Jack Kerouac photo

Jack Kerouac

Autobiographical novels, such as

On the Road

(1957) and

The Dharma Bums

(1958), of American writer Jack Kerouac, originally Jean-Louis Kerouac, embody the values of the Beat Generation.

Career of Jean-Louis Lebris de Kerouac began in the 1940s but did not met with commercial success until 1957, when he wrote and published On the Road. The book, an American classic, defined the Beat Generation.

As his friend and contemporary, William S. Burroughs once wrote, "Kerouac opened a million coffee bars and sold a million pairs of Levis to both sexes. Woodstock rises from his pages."


“Thinking of the stars night after night I begin to realize 'The stars are words' and all the innumerable worlds in the Milky Way are words, and so is this world too. And I realize that no matter where I am, whether in a little room full of thought, or in this endless universe of stars and mountains, it’s all in my mind.”
Jack Kerouac
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“All the men were driving home from work, wearing railroad hats, baseball hats, all kinds of hats, just like after work in any town anywhere.”
Jack Kerouac
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“Suppose we suddenly wake up and see that what we thought to be this and that, ain't this and that at all?”
Jack Kerouac
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“Dean: God exists without qualms. As we roll along this way, I am positive beyond doubt that everything will be taken care of for us - that even you, as you drive, fearful of the wheel - the thing will go along of itself and you won't go off the road and I can sleep.”
Jack Kerouac
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“Es lo habitual en esos lugares; se juzga excéntrico al hombre de verdad, porque las facultades no son más que centros que cuidan de una clase media sin personalidad, de esa clase media que tiene su perfecta expresión en las inmediaciones de las universidades, en esas hileras de casas de gente acomodada, con céspedes y un televisor en cada sala de estar con todo el mundo pensando lo mismo al mismo tiempo, mientras los Japhy del mundo merodean por el yermo, para escuchar la voz que clama en el desierto, para descubrir el éxtasis de las estrellas para dar con el misterioso y sombrío secreto del origen de la crapulosa civilización sin rostro ni fantasía.”
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“O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm?The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood--”
Jack Kerouac
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“In winter darkness, the Baghdad Arabian keen blue deepness of the piercing lovely January winter's dusk--it used to tear my heart out, one stabbing soft star was in the middle of the magicalest blue, throbbing like love--I saw Maggie's black hair in this night-- In the shelves of Orion her eye shades, borrowed, gleamed a dark and proud vellum somber power brooding rich bracelets of the moon rose from our snow, and surrounded the mystery.”
Jack Kerouac
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“At night I closed my eyes and saw my bones threading the mud of my grave.”
Jack Kerouac
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“Never dreaming, was I, poor Jack Duluoz, that the soul is dead. That from Heaven grace descends . . . No Doctor Pisspot Poorpail to tell me; no example inside my first and only skin. That love is the heritage, and cousin to death. That the only love can only be the first love, the only death the last, the only life within, and the only word . . . choked forever.”
Jack Kerouac
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“He lived with his mother, father and sister; had a room of his own, with the fourth-floor windows staring on seas of rooftops and the glitter of winter nights when home lights brownly wave beneath the heater whiter blaze of stars--those stars that in the North, in the clear nights, all hang frozen tears by the billions, with January Milky Ways like silver taffy, veils of frost in the stillness, huge blinked, throbbing to the slow beat of time and universal blood.”
Jack Kerouac
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“Gus was looking at him for confirmation of all his sorrows.”
Jack Kerouac
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“Parade my trouble in front of you guys? Make you realize that my heart is broken . . . that as long as I live I'll have chains dragging me down to the oceans of sad tears that my feet are wet in already.”
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“And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep.Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky.'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.”
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“She brooded and bit her rich lips: my soul began its first sink into her, deep, heady, lost; like drowning in a witches' brew, Keltic, sorcerous, starlike.”
Jack Kerouac
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“In winter night Massachusetts Street is dismal, the ground's frozen cold, the ruts and pock holes have ice, thin snow slides over the jagged black cracks. The river is frozen to stolidity, waits; hung on a shore with remnant show-off boughs of June-- Ice skaters, Swedes, Irish girls, yellers and singers--they throng on the white ice beneath the crinkly stars that have no altar moon, no voice, but down heavy tragic space make halyards of Heaven on in deep, to where the figures fantastic amassed by scientists cream in a cold mass; the veil of Heaven on tiaras and diadems of a great Eternity Brunette called night.”
Jack Kerouac
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“Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.”
Jack Kerouac
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“They never asked, I kept offering.”
Jack Kerouac
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“Y de pronto sentí lo que siempre siento cuando trato de explicar el Dharma a la gente, a Alvah, a mi madre, a mis parientes, a mis novias, a todo el mundo: nunca escuchan, siempre quieren que yo les escuche a ellos, porque ellos saben y yo no sé nada, sólo soy un inútil y u idiota que no entiende el auténtico significado y la gran importancia de este mundo tan real.”
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“Nous étions perchés sur le toit de l´Amérique, et ne savions que gueuler - pour atteindre, qui sait ? l´autre cóté de la nuit, l´Est, au-delá des plaines, ou un vieillard chenu était peut-ětre en route vers nous, porteur de la Parole, sur le point d´arriver pour nous faire taire.”
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“I suddenly realized that all these women were spending months of loneliness and womanliness together, chatting about the madness of the men.”
Jack Kerouac
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“I realized that I had died and been reborn numberless times but just didn't remember especially because the transitions from life to death and back to life are so ghostly easy, a magical action for naught, like falling asleep and waking up again a million times, the utter casualness and deep ignorance of it.”
Jack Kerouac
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“I clearly saw the skeleton underneathall this show of personalitywhat is left of a manand all his pride but bones?”
Jack Kerouac
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“There was nothing to talk about anymore. The only thing to do was go.”
Jack Kerouac
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“I visualized myself at Norma's house, stretched out on her couch, my eyes closed, and she at bthe paino playing a powerful movement from some Symphony in D major by Beethoven, by Brahms, by Sibelius, by Tschaikowsky, by anybody, by Thomas Wolfe, by Ernest Hemmingway, by William Saroyan, by Jack Kerouac, by George Apostolos, by Sebastian the Prince, by Love, by Earth, by Fire, by Water, by All, Everything, Love you and I, me myself, egotist, Earth, Fire, a mad and wild concoction of all Life, and of the all-embracing All.”
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“The silence is so intense that you can hear your own blood roar in your ears but louder than that by far is the mysterious roar which I alwas identify with the roaring of the diamond wisdom, the mysterious roar of silence itself, which is a great Shhhh reminding you of something you've seemed to have forgotten in the stress of your days since birth.”
Jack Kerouac
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“But on top of all that, the feelings about Princess, I'd also gone through an entire year of celibacy based on my feeling that lust was the direct cause of birth which was the direct cause of suffering and death and I had really no lie come to a point where I regarded lust as offensive and even cruel. "Pretty girls make graves," was my saying, whenever I'd had to turn my head around involuntarily to stare at the in­comparable pretties of Indian Mexico.”
Jack Kerouac
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“Ripples in the upside down lake of the void . . . The bottom of the world is gold and the world is upside down”
Jack Kerouac
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“They had come down from the back mountains and higher places to hold forth their hands for something they though civilisation could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn't know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday and stretching out our hands in the same, same way.”
Jack Kerouac
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“...the whole world opened up before me because I had no dreams”
Jack Kerouac
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“Whoo, Frisco nights, the end of the continent and the end of doubt, all dull doubt and tomfoolery, good-by”
Jack Kerouac
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“I like it because its ugly”
Jack Kerouac
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“We were all delighted, we all realized we were leaving confusion and nonsense behind and performing our one and noble function of the time, move.”
Jack Kerouac
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“New York gets god awful cold in the winter but there's a feeling of wacky comradeship somewhere in the streets.”
Jack Kerouac
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“We were on the roof of America and all we could do was yell”
Jack Kerouac
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“Con la aparición de Dean Moriarty comenzó la parte de mi vida que podría llamarse mi vida en la carretera”
Jack Kerouac
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“It was like the imminent arrival of Gargantuan preparations had to be made to widen the gutters of Denver and foreshorten certain laws to fit his suffering bulk and bursting ecstasies.”
Jack Kerouac
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“Sal, straight, no matter where I live, my trunk's always sticking out from under the bed, I'm ready to leave or get thrown out. I've decided to leave everything out of my hands. You've seen me try and break my ass to make it and you know that it doesn't matter and we know time — how to slow it up and walk and dig and just old-fashioned spade kicks, what other kicks are there? We know.”
Jack Kerouac
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“I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.”
Jack Kerouac
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“Bitterness, recriminations, advice, morality, sadness—everything was behind him, and ahead of him was the ragged and ecstatic joy of pure being (195).”
Jack Kerouac
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“Every one of these things I said was a knife at myself. Everything I had ever secretly held against my brother was coming out: how ugly I was and what filth I was discovering in the depths of my own impure psychologies (214).”
Jack Kerouac
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“The mambo never let up for a moment, it frenzied on like an endless journey in the jungle (288).”
Jack Kerouac
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“We wandered in a frenzy and a dream (301).”
Jack Kerouac
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“We stopped in the unimaginable softness (293).”
Jack Kerouac
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“All that old road of the past unreeling dizzily as if the cup of life had been overturned and everything gone mad. My eyes ached in nightmare day (235).”
Jack Kerouac
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“Basta seguire la strada e prima o poi si fa il giro del mondo. Non può finire in nessun altro posto, no? ”
Jack Kerouac
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“E anche se aveva problemi di lavoro e una storia infelice con una donna dalla lingua lunga, almeno aveva imparato a ridere meglio di chiunque altro al mondo.”
Jack Kerouac
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“Cos'è quella sensazione che si prova quando ci si allontana in macchina dalle persone e le si vede recedere nella pianura fino a diventare macchioline e disperdersi? È il mondo troppo grande che ci sovrasta, è l'Addio. Ma intanto, ci si proietta in avanti verso una nuova, folle avventura sotto il cielo.”
Jack Kerouac
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“Quella strada del passato si srotolava confusamente di fianco a noi come se la tazza della vita si fosse rovesciata e ogni cosa fosse impazzita.”
Jack Kerouac
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“Non si può vivere in questo mondo, ma non c'è nessun altro posto dove andare.”
Jack Kerouac
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“Tutte le notti continuo a chiedere al Signore, "Perché?" E ancora non ho avuto una risposta decente.”
Jack Kerouac
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