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Eugene O'Neill

American playwright Eugene Gladstone O'Neill authored

Mourning Becomes Electra

in 1931 among his works; he won the Nobel Prize of 1936 for literature, and people awarded him his fourth Pulitzer Prize for

Long Day's Journey into Night

, produced in 1956.

He won his Nobel Prize "for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy." More than any other dramatist, O'Neill introduced the dramatic realism that Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg pioneered to Americans and first used true American vernacular in his speeches.

His plays involve characters, who, engaging in depraved behavior, inhabit the fringes of society, where they struggle to maintain their hopes and aspirations but ultimately slide into disillusionment and despair. O'Neill wrote

Ah, Wilderness!

, his only comedy: all his other plays involve some degree of tragedy and personal pessimism.


“You're two of a kind, and a bad kind.”
Eugene O'Neill
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“LAVINIA: I love everything that grows simply-- up toward the sun-- everything that's straight and strong! I hate what's warped and twists and eats into itself and dies for a lifetime in shadow...”
Eugene O'Neill
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“LAVINIA: He made me feel for the first time in my life that everything about love could be sweet and natural... I have a right to love!”
Eugene O'Neill
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“LAVINIA: I want to feel love! Love is all beautiful! I never used to know that! I was a fool! We'll be married soon... We'll make an island for ourselves on land and we'll have children and love them and teach them to love life so that they can never be possessed by hate and death!”
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“I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself!.. And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience, became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like the veil of things as they seem drawn back by an unseen hand. For a second you see, and seeing the secret, you are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on towards nowhere for no good reason.”
Eugene O'Neill
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“it will be faithful realism, at least. Stammering is the native eloquence of us fog people.”
Eugene O'Neill
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“HOGAN-No, I wouldn't think it, but my motto in life is never trust anyone too far, not even myself.”
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“You said they had found the secret of happiness because they had never heard that love can be a sin.”
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“To hell with the truth! As the history of the world proves, the truth has no bearing on anything. It's irrelevant and immaterial, as the lawyers say. The lie of a pipe dream is what gives life to the whole misbegotten mad lot of us, drunk or sober.”
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“The Mad Scene. Enter Ophelia!”
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“LARRY--(with increasing bitter intensity, more as if he were fighting with himself than with Hickey) I'm afraid to live, am I?--and even more afraid to die! So I sit here, with my pride drowned on the bottom of a bottle, keeping drunk so I won't see myself shaking in my britches with fright, or hear myself whining and praying: Beloved Christ, let me live a little longer at any price! If it's only for a few days more, or a few hours even, have mercy, Almighty God, and let me still clutch greedily to my yellow heart this sweet treasure, this jewel beyond price, the dirty, stinking bit of withered old flesh which is my beautiful little life! (He laughs with a sneering, vindictive self-loathing, staring inward at himself with contempt and hatred. Then abruptly he makes Hickey again the antagonist.) You think you'll make me admit that to myself?”
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“Life is a solitary cell whose walls are mirrors.”
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“The fog was where I wanted to be. Halfway down the path you can’t see this house. You’d never know it was here. Or any of the other places down the avenue. I couldn’t see but a few feet ahead. I didn’t meet a soul. Everything looked and sounded unreal. Nothing was what it is. That’s what I wanted—to be alone with myself in another world where truth is untrue and life can hide from itself. Out beyond the harbor, where the road runs along the beach, I even lost the feeling of being on land. The fog and the sea seemed part of each other. It was like walking on the bottom of the sea. As if I had drowned long ago. As if I was the ghost belonging to the fog, and the fog was the ghost of the sea. It felt damned peaceful to be nothing more than a ghost within a ghost.”
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“Happy roads is bunk. Weary roads is right. Get you nowhere fast. That's where I've got—nowhere. Where everyone lands in the end, even if most of the suckers won't admit it.”
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“But land is land, and it's safer than the stocks and bonds of Wall Street swindlers.”
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“He thinks money spent on a home is money wasted. He's lived too much in hotels. Never the best hotels, of course. Second-rate hotels. He doesn't understand a home. He doesn't feel at home in it. And yet, he wants a home. He's even proud of having this shabby place. He loves it here.”
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“And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience, became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like the veil of things as they seem drawn back by an unseen hand. For a second you see, and seeing the secret, you are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on towards nowhere for no good reason.”
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“For de small stealing dey puts you in jail, soon or late. But for de big stealing dey puts yo' picture in de paper and yo' statue in de Hall of Fame when you croaks! If dey's one thing I learned in ten years, listenin' to de white quality on de Pullman cars, it's dat same fact. And when I gets a chance to use it -- from stowaway to Emperor in two years. Dat's goin' some!”
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“Why can’t you remember your Shakespeare and forget the third-raters. You’ll find what you’re trying to say in him- as you’ll find everything else worth saying. 'We are such stuff as dreams are made on, and our little life is rounded with sleep.''- 'Fine! That’s beautiful. But I wasn’t trying to say that. We are such stuff as manure is made on, so let’s drink up and forget it. That’s more my idea.”
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“Let him come! I have seen them come before -- at Margesfontein, Spion Kiopje, Modder River. Stepping into battle, left right left right, waving their silly swords, so afraid they couldn't show off how brave they was, and with mine rifle I kills them so easy!”
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“I knew it. I knew it. Born in a hotel room - and God damn it - died in a hotel room.”
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“If that ghost have money I tells him never to haunt you -- less'n he wants to lose it!”
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“Now look here, Smithers. They's two kind's of stealing. They's the small kind, like what you does, and the big kind, like I does. Fo' de small stealing dey put you in jail soon or late. But fo' de big stealin' dey puts your picture in de paper and yo' statue in de Hall of Fame when you croak. If dey's one thing I learned in ten years on de Pullman cars, listenin' to de white quality talk, it's dat same fact. And when I gits a chance to use it . . . from stowaway to emperor in two years. Dat's goin' some!”
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“Dey's some things I don't got to be told. I kin read them in folks' eyes.”
Eugene O'Neill
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“Obsessed by a fairy tale, we spend our lives searching for a magic door and a lost kingdom of peace.”
Eugene O'Neill
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“Why am I afraid to live, I who love life and the beauty of flesh and the living colors of earth and sky and sea? Why am I afraid of love, I who love love?.. Why was I born without a skin, O God, that I must wear armor in order to touch or to be touched?”
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“TYRONE[Stares at him -- impressed.]Yes, there's the makings of a poet in you all right.[Then protesting uneasily]But that's morbid craziness about not being wanted and loving death.EDMUND[Sardonically]The makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.”
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“EDMUND*Then with alcoholic talkativenessYou've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!*He grins wryly.It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!TYRONE*Stares at him -- impressed.Yes, there's the makings of a poet in you all right.*Then protesting uneasily.But that's morbid craziness about not being wanted and loving death.EDMUND*SardonicallyThe *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.”
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“I hate doctors! They'll do anything... to keep you coming to them. They'll sell their souls. What's worse, they'll sell yours, and you never know it till one day you find yourself in hell.”
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“We are such things as rubbish is made of, so let's drink up and forget it.”
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“I have had my dance with Folly, nor do I shirk the blame;I have sipped the so-called Wine of Life and paid the price of shame;But I know that I shall find surcease, the rest my spirit craves,Where the rainbows play in the flying spray,'Mid the keen salt kiss of the waves.”
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“None of us can help the things life has done to us. They’re done before you realize it, and once they’re done they make you do other things until at last everything comes between you and what you’d like to be, and you’ve lost your true self forever.”
Eugene O'Neill
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“Man's loneliness is but his fear of life.”
Eugene O'Neill
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“There is no present or future-only the past, happening over and over again-now.”
Eugene O'Neill
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“Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.”
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“Why am I afraid to dance, I who love music and rhythm and grace and song and laughter? Why am I afraid to live, I who love life and the beauty of flesh and the living colors of the earth and sky and sea? Why am I afraid to love, I who love love?”
Eugene O'Neill
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“Like a saint's vision of beatitude. Like the veil of things as they seem drawn back by an unseen hand. For a second you see—and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! ”
Eugene O'Neill
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“Curiosity killed the cat, and satisfaction brought it back.”
Eugene O'Neill
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“Man is born broken. He lives by mending. The grace of God is glue.”
Eugene O'Neill
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“It's a great game - the pursuit of happiness.”
Eugene O'Neill
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“It was a great mistake, my being born a man, I would have been much more successful as a seagull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must be a little in love with death!”
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“Suppose I was to tell you that it's just beauty that's calling me, the beauty of the far off and unknown, the mystery and spell which lures me, the need of freedom of great wide spaces, the joy of wandering on and on----in quest of the secret which is hidden over there----beyond the horizon?”
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“I am so far from being a pessimist...on the contrary, in spite of my scars, I am tickled to death at life.”
Eugene O'Neill
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