evening and a rural festivity. That they no longer knew the old kind of happiness was obvious from the discontentment which spread over their features. Soon dissatisfaction, prevailing over all their other moods, became their religion.”
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“Really, doesn´t everything make sense? There are, of course, things from which we more or less recover, although some of them are too harsh even for saints. But that is no reason to accuse God. Even if there are reasons to doubt him, the fact that he did not arrange the world like a well-ordered parlor is not one of them. It speaks rather in his favor. This used to be much better understood.”
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“A work of art wastes away and becomes lustreless in surroundings where it has a price but not a value. It radiates only when surrounded by love. It is bound to wilt in a world where the rich have no time and the cultivated no money. But it never harmonizes with borrowed greatness.”
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“Prognoses which have been made contend that our technology will terminate in pure necromancy. If so, everything we now experience would be only a departure and mechanics would become refined to a degree that would no longer require any crude embodiment. Lights, words, yes even thoughts would be sufficient. (1957)”
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“Unfortunately robots capable of manufacturing robots do not exist. That would be the philosopher's stone, the squaring of the circle.”
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“Die Sklaverei lässt sich bedeutend steigern, indem man ihr den Anschein der Freiheit gewährt.”
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“Alle Ziele sind vergänglich, nur die Bewegung ist ewig, und sie bringt unaufhörlich herrliche und unbarmherzige Schauspiele hervor. Sich in ihre erhabene Zwecklosigkeit versenken zu können wie in ein Kunstwerk oder wie in den gestirnten Himmel, das ist nur wenigen vergönnt.”
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“Die Politik jeglicher Färbung ist mir seit langem zuwider, und ich marschiere hinter keiner Fahne mehr her. Auch ist die Erdrevolution mit politischen Mitteln nicht zu bewältigen. Sie dienen höchstens zur Garnierung des Vulkanrandes, falls sie nicht die Entwicklung sogar vorantreiben.”
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“Die Männer hatten die Bajonette aufgepflanzt. Sie standen in steinerner Unbeweglichkeit, das Gewehr in der Hand, am vorderen Hange des Hohlwegs und starrten in das Vorgelände. Ab und zu, beim Schein einer Leuchtkugel, sah ich Stahlhelm an Stahlhelm, Klinge an Klinge blinken und wurde von einem Gefühl der Unverletzbarkeit erfüllt. Wir konnten zermalmt, aber nicht besiegt werden.”
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“Nur noch vereinzelt schlugen mächtige Granaten ein, von denen eine gleich einem Gruß der Hölle vor uns zerschellte und das Kanalbett mit finsteren Qualm füllte. Die Mannschaft verstummte, wie von einer eisigen Faust im Nacken gepackt, und stolperte hastig über Stacheldraht und Steintrümmer hinter mir her. Ein unheimliches Gefühl beschleicht das beim Durchschreiten einer unbekannten Stellung zur Nachtzeit, auch wenn das Feuer nicht sonderlich stark ist; Auge und Ohr werden durch die sonderbarsten Täuschungen gereizt. Alles ist kalt und fremdartig wie in einer verwunschenen Welt.”
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“Habent sua fata libelli et balli [Books and bullets have their own destinies]”
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