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Francesca Lia Block

Francesca Lia Block is the author of more than twenty-five books of fiction, non-fiction, short stories and poetry. She received the Spectrum Award, the Phoenix Award, the ALA Rainbow Award and the 2005 Margaret A. Edwards Lifetime Achievement Award, as well as other citations from the American Library Association and from the New York Times Book Review, School Library Journal and Publisher’s Weekly. She was named Writer-in-Residence at Pasadena City College in 2014. Her work has been translated into Italian, French, German Japanese, Danish, Norwegian, Swedish, Finnish and Portuguese. Francesca has also published stories, poems, essays and interviews in The Los Angeles Times, The L.A. Review of Books, Spin, Nylon, Black Clock and Rattle among others. In addition to writing, she teaches creative writing at University of Redlands, UCLA Extension, Antioch University, and privately in Los Angeles where she was born, raised and currently still lives.


“The girl in the mirror wasn't who I wanted to be and her life wasn't the one I wanted to have.”
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“What shall we do? All of us passionate girls who fear crushing the boys we love with our mouths like caverns of teeth, our mushrooming brains, and watermelon hearts?”
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“Maybe her own tears were the poison that made her grow.”
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“culturally idolized beauty is not only foolproof, but potentially dangerous.”
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“One of the best things about sex with a Banshee, however, is that she will make her needs known freely.”
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“She said, You cannot hide forever, though you may try. I’ve seen you in the kitchen, in the garden. I’ve seen the things you have sewn — curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You can go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes you must go out you must not hide you must dance and it will be harder you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away. So make that astral dress to fit your own body this time. And here are glass shoes made from your words, the stories you have told like a blower -with her torch forming the thinnest, most translucent sheets of light out of what was once sand. But be careful; sand is already broken but glass breaks. The shoes are for dancing, not for running away.”
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“They knew, though, she would not suffer as they had suffered. She was perfect. They were scarred.”
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“Pianos, unlike people, sing when you give them your every growl. They know how to dive into the pit of your stomach and harmonize with your roars when you’ve split yourself open. And when they see you, guts shining, brain pulsing, heart right there exposed in a rhythm that beats need need, need need, need need, pianos do not run. And so she plays.”
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“Love can transform us. It can be a healing force or a disaster, a tidal wave, a tornado. It can burn and scar us or heal our scars. It can be the ghost that haunts us, or the best friend who reads our every thought. Love may arrive like an angel of mercy, a fairy with raven wings or a hairy beast that will tear us apart limb from limb, kill and savor us down to the bones.”
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“If you were sad about something that hadn't happened yet you couldn't be disappointed.”
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“We got quiet. The garden was combing her hair and putting on earrings. The house was full of dancing creatures, not male and female but both, two lovers in one body. The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leather covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hand like a fish.”
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“The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leathery covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hands like a fish.”
Francesca Lia Block
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“Sometimes she wore Levi's with white-suede fringe sewn down the legs and a feathered Indian headdress, sometimes old fifties' taffeta dresses covered with poetry written in glitter, or dresses made of kids' sheets printed with pink piglets or Disney characters.”
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“Under the pink Harlequin sunglasses strawberry dangling charms, and sugar-frosted eyeshadow she was really almost beautiful.”
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“You were just a boy on a bed in a room, like a kaleidoscope is a tube full of bits of broken glass. But the way I saw you was pieces refracting the light, shifting into an infinite universe of flowers and rainbows and insects and planets, magical dividing cells, pictures no one else knew ...”
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“You’ll have to take me to some museums,” he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men’s rooms across the country.”
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“This was not a fairy tale. This was not the movies. This was life. It hurt more. It was excruciating. It was excruciatingly beautiful.”
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“Weetzie could see him--it was a man, a little man in a turban, with a jewel in his nose, harem pants, and curly-toed slippers. "Lanky Lizards!" Weetzie exclaimed."Greetings," said the man in an odd voice, a rich, dark purr."Oh, shit!" Weetzie said."I beg your pardon? Is that your wish?”
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“If Los Angeles is a woman reclining billboard model with collagen-puffed lips and silicone-inflated breasts, a woman in a magenta convertible with heart-shaped sunglasses and cotton candy hair; if Los Angeles is this woman, then the San Fernando Valley is her teenybopper sister. The teenybopper sister snaps bug stretchy pink bubbles over her tongue and checks her lipgloss in the rearview mirror, . . . Teeny plays the radio too loud and bites her nails, wondering if the glitter polish will poison her.”
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“When they first kiss, there on the beach, they will kneel at the edge of the Pacific and say a prayer of thanks, sending all the stories of love inside them out in a fleet of bottles all across the oceans of the world.”
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“At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.”
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“If you want to find the trail, if you want to find yourself, you must explore your dreams alone. You must grow at a slow pace in a dark cocoon of loneliness so you can fly like wind, like wings, when you awaken.”
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“If death is your lover, you don't got to be afraid ever that he will ever leave you”
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“I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.”
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“It's important to tell your story. It's important to listen.”
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“I thought he had taken my soul, said Rev. I thought he took mine, too. But no one can. It's just been sleeping.”
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“Beauty loved him more than anything, her Beast boy, but, secretly, sometimes, she wished he would have remained a Beast.”
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“Yes, the Beast changed.He spoke more now, and did not gaze at Beauty in the same intense, almost pained way, as if he were feeling every emotion she felt. He did not sigh in his sleep when she sighed and his stomach didn't growl when hers hurt. He could not read her thoughts anymore, and she could not read his. He seemed a bit more clumsy and guarded and distant, too. They no longer ran through the woods together, although they still walked there sometimes. They quarreled and raised their voices to each other once in a while. Each time, after they quarreled, Beauty bathed, combed the tangles from her hair, and began to wear shoes again for a few days.”
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“My mother said, "kiss him, darling, it's easy so natural" and I thought to myself, not with lips of stone, dear mother, not with lips of stone”
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“You asked me who I thought I was before. I said maybe I was a fish because I love water and you said, you thought a mermaid, maybe.If you were a mermaid, you said, if you were a mermaid, I was the sea.”
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“At least the girls in stories were alive before they died.”
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“love is the only thing we have to save us”
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“Love is the worst earthquake there is. Can crush you to the thickness of your bones. Love can be like cancer sometimes. Terminal. It can make you vomit. It can make you want to cut it out. It can take you over against your will.”
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“The world isn't necessarily going to explode. There will just be vast change. There is hope. It is in the rain forests, the healing plants from there, and in sex and the children who are being born. They have different strains of DNA. They aren't really humans. So they will make the difference.”
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“Pain didn't ever really stop, he thought; it just changed forms.”
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“i could see the veins through your skin like a map to inside you. how could skin be that thin? i was so afraid you might drop and break. i stopped breathing so you wouldn't.”
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“So Witch Baby played. Tossing her head, sucking in her cheeks and popping up with the impact of each beat. Thrusting her whole body into the music and thrusting the music into the air around her. She imagined that her drums were planets and the music was all the voices of growth and light and life joined together and traveling the universe.”
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“Under the twinkling trees was a table covered with Guatemalan fabric, roses in juice jars, wax rose candles from Tijuana and plates of food — Weetzie's Vegetable Love-Rice, My Secret Agent Lover Man's guacamole, Dirk's homemade pizza, Duck's fig and berry salad and Surfer Surprise Protein Punch, Brandy-Lynn's pink macaroni, Coyote's cornmeal cakes, Ping's mushu plum crepes and Valentine's Jamaican plantain pie. Witch Baby's stomach growled but she didn't leave her hiding place. Instead, she listened to the reggae, surf, soul and salsa, tugged at the snarl balls in her hair and snapped pictures of all the couples.”
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“He kissed her. A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.”
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“You are my Marilyn. You are my lake full of fishes. You are my sky set, my 'Hollywood in Miniature,' my pink Cadillac, my highway, my martini, the stage for my heart to rock and roll on, the screen where my movies light up.”
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“Find the goddess inside yourself instead of looking for the god in someone else.”
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“Under the ground seep the toxins of the population that lives above. If you have to, you will eat roots and earthworms. It is always night. Candles burn in lanterns made from tin cans. When it is nighttime up above, you can crawl out, but only for a little while. You feel ashamed of your matted hair, your torn clothes, the dirt on your face. Who would want to speak to you? They are all shiny and pretty. They have parents and house with gardens. What do you have? The earth. Whole handfuls of it. The lizard people with their slit eyes and scaly skin. Your loneliness. Your longing.”
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“I'll be inside the one who holds you. And then I won't be. ”
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“Nothing happened. And everything did. Your whole life you can be told something is wrong and so you believe it. Why should you question it? But then slowly seeds are planted inside of you, one by one, by a touch or a look or a day skateboarding in a park, and they start to burst out of old hulls shells and they start to sprout. And pretty soon there are so many of them. They are named Love and Trust and Kindness and Joy and Desire and Wonder and Spirit and Soulmate. They grow into a garden so dense and thick that it starts to invade your brain where the old things you were once told are dying. ”
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“Besides, secretly, without knowing it herself, she had been waiting for a Beast to go to.”
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“If you were a mermaid, you said, If you were a mermaid, I was the sea.”
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“She wished she had a little yellow house of her own, with a flower box full of real flowers and herbs – pansies and rosemary – and a sweet lover who would swing dance with her in the evenings and cook pasta and read poetry aloud.”
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“Do you know when they say soulmates? Everybody uses it in personal ads. “Soul mate wanted.” It doesn’t mean too much now. But soulmates – think about it. When your soul – whatever that is anyway – something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape – when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to – even if you can’t be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul’s wedding must be too beautiful to even look at. It must be blinding. It must be like all the weddings in the world – gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets, showers of roses. And after that happens you know – that’s it. This is it.”
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“What happens to the rest of something when you smash its heart?”
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“After his kisses and hugs it feels like without them my body will fall apart into pieces.”
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