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Haruki Murakami

Murakami Haruki (Japanese: 村上 春樹) is a popular contemporary Japanese writer and translator. His work has been described as 'easily accessible, yet profoundly complex'. He can be located on Facebook at: https://www.facebook.com/harukimuraka...

Since childhood, Murakami has been heavily influenced by Western culture, particularly Western music and literature. He grew up reading a range of works by American writers, such as Kurt Vonnegut and Richard Brautigan, and he is often distinguished from other Japanese writers by his Western influences.

Murakami studied drama at Waseda University in Tokyo, where he met his wife, Yoko. His first job was at a record store, which is where one of his main characters, Toru Watanabe in Norwegian Wood, works. Shortly before finishing his studies, Murakami opened the coffeehouse 'Peter Cat' which was a jazz bar in the evening in Kokubunji, Tokyo with his wife.

Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' song, although it is widely thought it was titled after the Beach Boys tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (the first part being the title of a song by Nat King Cole).


“Fairness is a concept that holds only in limited situations. Yet we want the concept to extend to everything, in and out of phase. From snails to hardware stores to married life. Maybe no one finds it, or even misses it, but fairness is like love. What is given has nothing to do with what we seek.”
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“Someone once said that nothing costs more and yields less benefit than revenge,” Aomame said.“Winston Churchill. As I recall it, though, he was making excuses for the British Empire’s budget deficits. It has no moral significance.”
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“They take the circuits out of people’s brains that make it possible for them to think for themselves. Their world is like the one that George Orwell depicted in his novel. I’m sure you realize that there are plenty of people who are looking for exactly that kind of brain death. It makes life a lot easier. You don’t have to think about difficult things, just shut up and do what your superiors tell you to do.”
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“Tell me how you could say such a thing, she said, staring down at the ground beneath her feet. You're not telling me anything I don't know already. 'Relax your body, and the rest of you will lighten up.' What's the point of saying that to me? If I relaxed my body now, I'd fall apart. I've always lived like this, and it's the only way I know how to go on living. If I relaxed for a second, I'd never find my way back. I'd go to pieces, and the pieces would be blown away. Why can't you see that? How can you talk about watching over me if you can't see that?”
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“It's all a question of imagination. Our responsibility begins with the power to imagine.”
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“It doesn't matter what form she takes - a living spirit, an illusion - but you have to see her, have to have her beside you. Your brain is so full of her it's ready to burst, your body about to explode into pieces. Still, no matter how much you want her to be here, no matter how long you wait, she never appears. All you hear is the faint rustle of wind outside, birds softly cooing in the night. You hold your breath, staring off into the gloom. You listen to the wind, trying to read something into it, staring to catch a hint of what it might mean. But all that surrounds you are different shades of darkness. Finall, you up, close your eyes, and fall asleep.”
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“Death leaves cans of shaving cream half-used.”
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“I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors--values, standards, my own limitations as an observer--make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself.This kind of thing doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I am very good at sensing others' true feelings." But any number of times I've seen people who say they've easily hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are duped by the most transparent flattery. It's enough to make me ask the question: How well do we really know ourselves?The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am.”
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“As long as I was alive, I was something. That was just how it was. But somewhere along the way it all changed. Living turned me into nothing.”
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“The body is not the only target of rape. Violence does not always take a visible form, and not all wounds gush blood.”
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“Even if we could turn back, we'd probably never end up where we started.”
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“In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities, but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevsky depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.”
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“I don’t know why I’m so crazy about cats. I like how they are soft and warm, and individualistic, kind of like me.”
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“Once I began a book, I couldn’t put it down. It was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I’d keep the book hidden so I could read during class. But I had almost no desire to talk with anyone about the experience I gained through books and music. I felt happy just being me and no one else.”
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“All my books are weird love stories. I love weird love stories.”
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“Learning another language is like becoming another person.”
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“I can never say what I want to say, it's been like this for a while now. I try to say something but all I get are wrong words - the wrong words or the exact opposite words from what I mean. I try to correct myself, and that only makes it worse. I lose track of what I was trying to say to begin with. It's like I'm split in two and playing tag with myself. One half is chasing this big, fat post. The other me has the right words, but this can't catch her.”
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“You can have tons of talent, but it won't necessarily keep you fed. If you have sharp instincts, through, you'll never go hungry.”
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“If a person remains tense for a long time he might not notice it himself, but it’s like his nerves are a piece of rubber that has been stretched out. It’s hard to go back to the original shape.”
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“Knowledge and ability were tools, not things to show off.”
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“You have to look!" Johnnie Walker commanded. "That's another one of our rules. Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what going on. In fact, things will be even worse the next time you open your eyes. That's the kind of world we live in, Mr. Nakata. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.”
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“An expectation was there, mixed in with so many other emotions - excitement, resignation, hesitation, confusion, fear - that would well up then wither on the vine. You're optimistic one moment, only to be racked the next by the certainty that it will all fall to pieces. And in the end it does.”
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“The darkness behind my closed eyelids was like the cloud-covered sky, but the gray was somewhat deeper. Every few minutes, someone would come and paint over the gray with a different-textured gray - one with a touch of gold or green or red. I was impressed with the variety of grays that existed. Human beings were so strange. All you had to do was sit still for ten minutes, and you could see this amazing variety of grays.”
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“Reading was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. Before long I bought a small stereo and spent all my time in my room, listening to jazz records. But I had almost no desire to talk to anyone about the experience I gained through books and music. I felt happy just being me and no one else. In that sense I could be called a stack-up loner.”
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“We never choose anything at all. Things happen. Or not.”
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“One impossible day, of an impossible month, of an impossible year.”
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“You’re really cute, Midori,” I corrected myself.“What do you mean really cute?”“So cute the mountains crumble and the oceans dry up.”
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“When he woke up the next day, the world was still there, and things were already moving forward, like the great karmic wheel of Indian mythology that kills every living thing in its path.”
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“I'm an average person. Is just that I like reading.”
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“With Naoko gone, I went to sleep on the sofa. I hadn't intended to do so, but I fell into the kind of deep sleep I had not in a long time, filled with a sense of Naoko's presence. In the kitchen were the dishes Naoko ate from, in the bathroom was the toothbrush Naoko used, and in the bedroom was the bed in which Naoko slept. Sleeping soundly in this apartment of hers, I wrung the fatigue from every cell of my body, drop by drop. I dreamed of a butterfly dancing in the half-light.”
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“People die all the time. Life is a lot more fragile than we think. So you should treat others in a way that leaves no regrets. Fairly, and if possible, sincerely. It's too easy not to make the effort, then weep and wring your hands after the person dies.”
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“Um dia sem sentido de um mês sem sentido e de um ano sem sentido.”
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“Let the world move along as it pleased. If it had any business with him, it would be sure to tell him.”
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“He wore Armani suits and drove a Jaguar, but finally he was just another ant, working and working until he died without meaning. The very fact that he existed in this world would eventually be forgotten. 'Such a shame, he was so young,' people might say. Or they might not.”
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“There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.”
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“Oamenii pot fi impartiti in mare in doua categorii: realisti mediocrii si idealisti mediocrii.”
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“Or maybe that’s what it’s all about: this religion’s substance is its lack of substance. In McLuhanesque terms, the medium is the message. Some people might find that cool.”“McLuhanesque?”“Hey, look, even I read a book now and then,” Ayumi protested. “McLuhan was ahead of his time. He was so popular for a while that people tend not to take him seriously, but what he had to say was right.”“In other words, the package itself is the contents. Is that it?”“Exactly. The characteristics of the package determine the nature of the contents, not the other way around.”
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“El que muere hoy, no habrá de morir mañana. Así que intentemos ver el lado bueno de cada uno.”
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“Puede que la vida no sea más que la consecuencia de una mera cadena de acontecimientos ilógicos y, en ciertos casos, extremadamente chapuceros”
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“Los encuentros marcados por el destino tienen consecuencias selladas también por el destino,”
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“Los seres humanos, en su mayoría, eran incapaces de pensar por sí mismos: ésa era una de las «verdades preciadas» que había aprendido. Y quien no pensaba, no sabía escuchar a los demás.”
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“Only the dead stay 17 forever.”
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“A theory is a battlefield in your head.”
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“Well, Mr Katagiri, I have not been frogging all these years for nothing. I keep my eye on the important things in life.”
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“You like to write. It's the single most important quality for someone who wants to be a writer. But not in itself enough.”
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“Don't let appearances fool you. There's always only one reality!”
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“What I was chasing in circles must have been the tail of the darkness inside me.”
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“Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.”
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“It is not that the meaning cannot be explained. But there are certain meanings that are lost forever the moment they are explained in words.”
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“Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.”
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