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Fryderyk Chopin

Frédéric François Chopin (1810 –1849) is one of the most famous, influential, and admired composers and virtuoso pianists of the Romantic era.

He was born Fryderyk Franciszek Chopin, of Polish and French parentage, on 1st March 1810 in the village of Żelazowa Wola, Poland. In Warsaw he was hailed as a child prodigy and as the “second Mozart” for his piano and composition skill, for which the composer Robert Schumann complimented the talented pianist: “Hats off, gentlemen, a genius!” Due to the political situation in Poland, he left his country for France at the age of twenty. There he composed his two piano concertos with their patriotic Polish themes and rhythms, based on traditional polish dances. He never returned to Poland, but after his death his sister Ludwika took his heart to Poland - in accordance with his last will, where it was placed inside a pillar of the Holy Cross Church at Krakowskie Przedmiescie Street.

In Paris, he made a career as a performer and teacher as well as a composer, and he adopted the French variant of his name, “Frédéric-François”. In 1836 he met the French writer George Sand, with whom he had a relationship for nine years until 1847. He suffered poor health for much of his life and this forced him to give up performing and teaching shortly before he died on 17th October 1849.

His compositions, which are almost exclusively for the piano, such as the Funeral March piano sonata and the twenty-seven études (op. 10 and op.25, plus a further set of three without opus numbers), are widely considered to be amongst the pinnacles of the piano repertoire. Although some of his music is among the most technically demanding for the instrument, Chopin’s style emphasizes poetry, nuance and expressive depth, rather than mere technical display. He is often cited as one of the mainstays of romanticism in nineteenth-century classical music.


“Kalkbrenner has made me an offer; that I should study with him for three years, and he will make something really - really out of me. I answered that I know how much I lack; but that I cannot exploit him, and three years is too much. But he has convinced me that I can play admirably when I am in the mood, and badly when I am not; a thing which never happens to him. After close examination he told me that I have no school; that I am on an excellent road, but can slip off the track. That after his death, or when he finally stops playing, there will be no representative of the great piano-forte school. That even if I wish it, I cannot build up a new school without knowing the old one; in a word : that I am not a perfected machine, and that this hampers the flow of my thoughts. That I have a mark in composition; that it would be a pity not to become what I have the promise of being...”
Fryderyk Chopin
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