Frank Chin photo

Frank Chin

Frank Chin was born in Berkeley, California, but was raised to the age of six by a retired Vaudeville couple in Placerville, California. At six his mother brought him back to the San Francisco Bay Area to live in Oakland Chinatown. He attended college at the University of California, Berkeley. He received an American Book Award in 1989 for a collection of short stories, and another in 2000 for Lifetime Achievement. He currently resides in Los Angeles, California.

Chin is considered to be one of the pioneers in Asian American theatre. He founded the Asian American Theatre Workshop, which became the Asian American Theater Company in 1973. He first gained notoriety as a playwright in the 1970s. His play The Chickencoop Chinaman was the first by an Asian American to be produced on a major New York stage. Stereotypes of Asian Americans, and traditional Chinese folklore are common themes in much of his work. Frank Chin has accused other Asian American writers, particularly Maxine Hong Kingston, of furthering such stereotypes and misrepresenting the traditional stories. Chin, during his professional career, has been highly critical of American writer, Amy Tan, for her telling of Chinese-American stories, indicating that her body of work has furthered and reinforced stereotypical views of this group.

In addition to his work as an author and playwright, Frank Chin has also worked extensively with Japanese American resisters of the draft in WWII. His novel, Born in the U.S.A., is dedicated to this subject.

Chin is also a musician. In the mid-1960s, he taught Robbie Krieger, a member of The Doors how to play the Flamenco guitar.


“Lemme take your picture! You fucking bok gwai low got a face carved out of rotten potato cured in dogshit, runover with a towtruck driven by Hellen Keller in a puke fit on pills...”
Frank Chin
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“I'd write ya spicy songs to slither out of your throat like barracudas.”
Frank Chin
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