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Haruki Murakami

Murakami Haruki (Japanese: 村上 春樹) is a popular contemporary Japanese writer and translator. His work has been described as 'easily accessible, yet profoundly complex'. He can be located on Facebook at: https://www.facebook.com/harukimuraka...

Since childhood, Murakami has been heavily influenced by Western culture, particularly Western music and literature. He grew up reading a range of works by American writers, such as Kurt Vonnegut and Richard Brautigan, and he is often distinguished from other Japanese writers by his Western influences.

Murakami studied drama at Waseda University in Tokyo, where he met his wife, Yoko. His first job was at a record store, which is where one of his main characters, Toru Watanabe in Norwegian Wood, works. Shortly before finishing his studies, Murakami opened the coffeehouse 'Peter Cat' which was a jazz bar in the evening in Kokubunji, Tokyo with his wife.

Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' song, although it is widely thought it was titled after the Beach Boys tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (the first part being the title of a song by Nat King Cole).


“Tiesą, kaip tu ir sakei, dažniausiai lydi stiprus skausmas. O beveik niekas netrokšta skausmingos tiesos. Žmonėms reikia gražios ir jaukios pasakos, kuri leistų jiems bent truputį giliau pajusti savo gyvenimo prasmę. Būtent todėl atsiranda religijos.”
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“Slowly like a movie fade out, the real world evaporates. I'm alone, inside the world of the story. My favorite feeling in the world.”
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“Naturally I have zero friends. I've built a wall around me, never letting anybody inside and trying not to venture outside myself. Who could like someone like that? They all keep an eye on me, but I'm just glad they didn't bother me. They might hate me, or even afraid of me.”
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“Tengo stood by the window and looked at the scene outside. Beyond the garden and lawn was the dark line of the pine windbreak, through which came the sound of waves. The rough waves of the Pacific. It was thick, darkish sound, as if many souls were gathered, each whispering his story. They seemed to be seeking more souls to join them, seeking even more stories to be told.”
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“The third dream was hard to put into words. It was a rambling, incoherent dream without any setting. All that was there was a feeling of being in motion. Aomame was ceaselessly moving through time and space It didn't matter when or where this was All that mattered was this movement. Everything was fluid, and a specific meaning was born of that fluidity. But as she gave herself up to it, she found her body growing transparent. She could see through her hands to the other side. Her bones, organs, and womb became visible. At this rate she might very well no longer exist. After she could no longer see herself, Aomame wondered what could possibly come then. She had no answer.”
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“Everyone who has something is afraid of losing it, and people with nothing are worried they'll forever have nothing. Everyone is the same.”
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“The scent of the sea and the burning asphalt being carried on the southerly wind made me think of summers past. The warmth of a girl's skin, old rock n' roll, button-down shirts right out of the wash, the smell of cigarettes smoked in the pool locker room, faint premonitions, everyone's sweet, limitless summer dreams. And then one year(when was it?), those dreams didn't come back.”
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“If you're looking for fine art or literature, you might want to read some stuff written by the Greeks. Because to create true fine art, slaves are a necessity. That's how the ancient Greeks felt, with slaves working the fields, cooking their meals, rowing their ships, all the while their citizens, under the Mediterranean Sun, indulged in poetry writing and grappled with mathematics. That was their idea of fine art.”
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“It might be a little silly for someone getting to be my age to put this into words, but I just want to make sure I get the facts down clearly : I'm the kind of person who likes to be by himself. To put a finer point on it, I'm the type of person who doesn't find it painful to be alone. I find spending an hour or two everyday running alone, not speaking to anyone as well as four of five hours at my desk, to be neither difficult or boring.”
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“I can feel the limits of what humans are capable of -- that a certain type of perfection can only be realized through a limitless accumulation of the imperfect...I find that encouraging.”
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“Moartea există, viaţa e aici, moartea e dincolo. Eu sunt aici, nu dincolo. Moartea nu mai era la polul opus vieţii, ea era în mine, fusese întotdeauna în mine.”
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“I forgive you. And with those words, audibly, the frozen part of your heart crumbles.”
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“Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.”
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“Turning all this over in my mind, I started to imagine another me somewhere, sitting in a bar, nursing a whiskey, without a care in the world. The more I thought about it, the more that other me became the real me, making this me here not real at all.”
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“Gradually, I was getting worn down. My sense of direction had evaporated by our fourth day. When south became the opposite of east, I bought a compass, but going around with a compass only made the city seem less and less real. The buildings began to look like backdrops in a photography studio, the people walking in the streets like cardboard cutouts.”
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“People can generally be classified into two groups: the mediocre realists and the mediocre dreamers. You clearly belong to the latter. Your fate is and will always be the fate of a dreamer.”
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“Whether or not the person I think of as me undergoes any essential changes, the earth never stops circling the sun at it's old speed.”
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“Tačiau geri motyvai ne visuomet lemia gerus rezultatus. O prievartavimas nebūtinai turi būti fizinis. Smurtas neapsiriboja matomomis formomis, o žaizdos nebūtinai yra tik tos, kurios iš tikrųjų kraujuoja.”
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“Čia paskutinis laiptelis. Prašome aukščiau kojos nebestatyti.”
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“Things change every day, Mr Nakata. With each new dawn it's not the same world as the day before. And you're not the same person you were, either.”
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“Un giorno pensai: io riuscirò a trovare qualcuno che mi ami al cento per cento per ogni giorno della vita. L'ho deciso quando ero al quinto o al sesto anno di elementari.- Incredibile, - dissi ammirato. - E ci sei riuscita?- Beh, non è facile, - disse Midori. Poi restò qualche istante a riflettere, guardando il fumo. - Forse per via del fatto che ho aspettato tanto a lungo, io cerco qualcosa di assolutamente perfetto. Perciò non è facile.”
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“Se c'è una cosa che non mi manca è il tempo.- Davvero ne hai tanto?- Tanto che mi piacerebbe dartene un po', e farti dormire lì dentro.”
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“Ti piace la solitudine? - chiese lei appoggiando il mento sulla mano. - Ti piace viaggiare da solo, mangiare da solo, a lezione sederti lontano dagli altri?- A nessuno piace la solitudine. Ma non mi faccio in quattro per fare amicizia. Così evito un po' di delusioni, - dissi.”
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“I have no physical symptoms, but psychologically there's this burden. I've got to get rid of it somehow. Of course, when I first went back to work I was scared the same thing might happen again. It takes positive thinking to overcome fear, otherwise you'll carry around this victim mentality forever.”
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“Whether it's good for anything or not, cool or totally uncool, in the final analysis what's most important is what you can't see but can feel in your heart.”
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“You make do with what you have. As you age you learn even to be happy with what you have.”
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“To him, they looked like shadows that his wife had left behind. Size 7 shadows of his wife hung there in long rows, layer upon layer, as if someone had gathered and hung up samples of the infinite possibilities (or at least the theoretically infinite possibilities) implied in the existence of a human being.”
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“She picked up the ballpoint pen lying on the table, and played with it for a few seconds, but then she looked at the clock again. It had done its job: in the five minutes since her last look, it had advanced five minutes' worth.”
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“[...] he made it a rule never to touch a book by any author who had not been dead at least 30 years."That's the only kind of book I can trust", he said."It's not that I don't believe in contemporary literature," he added, "but I don't want to waste valuable time reading any book that has not had the baptism of time. Life is too short.”
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“Writing from memory like this, I often feel a pang of dread. What if I've forgotten the most important thing? What if somewhere inside me there is a dark limbo where all the the truly important memories are heaped and slowly turning into mud?”
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“The thing I’m most afraid of is me. Of not knowing what I’m going to do. Of not knowing what I’m doing right now”
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“Dok god muzika svira, igraj dok te noge nose. Razumes li sta ti govorim? Igraj dok te noge nose. Ne smes da razmisljas zasto igras. Ne smes da razmisljas o znacenju toga. Jer, u osnovi, znacenja nema. Pocnes li da razmisljas, noge ce ti se zaustaviti. Zaustave li ti se jednom noge, ja tu vise nista ne mogu. Tvoje veze ce nestati. Nestace zauvek! I vise neces moci da zivis nigde drugde osim u ovom svetu. Brzo ces biti uvucen u ovaj svet. Zato noge ne smeju da ti se zaustave. Koliko god ti se cinilo besmisleno, ne smes da mislis na to. Prati korake i igraj dok te noge nose. A ono otvrdlo razmeksaj, makar malo. Mora da je ostalo i nesto za sta jos nije prekasno. Upotrebi sve sto se moze upotrebiti. Ucini sve sto mozes. Nema cega da se plasis. Svakako si umoran. Umoran si i uplasen. Svi imaju takve trenutke. Cini ti se da je sve pogesno. I noge ti se zaustave.”
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“My arm was not the one she needed, but the arm of someone else. My warmth was not what she needed, but the warmth of someone else. I felt almost guilty being me.”
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“Halfway through April Naoko turned twenty. She was seven months older than I was, my own birthday being in November. There was something strange about Naoko's becoming twenty. I felt as if the only thing that made sense, whether for Naoko or for me, was to keep going back and forth between eighteen and nineteen. After eighteen would come nineteen, and after nineteen, eighteen. Of course. But she turned twenty. And in the fall, I would do the same. Only the dead stay seventeen forever.”
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“Omezenost bez fantazie,nedostatek tolerance,teorie, která se vymkla kontrole,prázdná rétorika,patenty na pravdu a zkostnatělý systém.Toho jediného se na světe opravdu bojím.”
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“That's gotta be one of the principles behind reality. Accepting things that are hard to comprehend, and leaving them that way.”
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“We're all kind of weird and twisted and drowning.”
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“Principles and logic didn't give birth to reality. Reality came first, and the principles and logic followed.”
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“It was a cruel world though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren't many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland.”
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“She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.”
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“Look Mister, I don't care what you think, you are bald. If the census had a "bald" category, You'd be in it, no problem. If you go to heaven, you're going to bald heaven. If you go to hell, you're going to bald hell. Have you got that straight? Then stop looking away from the truth. Let's go now. I'm taking you straight to bald heaven, nonstop.”
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“When the orbits of these two satellites of ours happened to cross paths, we could be together. Maybe even open our hearts to each other. But that was only for the briefest moment. In the next instant we'd be in absolute solitude. Until we burned up and became nothing.”
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“As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know i have experienced pain in many different forms, and I'm sure you have too. In most cases, though, im sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering , we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?''He broke off and looked around the room once again.''The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.''Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.''As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh,'' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy.”
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“Vientulība cilvēku saēd.”
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“It was a day like a slow-motion video of twilight. Uneventful, to put it mildly. The lead gray of the sky mixed ever so slowly with black, finally blending into night. Just another quality of melancholy. As if there were only two colors in the world, gray and black, shifting back and forth at regular intervals.”
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“She and I would trade books, talk endlessly, drink cheap whiskey, engage in unremarkable sex. You know, the stuff of everyday.”
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“I think I just don’t like names. Basically, I can’t see what’s wrong with calling me ‘me’ or you ‘you’ or us ‘us’ or them ‘them.”
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“You’re afraid of imagination. And even more afraid of dreams. Afraid of the responsibility that begins in dreams. But you have to sleep, and dreams are a part of sleep. When you’re awake you can suppress imagination. But you can’t suppress dreams.”
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“I'm just ordinary guy, ordinary family, ordinary education, ordinary face, ordinary exam results, ordinary thought in my head”
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“I've got tons of things I don't understand about myself. We're both normal "ordinary”
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