Irene Hunt

“I don’t know if anyone ever “wins” a war, Jeth.”

“That was the way it was that beautiful evening of cold November rain and muddy country roads and crazy windshield wipers. That was the moment of my greatest security and confidence; it was the time when I realized that love makes one a better person, a kinder gentler one.”

“And then suddenly Danny's arms were around me, and his lips were on mine, and the crazy windshield wipers commenced singing our names together.”

“...I wondered why so much had been written about love's pain and so little about the glorious relief of being delivered from love's pain.”

“It happens the world over - we love ourselves more than we do the one we say we love. We all want to be Number One, we've got to be Number One or nothing! We can't see that we could make ourselves loved and needed in the Number Two, or Three, or Four spot. No sir, we've got to be Number One, and if we can't make it, we'll rip and tear at the loved one till we've ruined every smidgin of love that was ever there.”

“Then a skeleton came out from among the trees. It was the skeleton of a Union soldier, though the uniform it wore was so ragged and filthy it was difficult to identify. The sunken cheeks were covered with a thin scattering of fuzz; the hair was lank and matted. It fell over the skeleton's forehead and down into its eyes”

“We had good long talks about my writing in the days that followed. "Write of things you know, Julie; familiar, simple things that you have experienced; things that have touched you deeply.""But nothing's ever happened to me. I've just lived here with Aunt Cordelia and you most of my life, I've gone to school, visited Father--oh, sure, I'm in love with Danny, but that's something we've grown into--very wonderful for us, but not very exciting for the rest of the world. How can a person who has lived as quiet a life as I have find anything to write about?""Then you do have a problem. If you haven't lived long enough to have felt anything deeply, than you are in the same position I--as many would-be writers are. You've nothing to say. So take up crocheting.”

“Dear Julie:If I didn't feel that there is some good in your story, I wouldn't take the time to write a criticism of it. But there is some good in it, some points that make me feel that if you expend the effort(Look who's talking about expending the effort, I couldn't help thinking) you may well achieve your very worthy ambition.First of all, you have an ear for cadence. Your sentences flow rather smoothly, and the continuity of your paragraphs is quite good.Secondly, your imagery is sharp and clear-cut. I could smell that dank, rat-infested attic and I was more than a little in love with your pretty heroine by the time she emerged from her third paragraph. Furthermore, you occasionally achieve poetic effects which are pleasing.But, my darling niece, your villains have nothing but venom in their souls, and your sympathetic characters are ready to step right off into Paradise without one spot to tarnish their purity. People aren't like that, Julie. Take a look around you.Again, all your colors, your moods, your nusances, are essentially feminine, and it just doesn't ring true to be told that a man is responsible for them. No, Julie, it will be a long time before you speak and think and feel like an anguished old German musician of eighty! And, after all, what do you know about the problems of musical composition, or the life of an impoverised German laborer such as the landlord in his nineteenth-century environment? And how much do you know about sadism and brutality?I must talk to you about any number of points. When you get home from school tomorrow, I shall have some recommendations to make; also some assignments. I am quite excited. It well may be that I have the making of a future writer in my hands.Uncle Haskell”