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Frances Hardinge


“Clent, however, suppressed any sense of pity without the slightest difficulty. His brain was busy with the icy clockwork of calculation. If only this young woman’s fears were justified! Beamabeth Marlebourne would be unlikely to threaten anybody, locked away inside the Luck’s cell for the rest of her life. Such a fate had a tempting poetry to it too, given that she really was the Luck of Toll, and had been all her life.”
Frances Hardinge
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“By the time Brand Appleton reached the castle grounds, he had acquired a significant crowd. Never in the history of Toll had one man needed so many people to arrest him.”
Frances Hardinge
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“She was gauging him, trying to work out what cards he had up his sleeve. For now he might be able to keep her off balance by smiling meaningfully and dropping hints, delaying the moment in which she realized that she held all the cards, and that his well-brushed sleeves held nothing but his arms.”
Frances Hardinge
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“Mosca had come armed with a rich pack of lies, ready to pick whichever seemed to suit Goshawk’s mood best. Under the wintry draught of his gaze, however, she felt most of them wither away in her hands.”
Frances Hardinge
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“To be young is to be powerless, but to have delusions of power. To believe that one can really change things, make the world better and simpler in good and simple ways. To grow old is to realize that nobody is ever good, nothing is ever simple. That truth is cruel at first, but finally comforting.”
Frances Hardinge
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“Mosca had been so busy working the oars of her little plan that she had failed to see the iceberg upon which it was doomed to founder. And now here it was in front of her, a towering glacial mountain of selfishness, and she could not understand how she could have missed it. How vast was it? How far beneath the surface did it go?”
Frances Hardinge
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“I’m going to get out. Her spirits lurched unsteadily into the air like a wounded pigeon. I’m going to get out of this wormpit of a town. And I will never, never come back here again.”
Frances Hardinge
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“Fear of the Locksmiths and Skellow’s thumb-cutting knife flooded Mosca but did not fill her. Somehow there was room in her core for an angry little knot of excitement, tight and fierce as a pike’s grin.”
Frances Hardinge
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“I got all my limbs," Mosca answered quickly. "I been knocked and scraped and chased about but my heart’s still beating inside my hide.”
Frances Hardinge
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“Desperation is a millstone. It wears away at the very soul, grinding away pity, kindness, humanity and courage. But sometimes it whets the mind to a sharpened point and creates moments of true brilliance. And standing there, nose tickled by the dusty hide of the stuffed deer head, such a moment visited Mosca Mye.”
Frances Hardinge
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“Push something in someone’s face, and they will shove it away reflexively. Threaten to snatch it away from them, and sometimes they become convinced that it is what they want.”
Frances Hardinge
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“My dear fellow, money is no substitute for the right kind of friend . . .”
Frances Hardinge
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“However, the crowds all the while maintained their mouse-tense hush, their air of urgency. Fear. There was a reek of it everywhere, Mosca realized, in every guarded glance or falsely friendly backslap. A clammy smell, like rotten leaves. And everybody went about their lives in spite of it, because fear was part of their lives.”
Frances Hardinge
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“We’ was such a comforting word. ‘We’ meant weathering things together. Camaraderie. Safety in numbers. All the things that Havoc and Jade and Perch had talked about. And yet Mosca had seen all these things collapse within an hour of the dusk bugle.”
Frances Hardinge
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“Again Mosca felt she was up in the rafters, watching the mice. Little mouse, witless with fear. Running the wrong way. And here she was, just watching. Becoming a part of it by doing nothing.”
Frances Hardinge
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“Once again Toll-by-Night had burst out of its captivity, like a monstrous jack from an innocent-looking box. And this time Mosca was a part of it.”
Frances Hardinge
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“Night smelt the way Havoc’s songs sounded. It smelt of steel and rushlights and the marsh welcoming a misstep and anger souring like old blood.”
Frances Hardinge
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“Mosca sniffed at perfection. Perfection had no pulse and no heart.”
Frances Hardinge
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“You’re a peach full of poison, you know that?" Mosca snapped back, but could not quite keep a hint of admiration from her tone.”
Frances Hardinge
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“Mosca said nothing. The word ‘damsel’ rankled with her. She suddenly thought of the clawed girl from the night before, jumping the filch on an icy street. Much the same age and build as Beamabeth, and far more beleaguered. What made a girl a ‘damsel in distress’? Were they not allowed claws? Mosca had a hunch that if all damsels had claws they would spend a lot less time ‘in distress’.”
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“This was thieves’ cant. Mosca was a lover of words, and she had a sneaking liking for the grimy panache of cant, and those who wore it like a ragged red cloak.”
Frances Hardinge
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“That clock’s a lot like the town, she decided. Looks good, sounds great, pretends to be some sort of masterpiece. But it’s broken. It’s rotten and broken right down inside where its heart’s cogs meet. That’s Toll.”
Frances Hardinge
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“That," he whispered, "is unthinkable." In Mosca’s experience, such statements generally meant that a thing was perfectly thinkable, but that the speaker did not want to think it.”
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“Until yesterday Mosca had been trapped between two rivers, desperate to get out before winter arrived. Toll had looked like her only means of escape. Now, however, she wondered if she had traded one prison for another, a smaller prison with high walls. If she was not out of it before her allotted time as a visitor ended, then the mysterious night town with its twilight cacophony would claim her.”
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“Gravelip, a young, slight footman with a pocked nose and large ears, obediently gave a smile like toothache. He seemed less than delighted to have outpaced his friends in the ugliness race.”
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“It was hopeless. She was flawless. She was a sunbeam. Mosca gave up and got on with hating her.”
Frances Hardinge
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“Names were important. You carried your name like a brand. You never lied about it, for fear of angering the god under which you were born.”
Frances Hardinge
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“But I don’t want to be grateful. I’m tired of being kicked about like a pebble, and told that I have to be happy that it’s no worse. I’ve had enough. It’s time the pebble kicked back.”
Frances Hardinge
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“Mosca had preferred it when she could hear the edge in her companion’s voice. Now she felt like someone who knows that there is a scorpion somewhere in the room but can’t see where it is.”
Frances Hardinge
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“Since that time Saracen had been making a name for himself. That name was not ‘Saracen’. Indeed the name was more along the lines of ‘that hell-fowl’, ‘did-you-see-what-it-did-to-my-leg’, ‘kill-it-kill-it-there-it-goes’ or ‘what’s-that-chirfugging-goose-done-now’.”
Frances Hardinge
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“In Caverna lies were an art and everybody was an artist, even young children.”
Frances Hardinge
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“Clent's expression had set up camp somewhere between amusement and pain. "Sometimes I forget that your small size is the result of youth, not pickling. You are... young, Mosca."To be young is to be powerless, but to have delusions of power. To believe that one can really change things, make the world better and simpler in good and simple ways. To grow old is to realize that nobody is ever good, nothing is ever simple. That truth is cruel at first, but finally comforting.""But...," Mosca broke in, then halted. Clent was right- she knew that he was. And yet her bones screamed that he was also wrong, utterly wrong. "But sometimes things /are/ simple. Just now and then. Just like now and then people /are/ good.""Yes." Clent gave a deep sigh. "Yes, I know. Innocent people force one to remember that. For you see, there is a cruelty in all innocence."Mosca remained silent for a few moments, daunted by the colossal sadness in his voice. "I'll never understand you, Mr. Clent," she said at last."Mosca," he replied simply, "I truly hope you never do.”
Frances Hardinge
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“And below them, Toll-by-Night set about folding itself away, like a stilt-legged monster into a closet. Its inhabitants crept back into the unwanted places, the crannies and cellars and forgotten attics, and locked themselves in.A bugle blew. A silver jingling swept through the town, sealing away all bad reputations and bitter-tasting names.Another bugle sounded. And day swept in like a landlord, not knowing that it was only a guest in night's town.”
Frances Hardinge
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“All these years I've been...I'm...' He still seemed to be choking. 'I'm...an orphan. I'm...I'm alone. I'm...I'm...I'm...free.' He pushed himself up on one elbow, staring at his hands as if for the first time they had become his own. 'I can...I can do anything. I can leave Jealousy! I can break my spectacles and run off barefoot to become a...a...cobbler! I can...I can marry my housekeeper! Do I have a housekeeper? I never had time to notice! But now I can get a housekeeper! And marry her!”
Frances Hardinge
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“Sometimes fear made you angry. Perhaps after years anger cooled, like a sword taken from a forge. Perhaps in the end you were left with something very cold and very sharp.”
Frances Hardinge
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“Well, you will have to do. If you had died along with your mother, I would have taught the cat to read.”
Frances Hardinge
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“Eponymous Clent- Wanted for thirty-nine cases of fraud, counterfeiting, selling, and circulating lewd and unlicensed literature, claiming to be the impecunious son of a duke, impersonating a magistrate, impersonating a horse doctor, breach of promise, forty-seven moonlit flits without payment of debts, robbing shrines, fleeing from justice before trial, stealing pies from windows and small furniture from inns, fabricating the Great Palthrop Horse Plague for purposes of profit, operating a hurdy-gurdy without a license. The public is advised against lending him money, buying anything from him, letting him rooms, or believing a word he says. Contrary to his professions, he will not pay you the day after tomorrow.”
Frances Hardinge
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“Tea is the magic key to the vault where my brain is kept.”
Frances Hardinge
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“Yes, I know,’ she said in answer to the unasked, for there was no time for explanations. ‘Yes. My face is spoilt.’Grandible’s jowl wobbled and creased. Then, for the first time that Neverfell could remember, he changed to a Face she had never seen before, a frown more ferocious and alarming than either of the others.‘Who the shambles told you that?’ he barked. ‘Spoilt? I’ll spoil them.’ He took hold of her chin and examined her. ‘A bit sadder, maybe. A bit wiser. But nothing rotten. You’re just growing yourself a rind at last. Still a good cheese.”
Frances Hardinge
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“Hmm. Did you used to be smaller? About so high?’ He held out his hand three and a half feet above what now appeared to be the ground.‘Er...yes? Um...some years ago?’ Neverfell was not sure what more to say. ‘That’s...normal, isn’t it? People getting bigger?’‘Yes, I suppose so.”
Frances Hardinge
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“I don’t care about my face! I’m tired of being stupid, and everybody keeping me stupid just for the sake of my face. Even if it means I have to run off and live in the wild caves with a bag over my head, I still want to know what’s going on. I need to know.”
Frances Hardinge
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“All her life, Neverfell had suffered the dull, embarrassed ache of the knowledge that she was always the maddest person in the room. Funnily enough, the realization that this was probably no longer the case did not make her feel better at all.”
Frances Hardinge
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“She lay there with her eyes closed, as if sleep were a shy creature that might venture out if she played dead. But every time it seemed to be drawing closer, some loud thought would crash and blunder through the undergrowth, putting it to flight.”
Frances Hardinge
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“At one o’clock, the ever-logical Right-Eye Grand Steward woke up to discover that during his sleep his left-eyed counterpart had executed three of his advisors for treason, ordered the creation of a new carp pool and banned limericks. Worse still, no progress had been made in tracking down the Kleptomancer, and of the two people believed to be his accomplices, both had been released from prison and one had been appointed food taster. Right-Eye was not amused. He had known for centuries that he could trust nobody but himself. Now he was seriously starting to wonder about himself.”
Frances Hardinge
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“Do you know why a vandal is worse than a thief?" asked the man on the right, in a soft growl. "A thief steals a treasure from its owner. A vandal steals it from the world.”
Frances Hardinge
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“Don’t sneeze, don’t point at anybody with your little finger, don’t scratch your left eyebrow, don’t angle your knife so that it reflects light in somebody’s eyes unless you’re challenging them to a duel...”
Frances Hardinge
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“Mye, do you ever think of the future?’‘Do I get to have a future?”
Frances Hardinge
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“My good lady,’ interrupted Clent, ‘are you telling me that he is not the Luck? That you have in some way obfuscated the chronology of his nativity?’Seconds passed. A beetle flew into Mistress Leap’s hair while she stared at Clent, then it struggled free and flew off again.‘Did you lie about when he was born?’ translated Mosca.”
Frances Hardinge
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“Making a wish is like saying, 'I can't deal with anything, I give up, somebody bigger come along and solve it all instead.”
Frances Hardinge
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“We always find it difficult to forgive our heroes for being human.”
Frances Hardinge
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