"I want to offend my readers. I want them to fall in love, to lose their minds, to think and feel and dream. If they're not shellshocked and hungry by the final page, I haven't done my job."
Whether it's a modern-day fairytale or hardcore science fiction, Jake Vander Ark attacks every story with brutal realism and down-to-earth characters. No subject is taboo. Truth is paramount.
The School of the Art Institute of Chicago influenced the experimental quirks of his stories, while his pursuits in Hollywood hammered the importance of traditional storytelling. This unique fusion of structure and innovation gave life to the most beautiful girl in the world in THE ACCIDENTAL SIREN, the gritty morality tale of LIGHTHOUSE NIGHTS, the cryptic prologue of THE BRANDYWINE PROPHET, and the mind-melting climax of THE DAY I WORE PURPLE.
When Jake isn't writing, he's building rustic furniture for his small business, engaging with his readers online, and livin' it up with his dog. To see more of his creative work, check out www.vanderarkbooks.com.
“When he did think—when his brain began the slow chugging of rusty gears—the only thoughts that came were unspeakable things like, what’s the worst age a child can die? Worse yet was—after hours spent staring at the ceiling until it became a real-life Escher print with fans on the floor, useless windowsills, and dresser drawers that spilled underwear when opened—worse yet was when his mind found answers to those questions. Two-years-old isn’t so bad, he mused. They barely had a life. Twenty? At least they got to experience life! But fourteen... fourteen was the worst.”
“William looked up... through his tears... past the catwalk and lights... past the sky... through the dark and clouds and stars and into the void where he once knew God existed, then turned himself outside-in, alone, and asked, 'Why?”
“Any earthly production would have been cancelled at the slightest suggestion of rain, but this was William’s Stage—it was William’s call—and if the children danced and the congregation remained transfixed, the show would go on.”
“most suicidal teens are different; they’re tempted to kill themselves. with me, i know i need to die; i should be killed for the things i’ve done. but i keep feeling this nudge, this TEMPTATION TO LIVE. and everyday i pray to god that i never lose that temptation.”
“his stubble was cut smooth. he smelled of aftershave, dry deodorant and sex-tarnished bedsheets. those eyes--grey, strong, inlaid beneath a firm brow that displayed such hate and SUCH love--they seduced her every time... but not tonight.”
“…girls were like poems: weird, incomprehensible and boring, but those “in the know” assured me that they were beautiful.”
“When left unsatisfied, lust becomes violence.”
“But in the end, black can never be white, one plus one must always equal two, and Mara Lynn was a normal little girl.”
“You know that moment when you hug somebody, when your heart feels warm and high in your chest and tingly? When you feel just for a second like a baby in a womb... that nothing matters? That's how I want you to feel. That's what a girlfriend should do, I think.”
“Every time I think about that girl, my mind commits a sin.”
“What’s so beautiful about girls?” I would implore.And the secret society of adults would reply with a smirk and wink as if I was merely a boy who couldn’t possibly have the mental maturity to comprehend such grown-up concepts as love and bleeding vaginas; “You’ll understand someday, James.”
“Judge that boy if you must; for debauchery, for objectifying innocence... but before you finalize your verdict, oh innocent reader, I beg you to scan again that last stanza. What you and I overlooked in our cloud of perversion and nasty objectification was the unrestrained joy of a little girl playing dress-up for the very first time.”
“sometimes life isn’t worth the pain. i’m going for a swim. goodbye, my love.”
“it was unmatched life experience that bestowed in her eyes the sultry gleam that separates women from girls. although she viewed her “life experience” like bruises on a peach, men of all ages still found ways to see past the indications of damaged goods long enough to offer her a drink. hell, it was less than an hour ago that one such man called her “gothic perfection” and cried on her shoulder. her boyfriend agreed that a crazy life can “grow a girl up quick”; it was only last november that she turned seventeen.”
“She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.”
“The night seemed suddenly defiled by the absence of music, as if the silence itself was injecting a sickness that only another song could cure.”
“94 was a good year to be twelve. Star Wars still had two more years as Box Office King, cartoons were still hand-drawn, and the Disney "D" still looked like a backwards "G." Words like "Columbine," "Al Qaeda" and "Y2K" were not synonymous with "terror," and 9-1-1 was an emergency number instead of a date. At twelve years old, summer still mattered. Monarch caterpillars still crawled beneath every milkweed leaf. Dandelions (or "wishes" as Mara called them) were flowers instead of pests. And divorce was still considered a tragedy. Before Mara, carnivals didn't make me sick.”