George Saunders

“It should, as Chekhov said, prepare us for tenderness. And in this regard it starts, I think, with intention.... Our intention is to crack life open for just a second.”

“American society is uncomfortable with the idea that some people’s lives are difficult past the point of sanity and that they aren’t necessarily to blame. There’s no way you can argue that everyone has a difficult life. This is an incredible culture; the majority of people live in amazing comfort, with real dignity, maybe more comfort and dignity than any other culture in the history of the world. We live relatively safe and sane lives, which, if you’ve ever loved anybody and therefore feared for them, is a wonderful thing. But part of our moral responsibility is to keep in our minds those whose lives are unsafe and insane. In this way, fiction can be like a meditation, a way of saying: Though things are this way for me right now, they could be different later and are different for others this very moment.”

“Sometimes with all the teasing his days were subtenable.”

“Ted, I swear to God, quothe he.”

“Weird sunshower around three.Linda Hertney: It's like a final goodbye from Todd. (Linda = nut. Once claimed crow on ledge was reincarnation of her dead husband. Said she could tell by way crow's head was cocked disapprovingly at large lunch she was eating.)”

“Thomas: Wow, that treehouse is like twice the size of our actual house.Pam (whispering): Don't say 'like.'Me: Oh, ha ha, let him say what he wants, let's not be--Thomas: That treehouse is twice the size of our actual house.”

“Kissing him last night at the pep rally had been like kissing an underpass.”

“The contours of the coming disaster expanded to include the deaths of all present.”

“It was that impossible thing: happiness that does not wilt to reveal the thin shoots of some new desire rising from within it.”

“What America is, to me, is a guy doesn't want to buy, you let him not buy, you respect his not buying. A guy has a crazy notion different from your crazy notion, you pat him on the back and say, Hey pal, nice crazy notion, let's go have a beer. America, to me, should be shouting all the time, a bunch of shouting voices, most of them wrong, some of them nuts, but please, not just one droning glamorous reasonable voice.”

“The thing about girls? Suzanne said. Is we are more content-driven.”

“It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.”

“If/when I die, do not want Pam lonely. Want her to remarry, have full life. As long as new husband is nice guy. Gentle guy. Religious guy. Very caring + good to kids. But kids not fooled. Kids prefer dead dad (i.e., me) to religious guy. Pale, boring, religious guy, with no oomph, who wears weird sweaters and is always a little sad, due to, cannot get boner, due to physical ailment. Ha ha. Death very much on my mind tonight, future reader. Can it be true? That I will die? That Pam, kids will die? Is awful. Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like. Note to self: try harder, in all things, to be better person.”

“One of pleasures of parenting, future reader: parent can positively influence kid, make moment kid will remember for rest of life, moment that alters his/her trajectory, opens up his/her heart + mind.”

“A novel is just a story that hasn't yet discovered a way to be brief.”

“Don't be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.”

“Possessing perfect knowledge I hover above him as he hacks me to bits. I see his rough childhood. I see his mother doing something horrid to him with a broomstick. I see the hate in his heart and the people he has yet to kill before pneumonia gets him at eighty-three. I see the dead kid’s mom unable to sleep, pounding her fists against her face in grief at the moment I was burying her son’s hand. I see the pain I’ve caused. I see the man I could have been, and the man I was, and then everything is bright and new and keen with love and I sweep through Sam’s body, trying to change him, trying so hard, and feeling only hate and hate, solid as stone.”

“Irony is just honesty with the volume cranked up.”

“...and finally, having lost what was to be lost, my torn and black heart rebels saying enough already, enough, this is as low as I go”

“He was like the bed at a party on which they pile the coats.”

“A house on the park. He'd seen it a million times. And now was in it. It smelled of man sweat and spaghetti sauce and old books. Like a library where sweaty men went to cook spaghetti.”

“Linda Hertney: It's like a final goodbye from Todd. (Linda = nut. Once claimed crow on ledge was reincarnation of her dead husband. Said she could telly by way crow's head was cocked disapprovingly at large lunch she was eating.)”

“The time he'd cheated on Syl, Syl had seen through him, broken off their engagement, and cheated on him with Charles, which had fried his ass possibly worse than any single other ass frying he'd ever had, in a life that, it recently seemed, was simply a series of escalating ass fries.”

“Oh, mansion shmansion. Did Gandhi's house have the largest outdoor trampoline in the tristate area? Did Jesus have a two-acre remote-controlled car track, with mountains to scale and a little village that lit up at night?Not in his Bible.”

“Because, as someone who does feng shui for a living, there's no way I could do my feng shui if I was whacked out on crack, because my business is about discerning energy fields, and if you're cracked up, or on pot, or even if you've had too much coffee, the energy field gets all wonky, believe me, I know used to smoke!”

“I have a sense that God is unfair and preferentially punishes his weak, his dumb, his fat, his lazy. I believe he takes more pleasure in his perfect creatures, and cheers them on like a brainless dad as they run roughshod over the rest of us. He gives us a need for love, and no way to get any. He gives us a desire to be liked, and personal attributes that make us utterly unlikable. Having placed his flawed and needy children in a world of exacting specifications, he deducts the difference between what we have and what we need from our hearts and our self-esteem and our mental health.”

“Those stories tended to be located around the places where things went wrong, and people were cruel to one another, and so on. They reflected what was probably the most urgent truth operating in me at that time: oh, shit, things can go wrong, and if they do, people get hurt, and I might be one of them, in spite of the fact that I am, you know, me.”

“When something really bad is going on in a culture, the average guy doesn’t see it. He can’t. He’s average. And is surrounded by and immersed in the cant and discourse of the status quo.”

“Somehow: Molly.He heard her in the entryway. Mol, Molly, oh boy. When they were first married they used to fight. Say the most insane things. Afterward, sometimes there would be tears. Tears in bed? And then they would - Molly pressing her hot wet face against his hot wet face. They were sorry, they were saying with their bodies, they were accepting each other back, and that feeling, that feeling of being accepted back again and again, of someone's affection for you expanding to encompass whatever new flawed thing had just manifested in you, that was the deepest, dearest thing he'd ever -She came in flustered and apologetic, a touch of anger in her face. He'd embarrassed her. He saw that. He'd embarrassed her by doing something that showed she hadn't sufficiently noticed him needing her. She'd been too busy nursing him to notice how scared he was. She was angry at him for pulling this stunt and ashamed of herself for feeling angry at him in his hour of need, and was trying to put the shame and anger behind her now so she could do what might be needed.All of this was in her face. He knew her so well.Also concern.Overriding everything else in that lovely face was concern.She came to him now, stumbling a bit on a swell in the floor of this stranger's house.”

“Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like.”

“Do not really like rich people, as they make us poor people feel dopey and inadequate. Not that we are poor. I would say we are middle. We are very, very lucky. I know that. But still, it is not right that rich people make us middle people feel dopey and inadequate.”

“I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what’s inside the box bears some linear resemblance to ‘real life’ — he can put whatever he wants in there. What’s important is that something undeniable and nontrivial happens to the reader between entry and exit. In fact, ‘Slaughterhouse-Five’ seemed to be saying that our most profound experiences may require this artistic uncoupling from the actual. The black box is meant to change us. If the change will be greater via the use of invented, absurd material, so be it.”

“Even for those thousands of young people who don’t get something out there [in a university writing program], the process is still a noble one — the process of trying to say something, of working through craft issues and the worldview issues and the ego issues — all of this is character-building, and, God forbid, everything we do should have concrete career results. I’ve seen time and time again the way that the process of trying to say something dignifies and improves a person”

“Why sad? Don’t be sad. If sad, will make everyone sad.”

“She's sweet but too apocalyptic. You try kissing someone good-night who's just told you for the umpteenth time that the world's experiencing its last disgusting paroxysm before Rapture.”

“This [oatmeal] represents your soul in its pure state. Your soul on the day you were born. You were perfect. You were happy. You were good.Now, enter Concept Number Two: crap. Don't worry, folks. I don't use actual crap up here. Only imaginary crap. You'll have to supply the crap, using your mind. Now, if someone came up and crapped in your nice warm oatmeal, what would you say? Would you say: 'Wow, super, thanks, please continue crapping in my oatmeal'? Am I being silly? I'm being a little silly. But guess what, in real life people come up and crap in your oatmeal all the time--friends, co-workers, loved ones, even you kids, especially your kids!--and that's exactly what you do. You say, 'Thanks so much!' You say, 'Crap away!' You say, and here the metaphor breaks down a bit, 'Is there some way I can help you crap in my oatmeal?”

“Just before I doze off, I counsel myself grandiosely: Fuck concepts. Don't be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.”

“Good God, but life could be less than easy, not that he was unaware that it could certainly be a lot worse, but to go about in such a state, pulse high, face red, worried sick that someone would notice how nervous one was, was certainly less than ideal, and he felt sure that his body was secreting all kinds of harmful chemicals and that the more he worried about the harmful chemicals the faster they were pouring out of wherever it was they came from.”

“Though firm, we are never too firm, though we love fun, we never have fun in a silly way that makes us appear ridiculous, unless that is our intent.”

“Dad had once said, Trust your mind, Rob. If it smells like shit but has writing across it that says Happy Birthday and a candle stuck down in it, what is it?Is there icing on it? he'd said.Dad had done that thing of squinting his eyes when an answer was not quite there yet.”

“In spite of the strife the stars were bright as crystal.”

“This meal we just ate?" says Aunt Lydia. "In many countries, this sort of meal would only be eaten by royalty.""There are countries where people could live one year on what we throw out in one week," says Grandpa Kirk."I thought it was they could live one year on what we throw out in one day," says Grandma Sally."I thought it was they could live ten years on what we throw out in one minute," says Uncle Gus."Well anyway," says Doris. "We are very lucky.”

“On Final Twist, five college friends take a sixth to an expensive Italian restaurant, supposedly to introduce him to a hot girl, actually to break the news that his mother is dead. This is the InitialTwist. During dessert they are told that, in fact, all of their mothers are dead. This is the SecondTwist. The ThirdTwist is, not only are all their mothers dead, the show paid to have them killed, and the fourth and FinalTwist is, the kids have just eaten their own grilled mothers.”

“Mid-December then and still no snow. Strange Chicago crèches appeared in front yards: Baby Jesus, freed from the manger, leaned against a Santa sled half his height. He was crouching, as if about to jump; he wore just a diaper. Single strings of colored lights lay across bushes, as if someone had hatefully thrown them there. We patched the roof of a Jamaican immigrant whose apartment had nothing in it but hundreds of rags, spread across the floor and hanging from interior clotheslines. Nobody asked why. As we left, she offered us three DietRite Colas.”

“After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half-hour of computer simulations of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher. ("Sea Oak")”

“Matt Merton comes back and explains that last week's show on suicide, in which the parents watched a reenactment of their son's suicide, was a healing process for the parents, then shows a video of the parents admitting it was a healing process. ("Sea Oak")”

“At Sea Oak there's no sea and no oak, just a hundred subsidized apartments and a rear view of FedEx. Min and Jade are feeding their babies while watching How My Child Died Violently. Min's my sister. Jade's our cousin. How My Child Died Violently is hosted by Matt Merton, a six-foot-five blond who's always giving the parents shoulder rubs and telling them they've been sainted by pain. Today's show features a ten-year-old who killed a five-year-old for refusing to join his gang. The ten-year-old strangled the five-year-old with a jump rope, filled his mouth with baseball cards, then locked himself in the bathroom and wouldn't come out until his parents agreed to take him to FunTimeZone, where he confessed, then dove screaming into a mesh cage full of plastic balls. The audience is shrieking threats at the parents of the killer while the parents of the victim urge restraint and forgiveness to such an extent that finally the audience starts shrieking threats at them too. Then it's a commercial.”

“Then I'm a paunchy guy in a room, with a note pinned to his sleeve: "You were alone in the world," it says, "and did a kindness for someone in need. Good for you. Now post this module, and follow this map to the home of Mrs. Ken Schwartz. Care for her with some big money that will come in the mail. Find someone to love. Your heart has never been broken. You've never done anything unforgivable or hurt anyone beyond reparation. Everyone you've ever loved you've treated like gold.”

“Vonnegut's war was necessary. And yet it was massacre and screaming and confusion and blood and death. It was the mammoth projection outward of the confused inner life of men. In war, the sad tidy constructs we make to help us believe life is orderly and controllable are roughly thrown aside like the delusions they are. In war, love is outed as an insane, insupportable emotion, a kind of luxury emotion, because everywhere you look, someone beloved to someone is being slaughtered, by someone whose own beloved has been slaughtered, or will be, or could be.”

“There comes that phase in life when, tired of losing, you decide to stop losing, then continue losing. Then you decide to really stop losing, and continue losing. The losing goes on and on so long you begin to watch with curiosity, wondering how low you can go. ”