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George Buchanan

Sir George William Buchanan, GCB, GCMG, GCVO, PC (25 November 1854 – 20 December 1924) was a British diplomat. Born in Copenhagen, Denmark, he was the youngest son of Sir Andrew Buchanan, 1st Baronet, diplomat and Frances, daughter of Very Rev Edward Mellish by Elizabeth Leigh.

Buchanan entered diplomatic service in 1876, and served as Second Secretary in Tokyo, Vienna and Bern, and as Secretary in Rome. By 1899 he was serving on the Venezuelan Boundary Commission, and later that year he was appointed Chargé d'affaires at Darmstadt and Karlsruhe. In late 1901 he moved to Berlin, where he was appointed First Secretary at the British embassy. From 1903 to 1908 he was Envoy Extraordinary and Minister Plenipotentiary to Bulgaria, and in 1909 he was appointed as Minister to the Netherlands and Luxembourg. Invested with the Knight's Grand Cross of Royal Victorian Order in 1909, he was next sworn to the Privy Council In 1910 Buchanan was appointed as the British Ambassador to Russia. He kept abreast of the political developments in Russia and met some of the leading liberal reformists in the country.

When the Dardanelles were guaranteed by Germany to the Turks, Italy sent two secret documents vis the British diplomatic corps from Sir Michael Rodd to Sir George at St Petersburg. In it were the evidence that Russia needed to persuade Italy to support her Serbian policy in the Balkans. On 4 March 1915 Imperiali, the Italian envoy to London had presented the documents to Sir Edward Grey on an authority of 16 February from Sonnino, their foreign minister. France attached great importance to Italy's decision to join the allies. Buchanan was able to bring Sazonov to the negotiating table.

It has been suggested that this was secretly encouraged by the then Liberal government in London:

The British Ambassador George Buchanan was only too aware of the court's `pro-German sympathies'. He complained to the Duma President, M.V. Rodzianko, in November 1916 that he found it difficult to get an audience at court, and expressed his view `that Germany is using Alexandra Fedorovna to set the Tsar against the Allies. Elsewhere, however, Buchanan stated his view that the Empress was `the unwitting instrument of Germany'.

Buchanan had developed a strong bond with the Tsar, Nicholas II, and attempted to convince him that granting some constitutional reform would stave-off revolution. Buchanan actively supported the Duma in its efforts to change Russia's stately system during war-time. Nicholas's opinion of him was under the influence of the Tsarina's sway. Knowing that there were plots to stage a palace coup to replace him, Sir George formally requested an audience of the Tsar in the troubled early days of 1917. At his last meeting with Nicholas he pleaded with him in 'undiplomatic' language: "I can but plead as my excuse the fact that I have throughout been inspired by my feelings of devotion for Your Majesty and the Empress. If I were to see a friend walking through a wood on a dark night along a path which I knew ended in a precipice, would it not be my duty, sir, to warn him of his danger? And is it not equally my duty to warn Your Majesty of the abyss that lies ahead of you? You have, sir, come to the parting of the ways, and you have now to choose between two paths. The one will lead you to victory and a glorious peace – the other to revolution and disaster. Let me implore Your Majesty to choose the former."

Although the Tsar was touched by the Ambassador's devotion, he allowed his wife's malevolent attitudes to overbear the sensible advice he had been given. After the collapse of the Autocracy (see Grand Duke Michael Alexandrovich of Russia), he developed close relations with the liberal Provisional Government led initially by George Lvov and later by Alexander Kerensky that formed after the February Revolution. At the same time, Buchanan had developed a fear of the dangers of Bolshevism and its growing support, he feared the toppl


“The novel is an event in consciousness. Our aim isn't to copy actuality, but to modify and recreate our sense of it. The novelist is inviting the reader to watch a performance in his own brain.”
George Buchanan
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