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Fitz-James O'Brien

He was born Michael O'Brien in County Cork, and was very young when the family moved to Limerick, Ireland. He attended the University of Dublin, and is believed to have been at one time a soldier in the British Army. On leaving college he went to London, and in the course of four years spent his inheritance of £8,000, meanwhile editing a periodical in aid of the World's Fair of 1851. About 1852 he came to the United States, in the process changing his name to Fitz James and thenceforth he devoted his attention to literature.

While he was in college he had shown an aptitude for writing verse, and two of his poems—"Loch Ine" and "Irish Castles"—were published in The Ballads of Ireland (1856).

His earliest writings in the United States were contributed to The Lantern, which was then edited by John Brougham. Subsequently he wrote for The Home Journal, The New York Times, and The American Whig Review. His first important literary connection was with Harper's Magazine, and beginning in February 1853, with The Two Skulls, he contributed more than sixty articles in prose and verse to that periodical. He likewise wrote for the New York Saturday Press, Putnam's Magazine, Vanity Fair, and The Atlantic Monthly. To the latter he sent "The Diamond Lens" (1858) and "The Wondersmith" (1859), which are unsurpassed as creations of the imagination, and are unique among short magazine stories. "The Diamond Lens" is probably his most famous short story, and tells the story of a scientist who invents a powerful microscope discovers a beautiful female in a microscopic world inside a drop of water. "The Wondersmith" is an early predecessor of robot rebellion, where toys possessed by evil spirits are transformed into living automatons who turns against their creators. His 1858 short called "Horrors Unknown" has been referred to as "the single most striking example of surrealistic fiction to pre-date Alice in Wonderland" (Sam Moskowitz, 1971). "What Was It? A Mystery" (1859) is one of the earliest known examples of invisibility in fiction.

His pen was also employed in writing plays. For James W. Wallack he made A Gentleman from Ireland, that held the boards for a generation. He also wrote and adapted other pieces for the theatres, but they had a shorter existence.

In New York he at once associated with the brilliant set of Bohemians of that day, among whom he was ranked as the most able. At the weekly dinners that were given by John Brougham, or at the nightly suppers at Pfaff's on Broadway, he was the soul of the entertainment.

In 1861 he joined the 7th regiment of the New York National Guard, hoping to be sent to the front, and he was in Camp Cameron before Washington for six weeks. When his regiment returned to New York he received an appointment on the staff of General Frederick W. Lander. He was severely wounded in a skirmish on February 26, 1862, and lingered until April, when he died at Cumberland, Maryland.

From Wikipedia.


“This wine is grand. This poison is grand. It is fine to have good wine to drink, and good poison to kill with, is it not?("The Wondersmith")”
Fitz-James O'Brien
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“Let us drink deep brothers,' he cried, leaving off his strange anointment for a while, to lift a great glass, filled with sparkling liquor, to his lips. 'Let us drink to our approaching triumph. Let us drink to the great poison, Macousha. Subtle seed of Death, - swift hurricane that sweeps away Life, - vast hammer that crushes brain and heart and artery with its resistless weight, -I drink to it.' 'It is a noble concoction, Duke Balthazar,' said Madame Filomel, nodding in her chair as she swallowed her wine in great gulps. 'Where did you obtain it?''It is made,' said the Wondersmith, swallowing another great draught of wine ere he replied, 'in the wild woods of Guiana, in silence and in mystery. Only one tribe of Indians, the Macoushi Indians, know the secret. It is simmered over fires built of strange woods, and the maker of it dies in the making. The place, for a mile around the spot where it is fabricated, is shunned as accursed. Devils hover over the pot in which it stews; and the birds of the air, scenting the smallest breath of its vapour from far away, drop to earth with paralysed wings, cold and dead.''It kills, then, fast?' asked Kerplonne, the artificial-eye maker, - his own eyes gleaming, under the influence of the wine, with a sinister lustre, as if they had been fresh from the factory, and were yet untarnished by use.'Kills?' echoed the Wondersmith, derisively; 'it is swifter than thunderbolts, stronger than lightning. But you shall see it proved before we let forth our army on the city accursed. You shall see a wretch die, as if smitten by a falling fragment of the sun.'("The Wondersmith")”
Fitz-James O'Brien
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“...brandy, which is fallen and accursed wine, as devils are fallen and accursed angels...("The Wondersmith")”
Fitz-James O'Brien
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“He hoped and feared,' continued Solon, in a low. mournful voice; 'but at times he was very miserable, because he did not think it possible that so much happiness was reserved for him as the love of this beautiful, innocent girl. At night, when he was in bed, and all the world was dreaming, he lay awake looking up at the old books against the walls, thinking how he could bring about the charming of her heart. One night, when he was thinking of this, he suddenly found himself in a beautiful country, where the light did not come from sun or moon or stars, but floated round and over and in everything like the atmosphere. On all sides he heard mysterious melodies sung by strangely musical voices. None of the features of the landscape was definite; yet when he looked on the vague harmonies of colour that melted one into another before his sight he was filled with a sense of inexplicable beauty. On every side of him fluttered radiant bodies, which darted to and fro through the illuminated space. They were not birds, yet they flew like birds; and as each one crossed the path of his vision he felt a strange delight flash through his brain, and straightaway an interior voice seemed to sing beneath the vaulted dome of his temples a verse containing some beautiful thought. Little fairies were all this time dancing and fluttering around him, perching on his head, on his shoulders, or balancing themselves on his fingertips. 'Where am I?' he asked. 'Ah, Solon?' he heard them whisper, in tones that sounded like the distant tinkling of silver bells, "this land is nameless; but those who tread its soil, and breathe its air, and gaze on its floating sparks of light, are poets forevermore.' Having said this, they vanished, and with them the beautiful indefinite land, and the flashing lights, and the illumined air; and the hunchback found himself again in bed, with the moonlight quivering on the floor, and the dusty books on their shelves, grim and mouldy as ever.'("The Wondersmith")”
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“Golosh Street is an interesting locality. All the oddities of trade seemed to have found their way thither and made an eccentric mercantile settlement. There is a bird-shop at one corner. Immediately opposite is an establishment where they sell nothing but ornaments made out of the tinted leaves of autumn, varnished and gummed into various forms. Further down is a second-hand book-stall. There is a small chink between two ordinary-sized houses, in which a little Frenchman makes and sells artificial eyes, specimens of which, ranged on a black velvet cushion, stare at you unwinkingly through the window as you pass, until you shudder and hurry on, thinking how awful the world would be if everyone went about without eyelids. Madame Filomel, the fortune-teller, lives at No. 12 Golosh Street, second storey front, pull the bell on the left-hand side. Next door to Madame is the shop of Herr Hippe, commonly called the Wondersmith.("The Wondersmith")”
Fitz-James O'Brien
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“We love the night and its quiet; and there is no night that we love so well as that on which the moon is coffined in clouds.”
Fitz-James O'Brien
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