Herman Hesse photo

Herman Hesse

Many works, including

Siddhartha

(1922) and

Steppenwolf

(1927), of German-born Swiss writer Hermann Hesse concern the struggle of the individual to find wholeness and meaning in life; he won the Nobel Prize for literature in 1946.

Other best-known works of this poet, novelist, and painter include

The Glass Bead Game

, which, also known as Magister Ludi, explore a search of an individual for spirituality outside society.

In his time, Hesse was a popular and influential author in the German-speaking world; worldwide fame only came later. Young Germans desiring a different and more "natural" way of life at the time of great economic and technological progress in the country, received enthusiastically

Peter Camenzind

, first great novel of Hesse.

Throughout Germany, people named many schools. In 1964, people founded the Calwer Hermann-Hesse-Preis, awarded biennially, alternately to a German-language literary journal or to the translator of work of Hesse to a foreign language. The city of Karlsruhe, Germany, also associates a Hermann Hesse prize.


“São pessoas que têm em si duas almas, duas essências, neles o divino e o diabólico, o sangue materno e o sangue paterno, o dom da felicidade e o dom do sofrimento, co-existem e interpenetram-se tão hostil e desordenadamente como o lobo e homem em Harry.”
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“Are ideals attainable? Do we live to abolish death? No-we live to fear it and then again to love it, and just for death's sake it is that our spark of life glows for an hour now and then so brightly.”
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“The judge who sits over the murderer and looks into his face, and at one moment recognizes all the emotions and potentialities and possibilities of the murderer in his own soul and hears the murderer's voice as his own, is at the next moment one and indivisible as the judge, and scuttles back into the shell of his cultivated self and does his duty and condemns the murderer to death.”
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“En la eternidad, sin embargo, no hay tiempo, como ves: la eternidad es sólo un instante, lo suficientemente largo para una broma”
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“Learn what is to be taken seriously and laugh at the rest.”
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“Lascia che te lo dica oggi quanto ti voglio bene, quanto tu sei stato sempre per me, come hai arricchito la mia vita. [...] Tu non puoi misurare ciò che significhi. Significa la sorgente in un deserto, l'albero fiorito in un terreno selvaggio. A te solo debbo che il mio cuore non sia inaridito, che sia rimasto in me un punto accessibile alla grazia.”
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“You will become tired, Siddhartha.""I will become tired.""You will fall asleep, Siddhartha.""I will not fall asleep.""You will die, Siddhartha.""I will die.”
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“Φοβόμαστε το θάνατο, ανατριχιάζουμε στην αστάθεια της ζωής, λυπόμαστε να βλέπουμε τα λουλούδια να μαραίνονται ξανά και ξανά και τα φύλλα που πέφτουν και στις καρδιές μας γνωρίζουμε ότι εμείς, το ίδιο εφήμεροι είμαστε και σύντομα θα εξαφανιστούμε.Όταν οι καλλιτέχνες δημιουργούν εικόνες και οι στοχαστές ψάχνουν για νόμους και δίνουν σώμα στις σκέψεις, είναι για να διασώσουν κάτι από τον θαυμαστό χορό του θανάτου, είναι για να φτιάξουν κάτι το οποίο θα διαρκέσει περισσότερο από ό, τι εμείς.”
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“Exactly, my dear sir, as the radio for ten minutes together projects the most lovely music without regard into the most impossible places, into respectable drawing rooms and attics and into the midst of chattering, guzzling, yawning and sleeping listeners, and exactly as it strips this music of its sensuous beauty, spoils and scratches and slimes it and yet cannot altogether destroy its spirit, just so does life, the so-called reality, deal with the sublime picture-play of the world and make a hurley-burley of it. It makes its unappetizing tone-slime of the most magic orchestral music. Everywhere it obtrudes its mechanism, its activity, its dreary exigencies and vanity between the ideal and the real, between orchestra and ear. All life is so, my child, and we must let it be so: and, if we are not asses, laugh at it. It little becomes people like you to be critics of radio or of life either. Better learn to listen first! Learn what is to be taken seriously and laugh at the rest.”
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“Er brandt in mij dan een wilde begeerte naar sterke gevoelens, naar sensaties, een afkeer van dit afgezaagde, genormaliseerde en gesteriliseerde leven, en een hevige begeerte ergens iets stuk te slaan, een warenhuis of een kathedraal of mijzelf, roekeloze stommiteiten te begaan, een paar vereerde afgoden de pruiken af te rukken, een paar opstandige schooljongens de vurig verlangde kaartjes naar Hamburg te verschaffen, een klein meisje te verleiden of een paar vertegenwoordigers van de burgerlijke wereldorde de nek om te draaien. Want dit haatte, verafschuwde en vervloekte ik van alles toch wel het hevigst: deze tevredenheid, deze gezondheid, de behaagelijkheid, dit gekoesterde optimisme van de burger, deze vette vruchtbare zelfvoldaanheid van het middelmatige, het normale, de doorsnee.”
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“It is not for me to judge another man's life. I must judge, I must choose, I must spurn, purely for myself. For myself, alone.”
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“Yes Siddhartha,' he said. 'Is this what you mean: that the river is in all places at once, at its source and where it flows into the sea, at the waterfall, at the ferry, at the rapids, in the ocean, in the mountains, everywhere at once, so for the river there is only the present moment and not the shadow of the future?''It is,' Siddhartha said.'And once I learned this I considered my life, and it too was a river, and the boy Siddhartha was separated from the man Siddhartha and the graybeard Siddhartha only by shadows, not by real things. ... Nothing was, nothing will be; everything is, everything has being and presence.”
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“But of all the water's secrets, he saw today only a single one-one that struck his soul. He saw that this water flowed and flowed, it was constantly flowing, and yet it was always there; it was always eternally the same and yet new at every moment! Oh, to be able to grasp this, to understand this!”
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“You are only afraid if you are not in harmony with yourself.”
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“He had loved and he had found himself. Most people love to lose themselves.”
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“Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path... But each of us - experiments of the depths - strives toward his own destiny. We can understand one another; but each of us is able to interpret himself to himself alone.”
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“Le nace a uno cierta melodía, la canta uno silenciosamente, en el interior solamente; toda la naturaleza individual se posesiona de la tonada y se deja uno llevar por ella por su fuerza y emotividad, y lo notable es que mientras se adueña de uno se olvida lo fortuito, lo banal y lo burdo, nos armoniza con el universo y nos da fuerzas y alas contra nuestra torpeza y depresiones.”
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“Aun cuando mi destino externo se haya desenvuelto como sucede para todos, inevitablemente y según lo decretado por los dioses, mi vida íntima es obra propiamente mía, con sus gozos y amarguras, y soy yo, en lo personal, el responsable de la misma.”
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“Seeking means: to have a goal; but finding means: to be free, to be receptive, to have no goal. You, O worthy one, are perhaps indeed a seeker, for in striving towards your goal, you do not see many things that are under your nose.”
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“I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books. I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams -- like the lives of all men who stop deceiving themselves.”
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“The river is everywhere.”
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“Look: We hate nothing that exists, not even death, suffering and dying, does not horrify our souls, as long as we learn more deeply to love.”
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“Because the world is so full of death and horror, I try again and again to console my heart and pick the flowers that grow in the midst of hell.”
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“and so I think, O Illustrious One, that nobody finds salvation through teachings. To nobody, O Illustrious One, can you communicate in words and teaching what happened to you in the hour of your enlightenment. That is why I am going on my way—not to seek another and better doctrine, for I know there is none, but to leave all doctrines and all teachers and to reach my goal alone—or die”
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“He had thought more than other men, and in matters of the intellect he had that calm objectivity, that certainty of thought and knowledge, such as only really intellectual men have, who have no axe to grind, who never wish to shine, or to talk others down, or to appear always in the right.”
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“He saw merchants trading, princes hunting, mourners wailing for their dead, whores offering themselves, physicians trying to help the sick, priests determining the most suitable day for seeding, lovers loving, mothers nursing their children—and all of this was not worthy of one look from his eye, it all lied, it all stank, it all stank of lies, it all pretended to be meaningful and joyful and beautiful, and it all was just concealed putrefaction. The world tasted bitter. Life was torture”
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“Some of us think holding on makes us strong but sometimes it is letting go”
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“There is, in fact, no way back either to the wolf or to the child. From the very start there is no innocence and no singleness. Every created thing, even the simplest, is already guilty, already multiple. It has been thrown into the muddy stream of being and may never more swim back again to its source. The way to innocence, to the uncreated and to God leads on, not back to the wolf or to the child, but ever further into sin, ever deeper into human life. Nor will suicide really solve your problem [...] You will, instead, embark on the longer and wearier and harder road of life. You will have to multiply many times your two-fold being and complicate your complexities still further. Instead of narrowing your world and simplifying your soul, you will have to absorb more and more of the world and at last take all of it up in your painfully expanded soul, if you are ever to find peace. This is the road that Buddha and every great man has gone, whether consciously or not, insofar as fortune has favored his quest.”
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“You are willing to die, you coward, but not to live.”
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“One can beg, buy, be presented with and find love in the streets, but it can never be stolen.”
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“What a wonderful sleep it had been! Never had sleep so refreshed him, so renewed him, so rejuvenated him! Perhaps he had really died, perhaps he had been drowned and was reborn in another form. No, he recognized himself, he recognized his hands and feet, the place where he lay and the Self in his breast, Siddhartha, self-willed, individualistic. But this Siddhartha was somewhat changed, renewed. He had slept wonderfully. He was remarkably awake, happy and curious.”
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“O how incomprehensible everything was, and actually sad, although it was also beautiful. One knew nothing. One lived and ran about the earth and rode through forests, and certain things looked so challenging and promising and nostalgic: a star in the evening, a blue harebell, a reed-green pond, the eye of a person or a cow. And sometimes it seemed that something never seen yet long desired was about to happen, that a veil would drop from it all, but then it passed, nothing happened, the riddle remained unsolved, the secret spell unbroken, and in the end one grew old and looked cunning . . . or wise . . . and still one knew nothing perhaps, was still waiting and listening.”
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“Each man had only one genuine vocation - to find the way to himself....His task was to discover his own destiny - not an arbitrary one - and to live it out wholly and resolutely within himself. Everything else was only a would-be existence, an attempt at evasion, a flight back to the ideals of the masses, conformity and fear of one's own inwardness.”
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“He lost his Self a thousand times and for days on end he dwelt in non-being. But although the paths took him away from Self, in the end they always led back to it. Although Siddhartha fled from the Self a thousand times, dwelt in nothing, dwelt in animal and stone, the return was inevitable; the hour was inevitable when he would again find himself in sunshine or in moonlight, in shadow or in rain, and was again Self and Siddhartha, again felt the torment of the onerous life cycle.”
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“É muito mais lisonjeiro,(...)lutar-se por alguma coisa bela e ideal e saber ao mesmo tempo que não se conseguirá alcançá-la. Os ideais serão algo que se possa alcançar? Viveremos para cabar com a morte? Não, viveremos para temê-la e também para amá-la, e precisamente por causa da morte é que nossa vida vez por outra resplandece tão radiosa num belo instante.”
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“I live in my dreams — that's what you sense. Other people live in dreams, but not in their own. That's the difference.”
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“Cada época, cada cultura, cada costume e tradição tem seu próprio estilo, tem sua delicadeza e sua severidade, suas belezas e crueldades, aceitam certos sofrimentos como naturais, sofrem pacientemente certas desgraças. O verdadeiro sofrimento, o verdadeiro inferno da vida humana reside ali onde se chocam duas culturas ou duas religiões. Um homem da antiguidade, que tivesse de viver na Idade Média, haveria de sentir-se tão afogado quanto um selvagem se sentiria em nossa civilização. Há momentos em que toda uma geração cai entre dois estilos de vida, e toda evidência, toda moral, toda salvação e inocência ficam perdidos para ela. Naturalmente isso não nos atinge da mesma maneira. ”
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“All this had always been and he had never seen it; he was never present. Now he was present and belonged to it. Through his eyes he saw light and shadows; through his mind he was aware of moon and stars (p. 38).”
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“I have always been a great dreamer. In dreams I have always been more active than in my real life, and these shadows sapped me of my health and energy.”
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“Often it is the most deserving people who cannot help loving those who destroy them.”
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“I am much inclined to live from my rucksack, and let my trousers fray as they like.”
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“I can think. I can wait. I can fast.”
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“Zurück geht kein Weg", sagte er ernst und freundlich, "man muß immer vorwärtsgehen, wenn man die Welt ergründen will.”
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“For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
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“When someone seeks," said Siddhartha, "then it easily happens that his eyes see only the thing that he seeks, and he is able to find nothing, to take in nothing because he always thinks only about the thing he is seeking, because he has one goal, because he is obsessed with his goal. Seeking means: having a goal. But finding means: being free, being open, having no goal.”
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