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Gabriel Garcia Marquez

Gabriel José de la Concordia Garcí­a Márquez was a Colombian novelist, short-story writer, screenwriter and journalist. Garcí­a Márquez, familiarly known as "Gabo" in his native country, was considered one of the most significant authors of the 20th century. In 1982, he was awarded the Nobel Prize in Literature.

He studied at the University of Bogotá and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas, and New York. He wrote many acclaimed non-fiction works and short stories, but is best-known for his novels, such as One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985). His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in order to explain real experiences. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude.

Having previously written shorter fiction and screenplays, García Márquez sequestered himself away in his Mexico City home for an extended period of time to complete his novel Cien años de soledad, or One Hundred Years of Solitude, published in 1967. The author drew international acclaim for the work, which ultimately sold tens of millions of copies worldwide. García Márquez is credited with helping introduce an array of readers to magical realism, a genre that combines more conventional storytelling forms with vivid, layers of fantasy.

Another one of his novels, El amor en los tiempos del cólera (1985), or Love in the Time of Cholera, drew a large global audience as well. The work was partially based on his parents' courtship and was adapted into a 2007 film starring Javier Bardem. García Márquez wrote seven novels during his life, with additional titles that include El general en su laberinto (1989), or The General in His Labyrinth, and Del amor y otros demonios (1994), or Of Love and Other Demons.

(Arabic: جابرييل جارسيا ماركيز) (Hebrew: גבריאל גארסיה מרקס) (Ukrainian: Ґабріель Ґарсія Маркес) (Belarussian: Габрыель Гарсія Маркес) (Russian: Габриэль Гарсия Маркес)


“It had to teach her to think of love as a state of grace: not the means to anything but the alpha and omega, an end it itself. ”
Gabriel Garcia Marquez
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“A true friend is the one who holds your hand and touches your heart”
Gabriel Garcia Marquez
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“It is not true that people stop pursuing dreams because they grow old, they grow old because they stop pursuing dreams.”
Gabriel Garcia Marquez
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“I don't believe in God, but I'm afraid of Him.”
Gabriel Garcia Marquez
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“Let me stay here," he said. "There was soap.”
Gabriel Garcia Marquez
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“because races condemned to one hundred years of solitude did not have a second opportunity on earth”
Gabriel Garcia Marquez
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“nothing in this world was more difficult than love.”
Gabriel Garcia Marquez
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“It was the time when they loved each other best, without hurry or excess, when both were most conscious of and grateful for their incredible victories over adversity. Life would still present them with other mortal trails, of course, but that no longer mattered: they were on the other shore. ”
Gabriel Garcia Marquez
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“So for now wave good-bye leave your hands held high”
Gabriel Garcia Marquez
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“Always tell what you feel. Do what you think...”
Gabriel Garcia Marquez
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“She asked him to come and see her that night. He agreed, in order to get away, knowing that he was incapable of going. But that night, in his burning bed, he understood that he had to go see her, even if he were not capable. He got dressed by feel, listening in the dark to his brother's calm breathing, the dry cough of his father in the next room, the asthma of the hens in the courtyard, the buzz of the mosquitoes, the beating of his heart, and the inordinate bustle of a world that he had not noticed until then, and he went out in the sleeping street.”
Gabriel Garcia Marquez
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“Fernanda, on the other hand, looked for it in vain along the paths of her everyday itinerary without knowing that the search for lost things is hindered by routine habits and that is why it is so difficult to find them.”
Gabriel Garcia Marquez
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“Às vezes lhe doía ter deixado com a sua passagem aquele riacho de miséria e às vezes sentia tanta raiva que espetava os dedos nas agulhas,porém mais lhe doía e com mais raiva ficava e mais lhe amargava o fragrante e bichado goiabal de amor que ia arrastando até a morte.”
Gabriel Garcia Marquez
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“Always remember that the most important thing in a good marriage is not happiness, but stability.”
Gabriel Garcia Marquez
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“The problem in public life is learning to overcome terror; the problem in married life is learning to overcome boredom.”
Gabriel Garcia Marquez
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“They kept a clean and neat house. Rebeca would open it wide at dawn and the wind from the graveyard would come in through the windows and go out through the doors to the yard and leave the whitewashed walls and furniture tanned by the saltpeter of the dead.”
Gabriel Garcia Marquez
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“Tell him yes. Even if you are dying of fear, even if you are sorry later, because whatever you do, you will be sorry all the rest of your life if you say no.”
Gabriel Garcia Marquez
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“He really had been through death, but he had returned because he could not bear the solitude.”
Gabriel Garcia Marquez
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“...time was not passing...it was turning in a circle...”
Gabriel Garcia Marquez
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“Once again she shuddered with the evidence that time was not passing, as she had just admitted, but that it was turning in a circle.”
Gabriel Garcia Marquez
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“He repeated until his dying day that there was no one with more common sense, no stone cutter more obstinate, no manager more lucid or dangerous, than a poet.”
Gabriel Garcia Marquez
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“Ambos siguieron atentos a los rumores crecientes sobre la gravedad de la peste, y aun contra sus deseos tuvieron que conversar otra vez sobre asuntos que les eran comunes, como en los tiempos en que se odiaban menos. Para él era claro. Siempre creyó que amaba a la hija, pero el miedo al mal de rabia lo obligaba a confesarse que se engañaba a sí mismo por comodidad. Bernarda, en cambio, no se lo preguntó siquiera, pues tenía plena conciencia de no amarla ni de ser amada por ella, y ambas cosas le parecían justas. Mucho del odio que ambos sentían por la niña era por lo que ella tenía del uno y del otro. Sin embargo, Bernarda estaba dispuesta a hacer la farsa de las lágrimas y a guardar un luto de madre.”
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“Then he knew that they had rounded the cape of good hope, and he took her large, soft hand again and covered it with forlorn little kisses, first the hard metacarpus, the long, discerning fingers, the diaphanous nails, and then the hieroglyphics of her destiny on her perspiring palm.”
Gabriel Garcia Marquez
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“Nevertheless, in the impenetrable solitude of decrepitude she had such a clairvoyance as she examined the most insignificant happenings in the family that for the first time she saw clearly the truths that her busy life in former times had prevented her from seeing.”
Gabriel Garcia Marquez
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“Then he looked at Florentino Ariza, his invincible power, his intrepid love, and he was overwhelmed by the belated suspicion that it is life, more than death, that has no limits.”
Gabriel Garcia Marquez
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“She knew that it would not be easy to submit to his miserliness, or the foolishness of his premature appearance of age, or his maniacal sense of order, or his eagerness to as for everything and give nothing at all in return, but despite all this, no man was better company because no other man in the world was so in need of love.”
Gabriel Garcia Marquez
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“In the parlor was a huge camera on wheels like the ones used in public parks, and the backdrop of a marine twilight, painted with homemade paints, and the walls papered with pictures of children at memorable moments: the first Communion, the bunny costume, the happy birthday. Year after year, during contemplative pauses on afternoons of chess, Dr. Urbino had seen the gradual covering over of the walls, and he had often thought with a shudder of sorrow that in the gallery of casual portraits lay the germ of the future of the city, governed and corrupted by those unknown children, where note even the ashes of his glory would remain.”
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“his mysterious resources had awakened in her a curiosity that was difficult to resist, but she had never imagined that curiosity was one of the many masks of love.”
Gabriel Garcia Marquez
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“The children would remember for the rest of their lives the august solemnity with which their father, devastated by his prolonged vigil and by the wraith of his imagination, revealed his discovery to them: 'The world is round, like an orange.”
Gabriel Garcia Marquez
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“Si vas a volverte loco, vuelve te solo”
Gabriel Garcia Marquez
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“She would defend herself, saying that love, no matter what else it might be, was a natural talent. She would say: You are either born knowing how, or you never know.”
Gabriel Garcia Marquez
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“It was a lone voice in the middle of the ocean, but it was heard at great depth and great distance.”
Gabriel Garcia Marquez
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“an old man with no destiny with our never knowing who he was, or what he was like, or even if he was only a figment of the imagination, a comic tyrant who never knew where the reverse side was and where the right of this life which we loved with an insatiable passion that you never dared even to imagine out of the fear of knowing what we knew only too well that it was arduous and ephemeral but there wasn't any other, general, because we knew who we were while he was left never knowing it forever with the soft whistle of his rupture of a dead old man cut off at the roots by the slash of death, flying through the dark sound of the last frozen leaves of his autumn toward the homeland of shadows of the truth of oblivion, clinging to his fear of the rotting cloth of death's hooded cassock and alien to the clamor of the frantic crowds who took to the streets singing hymns of joy at the jubilant news of his death and alien forevermore to the music of liberation and the rockets of jubilation and the bells of glory that announced to the world the good news that the uncountable time of eternity had come to an end.”
Gabriel Garcia Marquez
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“He soon acquired the forlorn look that one sees in vegetarians.”
Gabriel Garcia Marquez
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“No, not rich. I am a poor man with money, which is not the same thing.”
Gabriel Garcia Marquez
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“Everything that goes into my mouth seems to make me fat, everything that comes out of my mouth embarrasses me.”
Gabriel Garcia Marquez
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“Pierwszy z rodu jest przywiazany do drzewa, a ostatniego zjadaja mrowki.”
Gabriel Garcia Marquez
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“This was when she asked him whether it was true that love conquered all, as the songs said. 'It is true', he replied, 'but you would do well not to believe it.”
Gabriel Garcia Marquez
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“She discovered with great delight that one does not love one's children just because they are one's children but because of the friendship formed while raising them.”
Gabriel Garcia Marquez
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“The fact is that being seductive is an addiction that can never be satisfied.”
Gabriel Garcia Marquez
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“Dr. Urbino caught the parrot around the neck with a triumphant sigh: ça y est. But he released him immediately because the ladder slipped from under his feet and for an instant he was suspended in the air and then he realized that he had died without Communion, without time to repent of anything or to say goodbye to anyone, at seven minutes after four on Pentecost Sunday.Fermina Daza was in the kitchen tasting the soup for supper when she heard Digna Pardo's horrified shriek and the shouting of the servants and then of the entire neighborhood. She dropped the tasting spoon and tried to run despite the invincible weight of her age, screaming like a madwoman without knowing yet what had happened under the mango leaves, and her heart jumped inside her ribs when she saw her man lying on his back in the mud, dead to this life but still resisting death's final blow for one last minute so that she would have time to come to him. He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked for her for the last and final time with eyes more luminous, more grief-stricken, more grateful that she had ever seen them in the half century of a shared life, and he managed to say to her with his last breath:"Only God knows how much I loved you.”
Gabriel Garcia Marquez
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“She wanted to be herself again, to recover all that she had been obliged to give up in half a century of servitude that had doubtless made her happy but which, once her husband was dead, did not leave her even the vestiges of her identity.”
Gabriel Garcia Marquez
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“Justice limps along, but gets there all the same.”
Gabriel Garcia Marquez
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“If men gave birth, they'd be less inconsiderate.”
Gabriel Garcia Marquez
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“El amor es un sentimiento contranatural que une a dos desconocidos en una relación mezquina e insalubre, cuanto más intensa, tanto más efímera”
Gabriel Garcia Marquez
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“I have never done anything except write, but I don't possess the vocation or talents of a narrator, have no knowledge at all of the laws of dramatic composition, and if I have embarked upon this enterprise it is because I trust in the light shed by how much I have read in my life.”
Gabriel Garcia Marquez
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“Hildebranda had a universal conception of love, and she believed that whatever happened to one love affected all other loves throughout the world.”
Gabriel Garcia Marquez
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“It was then that she realized that the yellow butterflies preceded the appearances of Mauricio Babilonia.”
Gabriel Garcia Marquez
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“las estirpes condenadas a cien años de soledad no tenían una segunda oportunidad sobre la tierra”
Gabriel Garcia Marquez
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“Ultimately, literature is nothing but carpentry.”
Gabriel Garcia Marquez
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