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James Baldwin

James Arthur Baldwin was an American novelist, essayist, playwright, poet, and social critic.

James Baldwin offered a vital literary voice during the era of civil rights activism in the 1950s and '60s. He was the eldest of nine children; his stepfather was a minister. At age 14, Baldwin became a preacher at the small Fireside Pentecostal Church in Harlem. In the early 1940s, he transferred his faith from religion to literature. Critics, however, note the impassioned cadences of Black churches are still evident in his writing. Go Tell It on the Mountain, his first novel, is a partially autobiographical account of his youth. His essay collections Notes of a Native Son, Nobody Knows My Name, and The Fire Next Time were influential in informing a large white audience.

From 1948, Baldwin made his home primarily in the south of France, but often returned to the USA to lecture or teach. In 1957, he began spending half of each year in New York City. His novels include Giovanni's Room, about a white American expatriate who must come to terms with his homosexuality, and Another Country, about racial and gay sexual tensions among New York intellectuals. His inclusion of gay themes resulted in a lot of savage criticism from the Black community. Eldridge Cleaver, of the Black Panthers, stated the Baldwin's writing displayed an "agonizing, total hatred of blacks." Baldwin's play, Blues for Mister Charlie, was produced in 1964. Going to Meet the Man and Tell Me How Long the Train's Been Gone provided powerful descriptions of American racism. As an openly gay man, he became increasingly outspoken in condemning discrimination against lesbian and gay people.

On November 30, 1987 Baldwin died from stomach cancer in Saint-Paul-de-Vence, France. He was buried at the Ferncliff Cemetery in Hartsdale, near New York City.


“In my case, I think my exile saved my life, for it inexorably confirmed something which Americans appear to have great difficulty accepting. Which is, simply, this: a man is not a man until he is able and willing to accept his own vision of the world, no matter how radically this vision departs from others.”
James Baldwin
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“Please try to remember that what they believe, as well as what they do and cause you to endure does not testify to your inferiority but to their inhumanity”
James Baldwin
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“The American ideal, after all, is that everyone should be as much alike as possible.”
James Baldwin
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“Nobody is more dangerous than he who imagines himself pure in heart; for his purity, by definition, is unassailable.”
James Baldwin
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“It comes as a great shock…to discover that the flag to which you have pledged allegiance…has not pledged allegiance to you. It comes as a great shock to see Gary Cooper killing off the Indians, and although you are rooting for Gary Cooper, that the Indians are you.”
James Baldwin
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“Money, iit turned out, was exactly like sex, you thought of nothing else if you didn't have it and thought of otherthings if you did.”
James Baldwin
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“People don't have any mercy. They tear you limb from limb, in the name of love. Then, when you're dead, when they've killed you by what they made you go through, they say you didn't have any character. They weep big, bitter tears - not for you. For themselves, because they've lost their toy.”
James Baldwin
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“The impossible is the least that one can demand.”
James Baldwin
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“Yves did not like showers, he preferred long, scalding baths, with newspapers, cigarettes, and whiskey on a chair next to the bathtub, and with Eric nearby to talk to, to shampoo his hair, and to scrub his back.”
James Baldwin
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“No man is a devil in his own mind.”
James Baldwin
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“The victim who is able to articulate the situation of the victim has ceased to be a victim: he or she has become a threat.”
James Baldwin
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“There is a fearful splendor in absolute desolation.”
James Baldwin
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“If one wishes to be instructed--not that anyone does--concerning the treacherous role that memory plays in a human life, consider how relentlessly the water of memory refuses to break, how it impedes that journey into the air of time. Time: the whisper beneath that word is death. With this unanswerable weight hanging heavier and heavier over one's head, the vision becomes cloudy, nothing is what it seems... How then, can I trust my memory concerning that particular Sunday afternoon?...Beneath the face of anyone you ever loved for true--anyone you love, you will always love, love is not at the mercy of time and it does not recognize death, they are strangers to each other--beneath the face of the beloved, however ancient, ruined, and scarred, is the face of the baby your love once was, and will always be, for you. Love serves, then, if memory doesn't, and passion, apart from its tense relation to agony, labors beneath the shadow of death. Passion is terrifying, it can rock you, change you, bring your head under, as when a wind rises from the bottom of the sea, and you're out there in the craft of your mortality, alone.”
James Baldwin
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“The price one pays for pursuing any profession or calling is an intimate knowledge of its ugly side.”
James Baldwin
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“Passion is not friendly. It is arrogant,superbly contemptuous of all that is notitself, and, as they very definition of passionimplies the impulse to freedom, it has a mightintimidiating power. It contains a challenge.It contains an unspeakable hope.”
James Baldwin
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“There are few things under heaven more unnerving than the silent, accumulating contempt and hatred of a people.”
James Baldwin
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“But, when the chips are down, its better to be furious with someone you love, or frightened for someone you love, than be put through the merciless horror of being ashamed of someone you love.”
James Baldwin
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“This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk.But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.”
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“Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to him from one moment to the next, or how one will bear it. This is irreducible. And it's true of everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace.”
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“People said that he was very nice, but I confess that his utter grotesqueness made me uneasy; perhaps in the same way that the sight of monkeys eating their own excrement turns some people’s stomachs. They might not mind so much if monkeys did not- so grotesquely- resemble human beings.”
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“The relatively conscious whites and the relatively conscious blacks, who must, like lovers, insist on, or create, the consciousness of the others in order to end the racial nightmare and acheive our country.”
James Baldwin
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“If a society permits one portion of its citizenry to be menaced or destroyed, then, very soon, no one in that society is safe. The forces thus released in the people can never be held in check, but run their devouring course, destroying the very foundations which it was imagined they would save.But we are unbelievably ignorant concerning what goes on in our country--to say nothing of what goes on in the rest of the world--and appear to have become too timid to question what we are told. Our failure to trust one another deeply enough to be able to talk to one another has become so great that people with these questions in their hearts do not speak them; our opulence is so pervasive that people who are afraid to lose whatever they think they have persuade themselves of the truth of a lie, and help disseminate it; and God help the innocent here, that man or womn who simply wants to love, and be loved. Unless this would-be lover is able to replace his or her backbone with a steel rod, he or she is doomed. This is no place for love. I know that I am now expected to make a bow in the direction of those millions of unremarked, happy marriages all over America, but I am unable honestly to do so because I find nothing whatever in our moral and social climate--and I am now thinking particularly of the state of our children--to bear witness to their existence. I suspect that when we refer to these happy and so marvelously invisible people, we are simply being nostalgic concerning the happy, simple, God-fearing life which we imagine ourselves once to have lived. In any case, wherever love is found, it unfailingly makes itself felt in the individual, the personal authority of the individual. Judged by this standard, we are a loveless nation. The best that can be said is that some of us are struggling. And what we are struggling against is that death in the heart which leads not only to the shedding of blood, but which reduces human beings to corpses while they live.”
James Baldwin
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“In overlooking, denying, evading this complexity--which is nothing more than the disquieting complexity of ourselves--we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves. It is this power of revelation that is the business of the novelist, this journey toward a more vast reality which must take precedence over other claims.”
James Baldwin
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“It is very nearly impossible to become an educated person in a country so distrustful of the independent mind.”
James Baldwin
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“People who treat other people as less than human must not be surprised when the bread they have cast on the waters comes floating back to them, poisoned.”
James Baldwin
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“Education is indoctrination if you're white - subjugation if you're black.”
James Baldwin
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“Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent.”
James Baldwin
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“The most dangerous creation of any society is the man who has nothing to lose.”
James Baldwin
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“You know, it's not the world that was my oppressor, because what the world does to you, if the world does it to you long enough and effectively enough, you begin to do to yourself.”
James Baldwin
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“If you're treated a certain way you become a certain kind of person. If certain things are described to you as being real they're real for you whether they're real or not.”
James Baldwin
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“To accept one’s past – one’s history – is not the same thing as drowning in it; it is learning how to use it. An invented past can never be used; it cracks and crumbles under the pressures of life like clay in a season of drought.”
James Baldwin
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“The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.”
James Baldwin
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“History is not a procession of illustrious people. It's about what happens to a people. Millions of anonymous people is what history is about.”
James Baldwin
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“I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it--it, the physical act.I simply wondered about the dead because their days had ended and I did not know how I would get through mine.”
James Baldwin
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“Freedom is not something that anybody can be given. Freedom is something people take, and people are as free as they want to be”
James Baldwin
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“There are so many ways of being despicable it quite makes one’s head spin. But the way to be really despicable is to be contemptuous of other people’s pain.”
James Baldwin
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“For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness.”
James Baldwin
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“People pay for what they do, and still more for what they have allowed themselves to become. And they pay for it very simply; by the lives they lead.”
James Baldwin
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“Children have never been very good at listening to their elders, but they have never failed to imitate them.”
James Baldwin
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“Nakedness has no color: this can come as news only to those who have never covered, or been covered by, another naked human being.”
James Baldwin
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“We should certainly know by now that it is one thing to overthrow a dictator or repel an invader and quite another thing really to achieve a revolution. Time and time and time again, the people discover that they have merely betrayed themselves into the hands of yet another Pharaoh who, since he was necessary to put the broken country together, will not let them go.”
James Baldwin
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“Not everything that is faced can be changed, but nothing can be changed until it is faced.”
James Baldwin
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“Know from whence you came. If you know whence you came, there are absolutely no limitations to where you can go.”
James Baldwin
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“True rebels after all, are as rare as true lovers,and in both cases, to mistake a fever for passion can destroy one's life”
James Baldwin
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“Perhaps everybody has a garden of Eden, I don't know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or: it takes strength to remember, it takes another kind of strength to forget, it takes a hero to do both. People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen who forget. Heroes are rare.”
James Baldwin
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“All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story; to vomit the anguish up.”
James Baldwin
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“It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, or who had ever been alive.”
James Baldwin
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“It is rare indeed that people give. Most people guard and keep; they suppose that it is they themselves and what they identify with themselves that they are guarding and keeping, whereas what they are actually guarding and keeping is their system of reality and what they assume themselves to be.”
James Baldwin
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“People can't, unhappily, invent their mooring posts, their lovers and their friends, anymore than they can invent their parents. Life gives these and also takes them away and the great difficulty is to say Yes to life.”
James Baldwin
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“Love takes off the masks we fear we cannot live without and know we cannot live within.”
James Baldwin
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