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Jacqueline Woodson

I used to say I’d be a teacher or a lawyer or a hairdresser when I grew up but even as I said these things, I knew what made me happiest was writing.

I wrote on everything and everywhere. I remember my uncle catching me writing my name in graffiti on the side of a building. (It was not pretty for me when my mother found out.) I wrote on paper bags and my shoes and denim binders. I chalked stories across sidewalks and penciled tiny tales in notebook margins. I loved and still love watching words flower into sentences and sentences blossom into stories.

I also told a lot of stories as a child. Not “Once upon a time” stories but basically, outright lies. I loved lying and getting away with it! There was something about telling the lie-story and seeing your friends’ eyes grow wide with wonder. Of course I got in trouble for lying but I didn’t stop until fifth grade.

That year, I wrote a story and my teacher said “This is really good.” Before that I had written a poem about Martin Luther King that was, I guess, so good no one believed I wrote it. After lots of brouhaha, it was believed finally that I had indeed penned the poem which went on to win me a Scrabble game and local acclaim. So by the time the story rolled around and the words “This is really good” came out of the otherwise down-turned lips of my fifth grade teacher, I was well on my way to understanding that a lie on the page was a whole different animal — one that won you prizes and got surly teachers to smile. A lie on the page meant lots of independent time to create your stories and the freedom to sit hunched over the pages of your notebook without people thinking you were strange.

Lots and lots of books later, I am still surprised when I walk into a bookstore and see my name on a book’s binder. Sometimes, when I’m sitting at my desk for long hours and nothing’s coming to me, I remember my fifth grade teacher, the way her eyes lit up when she said “This is really good.” The way, I — the skinny girl in the back of the classroom who was always getting into trouble for talking or missed homework assignments — sat up a little straighter, folded my hands on the desks, smiled and began to believe in me.


“If you come as softlyas the wind within the trees.You may hear what I hear.See what sorrow sees. If you come as lightlyas threading dew,I will take you gladly,nor ask more of you.”
Jacqueline Woodson
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“And sometimes,' Anne said softly, 'there's just plain love, Ellie. no reason for it, no need to explain'Then she leaned back on the couch, crossed her ankle over her knee and grinned. 'Perfect love,' she said. 'And what's that like?''When you find it, lil sis. You'll know.”
Jacqueline Woodson
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“This is what kindness does, Ms.Albert said. Each little thing we do goes out, like a ripple, into the world.”
Jacqueline Woodson
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“Racism doesn't know color, death doesn't know age, and pain doesn't know might.”
Jacqueline Woodson
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“He wondered where that stuff went to, where love went to, how a person could just love somebody one day and boom –- the next day love somebody else.”
Jacqueline Woodson
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“My mamma says I shouldn't go on the other side".... My mama says the same thing. But she never said nothing about sitting on it”
Jacqueline Woodson
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“Someday somebody's going to come along and knock this old fence down.”
Jacqueline Woodson
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“In all your getting, get understanding.”
Jacqueline Woodson
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“No one stops to think, though—that maybe there is a reason for the darkness. Maybe people have to be reminded of it—of its power. At night, we go to sleep against the darkness. And if we wake up before morning, a lot of times we're afraid. We need it all though—the darkness and the light.”
Jacqueline Woodson
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“And when I can't speak it, I write it down. I wish I was different. Wish I was taller, smarter, could talk out loud the way I write things down. I wish I didn't always feel like I was on the outside, looking in like a Peeping Tom.”
Jacqueline Woodson
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“Mama says it's okay to be on the quiet side—if quiet means you're listening, watching, taking it all in.”
Jacqueline Woodson
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“This is how the time moves - an hour here, a day somewhere, and then it's night and then it's morning. A clock ticking on a shelf. A small child running to school, a father coming home. Time moves over us and past us, and the feeling of lips pressed against lips fades into memory. A picture yellows at its edges. A phone rings in an empty room.”
Jacqueline Woodson
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“In our yearbook, there is a picture of me and Miah - sitting in Central Park - Miah has his lips poked out and is about to kiss me on my cheek. And I'm looking straight into the camera laughing. Two and half years have passed, and still, this is how I remember us. This is how I will always remember us. And I know when I look at that picture, when I think back to those few months with Miah, that I did not miss the moment.”
Jacqueline Woodson
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“I think only once in your life do you find someone that you say, "Hey, this is the person I want to spend the rest of my time on this earth with." And if you miss it, or walk away from it, or even maybe, blink - it's gone.”
Jacqueline Woodson
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“I don't know," he said softly. "I look into the future and I don't see anything else. It's like it's this big blank space where I should be.”
Jacqueline Woodson
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“I'm gonna kiss you in each room," he said. "Then it's dinnertime.""How many rooms to this place?" Ellie asked, her eyes wide.Miah shrugged. "I'm not counting.”
Jacqueline Woodson
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“Fifteen. Sixteen was probably something, but fifteen - fifteen was a place between here and nowhere.”
Jacqueline Woodson
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“I would never trust her. Not one hundred percent. Not the way some people can trust their mothers.”
Jacqueline Woodson
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“Thing about white people," Jeremiah's father tells him, "they know what everybody else is, but they don't know they're white" - "Maybe some know it" His father eyed him and smiled "When they walk into a party and everyone's black, they know it. Or when they get caught in Harlem after nightfall, they know it. But otherwise...”
Jacqueline Woodson
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“You're writing, you're coasting, and you're thinking, 'This is the best thing I've ever written, and it's coming so easily, and these characters are so great.' You put it aside for whatever reason, and you open it up a week later and the characters have turned to cardboard and the book has completely fallen apart," she says. "That's the moment of truth for every writer: Can I go on from here and make this book into something? I think it separates the writers from the nonwriters. And I think it's the reason a lot of people have that unfinished manuscript around the house, that albatross.”
Jacqueline Woodson
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“If I loved someone enough, I would go anywhere in the world with them." —Staggerlee”
Jacqueline Woodson
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“I have all this stuff—all these thoughts going on inside me and they all seem so—so dangerous." —Tyler”
Jacqueline Woodson
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“What did it sound like...having someone call your name across a crowded school yard? How did it feel to turn to the sound of your name, to see some smiling face or waving hand and know it was for you and you alone?" —Staggerlee”
Jacqueline Woodson
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“And freedom? Oh, freedom. Well that's just some people talking. Your prison is walking through this world all alone.”
Jacqueline Woodson
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“I wouldn't mind the early autumn if you came home today I'd tell you how much I miss you and know I'd be okay. It's funny how we never know exactly how our life will go It's funny how a dream can fade with the break of day. Time can't erase the memory and time can't bring you home Last Summer was a part of me and now a part is gone.—Margaret”
Jacqueline Woodson
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“Maybe this was our last summer as best friends. I feel like something's going to change now and I'm not going to be able to change it back.—Margaret”
Jacqueline Woodson
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“Time comes to us softly, slowly. It sits beside us for a while. Then, long before we are ready, it moves on.”
Jacqueline Woodson
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“Mama was always saying I was a brain snob, that I didn't like people who didn't think. I didn't know if that was snobby. Who wanted to walk around explaining everything to people all the time?”
Jacqueline Woodson
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“Sometimes you do have to laugh to keep from crying. And sometimes the world feels all right and good and kind of like it's becoming nice again around you. And you realize it, and realize how happy you are in it, and you just gotta laugh. ”
Jacqueline Woodson
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“Seems like every time life starts straightening itself out, something's gotta go and happen.”
Jacqueline Woodson
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“No matter how big you get, it's still okay to cry because everybody's got a right to their own tears.”
Jacqueline Woodson
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“Some days I just think the whole world and life and everything is stupid. And that's 'cause I be missing you.”
Jacqueline Woodson
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“It seemed like someone was always leaving someone, like that's the way the world worked—people were born and people died, people left and people came. It was like the world was saying you can't have everything you want at the same time.”
Jacqueline Woodson
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“But it's what the world does to people. It makes some of us feel ugly and it makes some of us look like criminals, like angry fools.”
Jacqueline Woodson
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“Life...moves us through all the time changes. All kinds of changes. And we're made so that we roll and move with it. Sometimes somebody gets stuck in the present and the rolling stops—but the changing doesn't.”
Jacqueline Woodson
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“Sometimes...you have to try to forget people you love just so you can keep living.”
Jacqueline Woodson
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“Sometimes...it seems as though not a moment has moved, but then you look up and you're already old or you already have a household of kids or you look down and see your feet are miles and miles away from the rest of you—and you realize you've grown up.”
Jacqueline Woodson
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“That's what makes best friends. It's not whether or not you live on the same block or go to the same school, but how you feel about each other in your hearts.”
Jacqueline Woodson
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“I'm always wondering if he'll return. Sometimes I pray that he doesn't. And sometimes I hope he will. I wish on falling stars and eyelashes. Absence isn't solid the way death is. It's fluid, like language. And it hurts so much...so, so much.”
Jacqueline Woodson
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“People are going to judge you all the time no matter what you do...Don't worry about other people. Worry about you.”
Jacqueline Woodson
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“You can't always be pushing people away. Someday nobody'll come back.”
Jacqueline Woodson
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“You have those walls up all around you...Come a day you gonna want to tear them down brick by brick and gonna find that the cement is all hard. What you gonna do then?”
Jacqueline Woodson
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“You're a part of me...You're in my heart. Forever and always, all right? —D”
Jacqueline Woodson
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“Lately, I'd been feeling like I was standing outside watching everything and everybody. Wishing I could take the part of me that was over there and the part of me that was over here and push them together—make myself into one whole person like everybody else.”
Jacqueline Woodson
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“I feel like the world stopped. And I got off...and then it started spinning again, but too fast for me to hop back on. I feel like I'm still trying to get a...to get some kind of foothold on living”
Jacqueline Woodson
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“Everything and everyone seemed like it was part of a long-ago time—when I was young and free and living.”
Jacqueline Woodson
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“Kids are something. All they can see is the beauty in a moment.”
Jacqueline Woodson
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“Feels like I've known him since before he got to the world—longer than he knew himself, truthfully. Seems like we'd been friends really...Somewhere before life on earth...”
Jacqueline Woodson
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“I think I'd rather have my heart broke than do the breaking. —Lena”
Jacqueline Woodson
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