Eudora Welty photo

Eudora Welty

Eudora Alice Welty was an award-winning American author who wrote short stories and novels about the American South. Her book The Optimist's Daughter won the Pulitzer Prize in 1973 and she was awarded the Presidential Medal of Freedom, among numerous awards. She was the first living author to have her works published by the Library of America.

Welty was born in Jackson, Mississippi, and lived a significant portion of her life in the city's Belhaven neighborhood, where her home has been preserved. She was educated at the Mississippi State College for Women (now called Mississippi University for Women), the University of Wisconsin-Madison, and Columbia Business School. While at Columbia University, where she was the captain of the women's polo team, Welty was a regular at Romany Marie's café in 1930.

During the 1930s, Welty worked as a photographer for the Works Progress Administration, a job that sent her all over the state of Mississippi photographing people from all economic and social classes. Collections of her photographs are One Time, One Place and Photographs.

Welty's true love was literature, not photography, and she soon devoted her energy to writing fiction. Her first short story, "Death of a Traveling Salesman," appeared in 1936. Her work attracted the attention of Katherine Anne Porter, who became a mentor to her and wrote the foreword to Welty's first collection of short stories, A Curtain of Green, in 1941. The book immediately established Welty as one of American literature's leading lights and featured the legendary and oft-anthologized stories "Why I Live at the P.O.," "Petrified Man," and "A Worn Path." Her novel, The Optimist's Daughter, won the Pulitzer Prize in 1973.

In 1992, Welty was awarded the Rea Award for the Short Story for her lifetime contributions to the American short story, and was also a charter member of the Fellowship of Southern Writers, founded in 1987. In her later life, she lived near Belhaven College in Jackson, Mississippi, where, despite her fame, she was still a common sight among the people of her hometown.

Eudora Welty died of pneumonia in Jackson, Mississippi, at the age of 92, and is buried in Greenwood Cemetery in Jackson.

Excerpted and adopted from Wikipedia.


“I don't know whether I could do either one, reading or writing, without the other”
Eudora Welty
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“The difficulty that accompanies you is less like the dark than a trusted lantern to see your way by.”
Eudora Welty
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“For her life, any life, she had to believe, was nothing but the continuity of its love.”
Eudora Welty
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“The art that speaks [truth] most unmistakably, most directly, most variously, most fully, is fiction.”
Eudora Welty
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“If you haven't surprised yourself, you haven't written.”
Eudora Welty
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“Yet regardless of where they come from, I cannot remember a time when I was not in love with them - with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. ...I was ready for them, committed to all the reading I could give them...”
Eudora Welty
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“Up home we loved a good storm coming, we’d fly outdoors and run up and down to meet it,” her mother used to say. “We children would run as fast as we could go along the top of that mountain when the wind was blowing, holding our arms right open. The wilder it blew the better we liked it.”
Eudora Welty
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“A whole tree of lightning stood in the sky. She kept looking out the window, suffused with the warmth from the fire and with the pity and beauty and power of her death. The thunder rolled.”
Eudora Welty
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“Then the light changed the water, until all about them the woods in the rising wind seemed to grow taller and blow inward together and suddenly turn dark. The rain struck heavily. A huge tail seemed to lash through the air and the river broke in a wound of silver.”
Eudora Welty
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“Even as we grew up, my mother could not help imposing herself between her children and whatever it was they might take it in mind to reach out for in the world. For she would get it for them, if it was good enough for them--she would have to be very sure--and give it to them, at whatever cost to herself: valiance was in her very fibre. She stood always prepared in herself to challenge the world in our place. She did indeed tend to make the world look dangerous, and so it had been to her. A way had to be found around her love sometimes, without challenging that, and at the same time cherishing it in its unassailable strength. Each of us children did, sooner or later, in part at least, solve this in a different, respectful, complicated way.”
Eudora Welty
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“When my mother would tell me that she wanted me to have something because she as a child had never had it, I wanted, or I partly wanted, to give it back. All my life I continued to feel that bliss for me would have to imply my mother's deprivation or sacrifice. I don't think it would have occurred to her what a double emotion I felt, and indeed I know that it was being unfair to her, for what she said was simply the truth.”
Eudora Welty
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“To imagine yourself inside another person...is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.”
Eudora Welty
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“We are the breakers of our own hearts”
Eudora Welty
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“Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.”
Eudora Welty
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“I learned from the age of two or three that any room in our house, at any time of day, was there to read in, or be read to.”
Eudora Welty
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“Don't give anybody up. . . or leave anybody out. . . . There's room for everything, and time for everybody, if you take your day the way it comes along and try not to be much later than you can help."--Spoken by Jack to Gloria”
Eudora Welty
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“Gardening is akin to writing stories. No experience could have taught me more about grief or flowers, about achieving survival by going, your fingers in the ground, the limit of physical exhaustion.”
Eudora Welty
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“For all of them told happenings like narrations, chronological and careful, as if the ear of the world listened and wished to know surely.”
Eudora Welty
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“Fiction shows us the past as well as the present moment in mortal light; it is an art served by the indelibility of our memory, and one empowered by a sharp and prophetic awareness of what is ephemeral. It is by the ephemeral that our feeling is so strongly aroused for what endures, or strives to endure.”
Eudora Welty
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“It's all right, I want to say to the students who write to me, for things to be what they appear to be, and for words to mean what they say. It's all right, too, for words and appearances to mean more than one thing--ambiguity is a fact of life.”
Eudora Welty
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“We do need to bring to our writing, over and over again, all the abundance we possess. To be able, to be ready, to enter into the minds and hearts of our own people, all of them, to comprehend them (us) and then to make characters and plots in stories that in honesty and with honesty reveal them (ourselves) to us, in whatever situation we live through in our own times: this is the continuing job, and it's no harder now than it ever was, I suppose. Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most”
Eudora Welty
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“Great fiction shows us not how to conduct our behavior but how to feel. Eventually, it may show us how to face our feelings and face our actions and to have new inklings about what they mean. A good novel of any year can initiate us into our own new experience.”
Eudora Welty
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“The novelist works neither to correct nor to condone, not at all to comfort, but to make what's told alive.”
Eudora Welty
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“The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.”
Eudora Welty
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“Both reading and writing are experiences--lifelong-- in the course of which we who encounter words used in certain ways are persuaded by them to be brought mind and heart within the presence, the power, of the imagination.”
Eudora Welty
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“The challenge to writers today, I think, is not to disown any part of our heritage. Whatever our theme in writing, it is old and tried. Whatever our place, it has been visited by the stranger, it will never be new again. It is only the vision that can be new; but that is enough.”
Eudora Welty
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“Writing is an expression of the writer's own peculiar personality, could not help being so. Yet in reading great works one feels that the finished piece transcends the personal. All writers great and small must sometimes have felt that they have become part of what they wrote even more than it still remains a part of them.”
Eudora Welty
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“Human life is fiction's only theme.”
Eudora Welty
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“Making reality real is art's responsibility. It is a practical assignment, then, a self-assignment: to achieve, by a cultivated sensitivity for observing life, a capacity for receiving impressions, a lonely, unremitting, unaided, unaidable vision, and transferring this vision without distortion to it onto the pages of a novel, where, if the reader is so persuaded, it will turn into the reader's illusion.”
Eudora Welty
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“No blur of inexactness, no cloud of vagueness, is allowable in good writing; from the first seeing to the last putting down, there must be steady lucidity and uncompromise of purpose.”
Eudora Welty
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“Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel.”
Eudora Welty
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“Henry James said there isn't any difference between "the English novel" and "the American novel" since there are only two kinds of novels at all, the good and the bad.”
Eudora Welty
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“It's the form it takes when it comes out the other side, of course, that gives a story something unique--its life. The story, in the way it has arrived at what it is on the page, has been something learned, by dint of the story's challenge and the work that rises to meet it--a process as uncharted for the writer as if it had never been attempted before.”
Eudora Welty
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“For the source of the short story is usually lyrical. And all writers speak from, and speak to, emotions eternally the same in all of us: love, pity, terror do not show favorites or leave any of us out.”
Eudora Welty
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“My continuing passion is to part a curtain, that invisible veil of indifference that falls between us and that blinds us to each other's presence, each other's wonder, each other's human plight.”
Eudora Welty
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“People are mostly layers of violence and tenderness wrapped like bulbs, and it is difficult to say what makes them onions or hyacinths.”
Eudora Welty
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“The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order, a timetable not necessarily--perhaps not possibly--chronological. The time as we know it subjectively is often the chronology that stories and novels follow: it is the continuous thread of revelation.”
Eudora Welty
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“There is absolutely everything in great fiction but a clear answer.”
Eudora Welty
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“Writers and travelers are mesmerized alike by the knowing of their destination”
Eudora Welty
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“I live in gratitude to my parents for initiating me--and as early as I begged for it, without keeping me waiting--into knowledge of the word, into reading and spelling, by way of the alphabet. They taught it to me at home in time for me to begin to read before starting school. My love for the alphabet, which endures, grew out of reciting it but, before that, out of seeing the letters on the page. In my own story books, before I could read them for myself I fell in love with various winding, enchanted-looking initials drawn by Walter Crane at the head of fairy tales. In "Once upon a time," an "o" had a rabbit running it as a treadmill, his feet upon flowers. When the day came years later for me to see the Book of Kells, all the wizardry of letter, initial, and word swept over me a thousand times, and the illumination, the gold, seemed a part of the world's beauty and holiness that had been there from the start.”
Eudora Welty
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“One place understood helps us understand all places better”
Eudora Welty
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“Laurel could not see her face but only the back of her neck, the most vulnerable part of anybody, and she thought: Is there any sleeping person you can be entirely sure you have not misjudged?”
Eudora Welty
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“I've said what I had to say.”
Eudora Welty
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“Children, like animals use all their senses to discover the world. Then artists come along and discover it the same way...Or now and then we'll hear from an artisit who's never lost it.”
Eudora Welty
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“Through travel I first became aware of the outside world; it was through travel that I found my own introspective way into becoming a part of it.”
Eudora Welty
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“The mystery in how little we know of other people is no greater than the mystery of how much, Laurel thought.”
Eudora Welty
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“it doesn t matter if it takes a long time getting there; the point is to have a destination.”
Eudora Welty
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“It is our inward journey that leads us through time – forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction. ”
Eudora Welty
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“Beauty is not a means, not a way of furthering a thing in the world. It is a result; it belongs to ordering, to form, to aftereffect.”
Eudora Welty
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“I cannot remember a time when I was not in love with them--with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself.”
Eudora Welty
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