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Gabriel Garcia Marquez

Gabriel José de la Concordia Garcí­a Márquez was a Colombian novelist, short-story writer, screenwriter and journalist. Garcí­a Márquez, familiarly known as "Gabo" in his native country, was considered one of the most significant authors of the 20th century. In 1982, he was awarded the Nobel Prize in Literature.

He studied at the University of Bogotá and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas, and New York. He wrote many acclaimed non-fiction works and short stories, but is best-known for his novels, such as One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in order to explain real experiences. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude.

Having previously written shorter fiction and screenplays, García Márquez sequestered himself away in his Mexico City home for an extended period of time to complete his novel Cien años de soledad, or One Hundred Years of Solitude, published in 1967. The author drew international acclaim for the work, which ultimately sold tens of millions of copies worldwide. García Márquez is credited with helping introduce an array of readers to magical realism, a genre that combines more conventional storytelling forms with vivid, layers of fantasy.

Another one of his novels, El amor en los tiempos del cólera (1985), or Love in the Time of Cholera, drew a large global audience as well. The work was partially based on his parents' courtship and was adapted into a 2007 film starring Javier Bardem. García Márquez wrote seven novels during his life, with additional titles that include El general en su laberinto (1989), or The General in His Labyrinth, and Del amor y otros demonios (1994), or Of Love and Other Demons.

(Arabic: جابرييل جارسيا ماركيز) (Hebrew: גבריאל גארסיה מרקס) (Ukrainian: Ґабріель Ґарсія Маркес) (Belarussian: Габрыель Гарсія Маркес) (Russian: Габриэль Гарсия Маркес)


“(...) os seres humanos não nascem para sempre no dia em que as suas mães os dão à luz, mas que a vida os obriga uma e outra vez ainda a parirem-se a si mesmos.”
Gabriel Garcia Marquez
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“It is incredible how one can be happy for so many years in the midst of so many squabbles, so many problems, damn it, and not really know if it was love or not.”
Gabriel Garcia Marquez
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“Why do you insist on talking about what does not exist?”
Gabriel Garcia Marquez
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“Old people, with other old people, are not so old.”
Gabriel Garcia Marquez
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“Le rogó a Dios que le concediera al menos un instante para que él no se fuera sin saber cuánto lo había querido por encima de las dudas de ambos, y sintió un apremio irresistible de empezar la vida con él otra vez desde el principio para decirse todo lo que se les quedó sin decir, y volver a hacer bien cualquier cosa que hubieran hecho mal en el pasado. Pero tuvo que rendirse ante la intransigencia de la muerte.”
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“Always. At every moment, asleep and awake, during the most sublime and most abject moments, Amaranta thought of Rebeca, because solitude had made a selection in her memory and had burned the dimming piles of nostalgic waste that life had accumulated in her heart, and had purified, magnified, and eternalized the others, the most bitter ones.”
Gabriel Garcia Marquez
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“Seeing him like this, dressed just for her in so patent a manner, she could not hold back the fiery blush that rose to her face. She was embarrassed when she greeted him, and he was more embarrassed by her embarrassment. The knowledge that they were behaving as if they were sweethearts was even more embarrassing, and the knowledge that they were both embarrassed embarrassed them so much that Captain Samaritano noticed it with a tremor of compassion.”
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“they no longer felt like newlyweds, and even less like belated lovers. It was as if they had leapt over the arduous calvary of conjugal life and gone straight to the heart of love. They were together in silence like an old married couple wary of life, beyond the pitfalls of disillusion: beyond love. For they had lived together long enough to know that love was always love, anytime and anyplace, but it was more solid the closer it came to death.”
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“She could not avoid a profound feeling of rancor toward her husband for having left her alone in the middle of the ocean. Everything of his made her cry: his pajamas under the pillow, his slippers that had always looked to her like an invalid’s, the memory of his image in the back of the mirror as he undressed while she combed her hair before bed, the odor of his skin, which was to linger on hers for a long time after his death. She would stop in the middle of whatever she was doing and slap herself on the forehead because she suddenly remembered something she had forgotten to tell him. At every moment countless ordinary questions would come to mind that he alone could answer for her. Once he had told her something that she could not imagine: that amputees suffer pains, cramps, itches, in the leg that is no longer there. That is how she felt without him, feeling his presence where he no longer was.”
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“They could hear Ursula fighting against the laws of creation to maintain the line, and Jose Arcadio Buendia searching for the mythical truth of the great inventions, and Fernanda praying, and Colonel Aureliano Buendia stupefying himself with the deception of war and the little gold fishes, and Aureliano Segundo dying of solitude in the turmoil of his debauches, and then they learned that dominant obsessions can prevail against death and they were happy again with the certainty that they would go on loving each other in their shape as apparitions long after other species of future animals would steal from the insects the paradise of misery that the insects were finally stealing from man.”
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“They did not speak of it the first night, when they spoke of everything until dawn, nor would they ever speak of it. But in the long run, neither of them had made a mistake.”
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“Nu te iubesc pentru ceea ce eşti, ci pentru ceea ce sunt atunci când sunt cu tine.”
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“Bad luck doesn't have any chinks in it," he said with deep bitterness. "I was born a son of a bitch and I'm going to die a son of a bitch.”
Gabriel Garcia Marquez
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“Well," Aureliano said. "Tell me what it is."Pilar Ternera bit her lips with a sad smile."That you would be good in a war," she said. "Where you put your eye, you put your bullet.”
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“Everything that belonged to her husband made her weep again: his tasseled slippers, his pajamas under the pillow, the space of his absence in the dressing table mirror, his own odor on her skin. A vague thought made her shudder: "The people one loves should take all their things with them when they die.”
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“alla fine di tanti e tanti anni di illusioni sterili aveva cominciato a congetturare che non si vive, cazzo, si sopravvive, s'impara troppo tardi che perfino le vite più estese e utili non sono sufficienti ad altro che a imparare a vivere”
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“The only thing worse than bad health is a bad name.”
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“La gente que uno quiere debería morirse con todas sus cosas.”
Gabriel Garcia Marquez
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“La guerra está en el monte —dijo—. Desde que yo soy yo, en las ciudades no nos matan con tiros sino con decretos.”
Gabriel Garcia Marquez
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“El problema con el matrimonio es que se acaba todas las noches después de hacer el amor, y hay que volver a reconstruirlo todas las mañanas antes del desayuno.”
Gabriel Garcia Marquez
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“Infieles, pero no desleales.”
Gabriel Garcia Marquez
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“Recuerda siempre que lo más importante de un buen matrimonio no es la felicidad sino la estabilidad.”
Gabriel Garcia Marquez
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“Los viejos, entre viejos, son menos viejos.”
Gabriel Garcia Marquez
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“Tell him,' the colonel said, smiling, 'that a person doesn’t die when he should but when he can.”
Gabriel Garcia Marquez
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“Ursula wondered if it was not preferable to lie down once and for all in her grave and let them throw the earth over her, and she asked God, without fear, if He really believe that people were made of iron in order to bear so many troubles and mortifications.”
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“But when she saw her eating with her hands, incapable of giving an answer that was not a miracle of simple-mindedness, the only thing that she lamented was the fact that the idiots in the family lived so long.”
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“The startling thing about her simplifying instinct was that the more she did away with fashion in search for comfort and the more she passed over conventions as she obeyed spontaneity, the more disturbing her incredible beauty became and the more provocative she become to men.”
Gabriel Garcia Marquez
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“With that discouraging explanation many felt that they had been the victims of some new and showy gypsy business and they decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings.”
Gabriel Garcia Marquez
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“Hate and love are reciprocal passions.”
Gabriel Garcia Marquez
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“The ferocity of Santiago Nasar's fate, which had collected twenty years of happiness from him not only with his death but also with the dismemberment of his body and its dispersion and extermination.”
Gabriel Garcia Marquez
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“She nailed it to the wall with her well-aimed dart, like a butterfly with no will whose sentence has always been written.”
Gabriel Garcia Marquez
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“Dadme un prejuicio y moveré el mundo”
Gabriel Garcia Marquez
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“They looked like two children," she told me. And that thought frightened her, because she'd always felt that only children are capable of everything.”
Gabriel Garcia Marquez
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“The world was reduced to the surface of her skin and her inner self was safe from all bitterness.”
Gabriel Garcia Marquez
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“Love if it existed was something separate: another life.”
Gabriel Garcia Marquez
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“and it was always without pretensions of loving or being loved although always in the hope of finding something that resembled love but without the problems of love.”
Gabriel Garcia Marquez
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“Where art thou that thou art not here.”
Gabriel Garcia Marquez
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“I always had understood that dying of love was mere poetic license.”
Gabriel Garcia Marquez
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“For a week I did not take off my mechanic's coverall day or night I did not bathe or shave or brush my teeth because love taught me too late that you groom yourself for someone you dress and perfume yourself for someone and I'd never had anyone to do that for.”
Gabriel Garcia Marquez
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“This was when I heard that the first symptom of old age is when you begin to resemble your father.”
Gabriel Garcia Marquez
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“The only Virgos left in the world are people like you who were born in August.”
Gabriel Garcia Marquez
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“Los liberales, le decía, eran masones; gente de mala índole, partidaria de ahorcar a los curas, de implantar al matrimonio civil y el divorcio, de reconocer iguales derechos a los hijos naturales que a los legítimos, y de despedazar al país en un sistema federal que despojara de poderes a la autoridad suprema. Los conservadores, en cambio, que habían recibido el poder directamente de Dios, propugnaban por la estabilidad del orden público y la moral familiar; eran los defensores de la fe de Cristo, del principio de autoridad, y no estaban dispuestos a permitir que el país fuera descuartizado en entidades autónomas.”
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“My God, if I had a heart, I would write my hate on ice, and wait for the sun to show.”
Gabriel Garcia Marquez
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“Eva está dentro do seu gato”
Gabriel Garcia Marquez
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“Me atrevo a pensar que es esta realidad descomunal, y no sólo su expresión literaria, la que este año ha merecido la atención de la Academia Sueca de la Letras. Una realidad que no es la del papel, sino que vive con nosotros y determina cada instante de nuestras incontables muertes cotidianas, y que sustenta un manantial de creación insaciable, pleno de desdicha y de belleza, del cual éste colombiano errante y nostálgico no es más que una cifra más señalada por la suerte. Poetas y mendigos, músicos y profetas, guerreros y malandrines, todas las criaturas de aquella realidad desaforada hemos tenido que pedirle muy poco a la imaginación, porque el desafío mayor para nosotros ha sido la insuficiencia de los recursos convencionales para hacer creíble nuestra vida. Este es, amigos, el nudo de nuestra soledad.”
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“Resignado, ouviu a gota, grossa, pesada, perfeita, que golpeava no outro mundo, no mundo equivocado e absurdo dos animais racionais.”
Gabriel Garcia Marquez
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“Wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.”
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“Upset by two nostalgias facing each other like two mirrors, he lost his marvelous sense of unreality and he ended up recommending to all of them that they leave Macondo, that they forget everything he had taught them about the world and the human heart, that they shit on Horace, and that wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.”
Gabriel Garcia Marquez
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“I'll never fall in love again... it's like having two souls at the same time.”
Gabriel Garcia Marquez
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“America is half a world gone mad.”
Gabriel Garcia Marquez
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