Henry James

“There's nothing so magnificent - for making others feel you - as to have no imagination.”

“—his indescribable little air of knowing nothing in the world but love.”

“How in the world--when what is such knowledge but suffering?”

“You were to suffer your fate. That was not necessarily to know it.”

“Odo ancora, mentre scrivo, l'intenso silenzio in cui si cessarono tutti i suoni della sera. Le cornacchie smisero di gracchiare nel cielo dorato e l’ora amica smarrì, per quell'orribile momento, tutta la sua voce. Ma non ci fu nessun altro cambiamento intorno a me, se cambiamento non era vedere con tanto singolare chiarezza. L’oro luccicava ancora nel cielo, l’aria era limpida e l’uomo che mi osservava da sopra i merli risaltava quanto un ritratto nella sua cornice. Ecco perché pensai, con straordinaria rapidità, a tutti coloro che egli avrebbe potuto essere e che non era. Ci fissammo attraverso lo spazio abbastanza a lungo perché potessi chiedermi ansiosamente chi fosse mai, e provare, dinanzi all'incapacità di rispondervi, uno sbigottimento che, a poco a poco, si faceva sempre più intenso.”

“If he was not personally loud, however, he was deep, and during these closing days of the Roman May he knew a complacency that matched with slow irregular walks under the pines of the Villa Borghese, among the small sweet meadow-flowers and the mossy marbles.”

“He was allying himself to science, for what was science but the absence of prejudice backed by the presence of money? His life would be full of machinery, which was the antidote to superstition ...”

“My first impulse is always to behave, about everything, as if I feared complications. But I don't fear them— I really like them. They're quite my element.”

“I'm glad you like adverbs — I adore them; they are the only qualifications I really much respect.”

“I keep a band of music in my ante-room," he said once to her. "It has orders to play without stopping; it renders me two excellent services. It keeps the sounds of the world from reaching the private apartments, and it makes the world think that dancing's going on within.”

“The chief impression produced on Isabel's spirit by this criticism, was that the passion of love separated its victim terribly from everyone but the loved object”

“Am I grave?', he asked. 'I had an idea I was grinning from ear to ear.''You look as if you were taking me to a funeral. If that's a grin, your ears are very near together.”

“Catherine had not understood all that she said; her attention was given to enjoying Marian’s ease of manner and flow of ideas.”

“It would have been absurd of him to trace into ramifications the effect of the ribbon from which Miss Gostrey’s trinket depended, had he not for the hour, at the best, been so given over to uncontrolled perception. What was it but an uncontrolled perception that his friend’s velvet band somehow added, in her appearance, to the value of every other item – to that of her smile and of the way she carried her head, to that of her complexion, of her lips, her teeth, her eyes, her hair? What, certainly, had a man conscious of a man’s work in the world to do with red velvet bands? He would n’t for anything have so exposed himself as to tell Miss Gostrey how much he liked hers, yet he had none the less not only caught himself in the act – frivolous, no doubt, idiotic, and above all unexpected – of liking it: he had in addition taken it as a starting point for fresh backward, fresh forward, fresh lateral flights.”

“A family is a little world within doors; the miniature resemblance of the great worls without.”

“Wherever you go, madam, it will matter little what you carry. You will always carry your goodness.”

“On 10 August 1914, five days after war was declared, Henry James, in a letter to a friend, expressed his revulsion at the prospect of war, and articulated the illusion that had preceded it: `Black and hideous to me is the tragedy that gathers, and I'm sick beyond cure to have lived on to see it. You and I, the ornaments of our generation, should have been spared the wreck of our beliefs that through the long years we had seen civilization grow and the worst become impossible.”

“I am 'sort of' haunted by the conviction that the divine William is the biggest and most successful fraud ever practiced on a patient world.”

“Catherine, who was extremely modest, had no desire to shine, and on most social occasions, as they are called, you would have found her lurking in the background.”

“...he uttered the cry of a creature hurled over an abyss...”

“You think too much.''I suppose I do; but I can’t help it, my mind is so terribly active. When I give myself, I give myself. I pay the penalty in my headaches, my famous headaches--a perfect circlet of pain! But I carry it as a queen carries her crown.”

“The story had held us, round the fire, sufficiently breathless, but except the obvious remark that it was gruesome, as, on Christmas Eve in an old house, a strange tale should essentially be, I remember no comment uttered till somebody happened to say that it was the only case he had met in which such a visitation had fallen on a child.”

“... the high brutality of good intentions ...”

“Quote of the day: Quote of the day: We work in the dark - we do what we can - we give what we have. Our doubt is our passion, and our passion is our task. The rest is the madness of art.[info][add][mail][note]Henry James (1843 - 1916)”

“She had had a real fright but had fallen back to earth. The odd thing was that in her fall her fear too had been dashed down and broken. It was gone.”

“Fear, unfortunately, is a very big thing, and there's a great variety of kinds.”

“Everything had something behind it: life was like a long corridor with rows of closed doors.”

“She had a new feeling, the feeling of danger; on which a new remedy rose to meet it, the idea of an inner self or, in other words, of concealment.”

“By the time she had grown sharper,..., she found in her mind a collection of images and echoes to which meanings were attachable- images and echoes kept for her in the childish dusk, the dim closet, the high drawers, like games she wasn't big enough to play.”

“She often wondered indeed if she ever had been, or ever could be, intimate with anyone.”

“There is only one recipe - to care a great deal for the cookery.”

“...some sunny empty grass-grown court lost in the heart of the labyrinthine pile.”

“He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.”

“Try to be someone upon whom nothing is lost!”

“I’ll watch with you.”

“Se um homem afirma que compreende as mulheres, é tido por presunçoso; se realmente as compreende é considerado um devasso”

“I could only get on at all by taking "nature" into my confidence and my account, by treating my monstrous ordeal as a push in a direction unusual, of course, and unpleasant, but demanding, after all, for a fair front, only another turn of the screw of ordinary human virtue.”

“Make up to a good one and marry here, and your life will become much more interesting.”

“London is on the whole the most possible form of life.”

“It is difficult to speak adequately or justly of London. It is not a pleasant place; it is not agreeable, or cheerful, or easy, or exempt from reproach. It is only magnificent. You can draw up a tremendous list of reasons why it should be insupportable. The fogs, the smoke, the dirt, the darkness, the wet, the distances, the ugliness, the brutal size of the place, the horrible numerosity of society, the manner in which this senseless bigness is fatal to amenity, to convenience, to conversation, to good manners – all this and much more you may expatiate upon. You may call it dreary, heavy, stupid, dull, inhuman, vulgar at heart and tiresome in form. [...] But these are occasional moods; and for one who takes it as I take it, London is on the whole the most possible form of life. [...] It is the biggest aggregation of human life – the most complete compendium of the world.”

“After this Daisy was never at home, and Winterbourne ceased to meet her at the houses of their common acquaintances, because, as he perceived, these shrewd people had quite made up their minds that she was going too far. They ceased to invite her, and they intimated that they desired to express observant Europeans the great truth that, though Miss Daisy Miller was a young American lady, her behaviour was not representative - was regarded by her compatriots as abnormal. Winterbourne wondered how she felt about all the cold shoulders that were turned towards her, and sometimes it annoyed him to suspect that she did not feel at all. He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon her ostracism or even to have perceived it. Then at other moments he believed that she carried about in her elegant and irresponsible little organism a defiant, passionate, perfectly observant consciousness of the impression she produced. He asked himself whether Daisy's defiance came from the consciousness of innocence or from her being, essentially, a young person of the reckless class. It must be admitted that holding oneself to a belief in Daisy's "innocence" came to see Winterbourne more and more a matter of fine-spun gallantry. As I have already had occasion to relate, he was angry at finding himself reduced to chopping logic about this young lady; he was vexed at his want of instinctive certitude as to how far her eccentricities were generic, national, and how far they were personal. From either view of them he had somehow missed her, and now it was too late.”

“The finer natures were those that shone at the larger times.”

“A novel is in its broadest definition a personal, a direct impression of life: that, to begin with, constitutes its value, which is greater or less according to the intensity of the impression”

“Night came on, the lamps were lighted, the tables near him found occupants, and Paris began to wear that peculiar evening look of hers which seems to say, in the flare of windows and theatre-doors, and the muffled rumble of swift-rolling carriages, that this is no world for you unless you have your pockets lined and your scruples drugged.”

“Our men have been real Frenchmen, and their wives--I may say it--have been worthy of them. You may see all their portraits at our house in Auvergne; every one of them an "injured" beauty, but not one of them hanging her head. Not one of them had the bad taste to be jealous... These are great traditions, and it doesn't seem to me fair that a little American bourgeoise should come in and pretend to alter them, and should hang her photograph, with her obstinate little "air penche”

“He had come abroad to enjoy the Flemish painters and all others; but what fair-tressed saint of Van Eyck or Memling was so interesting a figure as Madame de Mauves?”

“Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads,—a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne.”

“When you lay down a proposition which is forthwith controverted, it is of course optional with you to take up the cudgels in its defence. If you are deeply convinced of its truth, you will perhaps be content to leave it to take care of itself; or, at all events, you will not go out of your way to push its fortunes; for you will reflect that in the long run an opinion often borrows credit from the forbearance of its patrons. In the long run, we say; it will meanwhile cost you an occasional pang to see your cherished theory turned into a football by the critics. A football is not, as such, a very respectable object, and the more numerous the players, the more ridiculous it becomes. Unless, therefore, you are very confident of your ability to rescue it from the chaos of kicks, you will best consult its interests by not mingling in the game.”

“She liked him too much to marry him, that was the point; something told her that she should not be satisfied, and to inflict upon a man who offered so much a wife with a tendency to criticize would be a peculiarly discreditable act.”

“She couldn't have told you whether it was because she was afraid, or because such a voice in the darkness seemed of necessity a boon; but she listened to him as she had never listened before; his words dropped deep into her soul.”