George Steiner
See also: George A. Steiner, author on Management and Planning.
Dr. Francis George Steiner was an essayist, novelist, philosopher, literary critic, and educator. He wrote for
The New Yorker
for over thirty years, contributing over two hundred reviews. Among his many awards, he received The Truman Capote Lifetime Achievement Award from Stanford University 1998. He lived in Cambridge, England, with his wife, historian Zara Shakow Steiner.
In 1950 he earned an M.A. from Harvard University, where he won the Bell Prize in American Literature, and received his Ph.D. from Oxford University (Balliol College) on a Rhodes Scholarship in 1955. He was then a scholar at the Institute for Advanced Study in Princeton, New Jersey, for two years. He became a founding fellow of Churchill College at the University of Cambridge in 1961, and has been an Extraordinary Fellow there since 1969. Additionally, Steiner accepted the post of Professor of English and Comparative Literature at the University of Geneva in 1974, which he held for 20 years, teaching in four languages. He became Professor Emeritus at Geneva University on his retirement in 1994, and an Honorary Fellow at Balliol College at Oxford University in 1995. He later held the positions of the first Lord Weidenfeld Professor of Comparative Literature and Fellow of St. Anne's College at Oxford University from 1994 to 1995, and Norton Professor of Poetry at Harvard University from 2001 to 2002.
“The dramatic arises out of the margin of opaqueness between a writer and his personages, out of the potential for the unexpected. In the full dramatic character lurks the unforeseen possibility, the gift of disorder.”
“The capacity for imaginative reflex, for moral risk in any human being is not limitless; on the contrary, it can be rapidly absorbed by fictions, and thus the cry in the poem may come to sound louder, more urgent, more real than the cry in the street outside. The death in the novel may move us more potently than the death in the next room. Thus there may be a covert, betraying link between the cultivation of aesthetic response and the potential of personal inhumanity.”
“Mentre [il lettore] legge, la sua esistenza si accorcia. La sua lettura è un anello nella catena di continuità nella rappresentazione del testo che sottoscrive la sopravvivenza del testo letto.”
“If, in the Judaic perception, the language of the Adamic was that of love, the grammars of fallen man are those of the legal code.”
“The letter kills the spirit. The written text is mute in the face of responding challenge. It does not admit of inward growth and correction. Text subverts the absolutely vital role of memory.”
“The symmetries of immanence are cruel.”
“The whispers of shared ecstasy are choral.”
“the calling of the teacher. There is no craft more privileged. To awaken in another human being powers, dreams beyond one’s own; to induce in others a love for that which one loves; to make of one’s inward present their future; that is a threefold adventure like no other.”
“We speak in (rich) monotones. Our poetry is haunted by the music it has left behind. Orpheus shrinks to a poet when he looks back, with the impatience of reason, on a music stronger than death.”
“There would be no history as we know it, no religion, no metaphysics or aesthetics as we have lived them, without an initial act of trust, of confiding, more fundamental, more axiomatic by far than any “social contract” or covenant with the postulate of the divine. This instauration of trust, this entrance of man into the city of man, is that between word and world.”
“The inception of human consciousness, the genesis of awareness, must have entailed prolonged 'condensations' around intractable nodes of wonder and terror, at the discriminations to be made between the self and the other, between being and non-being (the discovery of the scandal of death).”
“No phonetic sign, except at a rudimentary, strictly speaking pre-linguistic level of vocal imitation, has any substantive relation or contiguity to that which it is conventionally and temporally held to designate.”
“The fantastically wasteful prodigality of human tongues, the Babel enigman, points to a vital multiplication of mortal liberties. Each language speaks the world in its own ways. Each edifies worlds and counter-worlds in its own mode. The polyglot is a freer man.”
“A canon is a guarded catalogue of that speech, music and art which houses inside us, which is irrevocably familiar to our homecomings. And this will include, if honestly arrived at and declared (even if solely to oneself), all manner of ephemera, trivial, and possibly mendacious matter…No manor woman need justify his personal anthology, his canonic welcomes. Love does not argue its necessities.”
“A perceptive French critic has argued that in an age of deepening illiteracy, when even the educated have only a smattering of classical or theological knowledge, erudition is of itself a kind of fantasy, a surrealistic construct.”
“We know now that a man can read Goethe or Rilke in the evening, that he canplay Bach and Schubert, and go to his day's work at Auschwitz in themorning.”
“Books - the best antidote against the marsh-gas of boredom and vacuity.”