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J. Conrad Guest

J. Conrad's first novel, January's Paradigm, was published in 1998. Current Entertainment Monthly in Ann Arbor, Michigan, wrote of January's Paradigm, "Readers will not be able to put it down." He has two other novels based on the Joe January character, One Hot January and January's Thaw.

Backstop: A Baseball Love Story In Nine Innings, was nominated a 2010 Michigan Notable Book, while the Lewis Department of Humanities at the Illinois Institute of Technology adopted it as required reading for their spring 2011 course, "Baseball: America’s Literary Pastime".

Apex Reviews hailed The Cobb Legacy, a murder mystery written around the shooting death of baseball legend Ty Cobb's father by his mother, as "... an eye-opening tale of drama, scandal, and intrigue highlighting the living, breathing history of a fatally-flawed, intrepid folk hero."

A Retrospect In Death portends not only a search for the meaning of life, but also seeks to determine why we are as we are: prewired at conception, or the product of our environment?

Set during the golden era of motor racing, 500 Miles To Go follows young Alex Król as he seeks love while making his dream to win the Indianapolis 500 come true.

A World Without Music is speculative fiction set against a backdrop of romance. Can a Gulf War veteran suffering PTSD leave behind his past to find the music that will make his life worth living?

His fiction and essays appear in various online and print publications; Google him.

A critic calls his work "Gritty, entertaining... real. Romance for the non-romantic."


“Love is not a forest fire that burns intensely,hotly and out of control for a brief moment until,its expendable fuel spent,it sputters,seeking in vain for something else to consume,to sustain itself before, finally,it dies:cold, black ash the only evidence of its passing.Love is, instead, a campfire:it provides ample heat and comfortto the twosome who sit before it,and although its flames may at times wane,a well-tended campfire’s embers can be nurtured and fanneduntil the flames once again dance brightly and cheerfully,providing comfort to the couple who cherish the gentle warmth it ministers.”
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“I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay.“Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal.“Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’”Cagney sighed, listened to the leather creak as he shifted his weight in his chair.“No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?”
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