James Joyce photo

James Joyce

A profound influence of literary innovations of Irish writer James Augustine Aloysius Joyce on modern fiction includes his works,

Ulysses

(1922) and

Finnegans Wake

(1939).

People note this novelist for his experimental use of language in these works. Technical innovations of Joyce in the art of the novel include an extensive use of interior monologue; he used a complex network of symbolic parallels, drawn from the mythology, history, and literature, and he created a unique language of invented words, puns, and allusions.

John Stanislaus Joyce, an impoverished gentleman and father of James Joyce, nine younger surviving siblings, and two other siblings who died of typhoid, failed in a distillery business and tried all kinds of other professions, including politics and tax collecting. The Roman Catholic Church dominated life of Mary Jane Murray, an accomplished pianist and his mother. In spite of poverty, the family struggled to maintain a solid middle-class façade.

Jesuits at Clongowes Wood college, Clane, and then Belvedere college in Dublin educated Joyce from the age of six years; he graduated in 1897. In 1898, he entered the University College, Dublin. Joyce published first an essay on

When We Dead Awaken

, play of Heinrich Ibsen, in the Fortnightly Review in 1900. At this time, he also began writing lyric poems.

After graduation in 1902, the twenty-year-old Joyce went to Paris, where he worked as a journalist, as a teacher, and in other occupations under difficult financial conditions. He spent a year in France, and when a telegram about his dying mother arrived, he returned. Not long after her death, Joyce traveled again. He left Dublin in 1904 with Nora Barnacle, a chambermaid, whom he married in 1931.

Joyce published

Dubliners

in 1914,

A Portrait of the Artist as a Young Man

in 1916, a play

Exiles

in 1918 and Ulysses in 1922. In 1907, Joyce published a collection of poems,

Chamber Music

.

At the outset of the Great War, Joyce moved with his family to Zürich. In Zürich, Joyce started to develop the early chapters of Ulysses, first published in France because of censorship troubles in the Great Britain and the United States, where the book became legally available only in 1933.

In March 1923, Joyce in Paris started Finnegans Wake, his second major work; glaucoma caused chronic eye troubles that he suffered at the same time. Transatlantic review of Ford Madox Ford in April 1924 carried the first segment of the novel, called part of Work in Progress. He published the final version in 1939.

Some critics considered the work a masterpiece, though many readers found it incomprehensible. After the fall of France in World War II, Joyce returned to Zürich, where he died, still disappointed with the reception of Finnegans Wake.


“I'll tickle his catastrophe.”
James Joyce
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“Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality.”
James Joyce
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“This race and this country and this life produced me, he said. I shall express myself as I am.”
James Joyce
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“You have asked me what I would do and what I would not do. I will not serve that in which I no longer believe whether it call itself my home, my fatherland or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use--silence, exile, and cunning.”
James Joyce
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“Shakespeare is the happy hunting ground of all minds that have lost their balance.”
James Joyce
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“It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped serene, speeding, sustained...”
James Joyce
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“He drew forth a phrase from his treasure and spoke it softly to himself:A day of dappled seaborne clouds.”
James Joyce
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“Your battles inspired me - not the obvious material battles but those that were fought and won behind your forehead.”
James Joyce
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“I have left my book, I have left my room, For I heard you singing Through the gloom.”
James Joyce
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“In the soft grey silence he could hear the bump of the balls: and from here and from there through the quiet air the sound of the cricket bats: pick, pack, pock, puck: like drops of water in a fountain falling softly in the brimming bowl.”
James Joyce
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“Every life is in many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love, but always meeting ourselves.”
James Joyce
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“What did it avail to pray when he knew his soul lusted after its own destruction?”
James Joyce
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“Under cover of her silence he pressed her arm closely to his side; and, as they stood at the hotel door, he felt that they had escaped from their lives and duties, escaped from home and friends and run away together with wild and radiant hearts to a new adventure.”
James Joyce
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“He had felt proud and happy then, happy that she was his, proud of her grace and wifely carriage.”
James Joyce
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“In one letter that he had written to her then he had said: Why is it that words like these seem to me so dull and cold? Is it because there is no word tender enough to be your name?”
James Joyce
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“For the years, he felt, had not quenched his soul, or hers.”
James Joyce
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“Like the tender fires of stars moments of their life together, that no one knew of or would ever know of, broke upon and illuminated his memory.”
James Joyce
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“Moments of their secret life together burst like stars upon his memory.”
James Joyce
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“I've been working hard on [Ulysses] all day," said Joyce. Does that mean that you have written a great deal?" I said. Two sentences," said Joyce. I looked sideways but Joyce was not smiling. I thought of [French novelist Gustave] Flaubert. "You've been seeking the mot juste?" I said. No," said Joyce. "I have the words already. What I am seeking is the perfect order of words in the sentence.”
James Joyce
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“You behold in me, Stephen said with grim displeasure, a horrible example of free thought.”
James Joyce
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“We were always loyal to lost causes...Success for us is the death of the intellect and of the imagination. ~ Professor MacHugh”
James Joyce
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“Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentlema. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschole with the ear trumpet loves old Mrs VErschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody.”
James Joyce
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“Going to dark bed there was a square round Sinbad the Sailor roc’s auk’s egg in the night of the bed of all the auks of the rocs of Darkinbad the Brightdayler.”
James Joyce
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“When one reads these strange pages of one long gone one feels that one is at one with one who once…”
James Joyce
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“Her lips touched his brain as they touched his lips, as though they were a vehicle of some vague speech and between them he felt an unknown and timid preasure, darker than the swoon of sin, softer than sound or odor.”
James Joyce
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“Me. And me now.”
James Joyce
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“The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.”
James Joyce
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“I am other I now.”
James Joyce
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“Puck Mulligan footed featly, trilling: I HARDLY HEAR THE PURLIEU CRY OR A TOMMY TALK AS I PASS ONE BY BEFORE MY THOUGHTS BEGIN TO RUN ON F. M'CURDY ATKINSON, THE SAME THAT HAD THE WOODEN LEG AND THAT FILIBUSTERING FILIBEG THAT NEVER DARED TO SLAKE HIS DROUTH, MAGEE THAT HAD THE CHINLESS MOUTH. BEING AFRAID TO MARRY ON EARTH THEY MASTURBATED FOR ALL THEY WERE WORTH.Jest on. Know thyself.”
James Joyce
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“Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRODI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.”
James Joyce
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“A wild angel had appeared to him, the angel of mortal youth and beauty, an envoy from the fair courts of life, to throw open before him in an instant of ecstasy the gates of all the ways of error and glory.”
James Joyce
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“All Moanday, Tearday, Wailsday, Thumpsday, Frightday, Shatterday.”
James Joyce
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“Redheaded women buck like goats.”
James Joyce
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“My mouth is full of decayed teeth and my soul of decayed ambitions.”
James Joyce
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“The voices blend and fuse in clouded silence: silence that is infinite of space: and swiftly, silently the sound is wafted over regions of cycles of cycles of generations that have lived.”
James Joyce
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“Oftwhile balbulous, mithre ahead, with goodly trowel in grasp and ivoroiled overalls which he habitacularly fondseed...”
James Joyce
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“I am quite content to go down to posterity as a scissors and paste man for that seems to me a harsh but not unjust description”
James Joyce
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“Love (understood as the desire of good for another) is in fact so unnatural a phenomenon that it can scarcely repeat itself the soul being unable to become virgin again and not having energy enough to cast itself out again into the ocean of another s soul.”
James Joyce
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“Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo”
James Joyce
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“A day of dappled seaborne clouds.The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?”
James Joyce
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“Whatever else is unsure in this stinking dunghill of a world a mother's love is not.”
James Joyce
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“All things are inconstant except the faith in the soul, which changes all things and fills their inconstancy with light.”
James Joyce
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“Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why.”
James Joyce
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“But we are living in a skeptical and, if I may use the phrase, a thought-tormented age; and sometimes I fear that this new generation, educated or hypereducated as it is, will lack those qualities of humanity, of hospitality, of kindly humor which belonged to an older day..”
James Joyce
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“Mr. Duffy lived a short distance from his body.”
James Joyce
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“Her antiquity in preceding and surviving succeeding tellurian generations: her nocturnal predominance: her satellitic dependence: her luminary reflection: her constancy under all her phases, rising and setting by her appointed times, waxing and waning: the forced invariability of her aspect: her indeterminate response to inaffirmative interrogation: her potency over effluent and refluent waters: her power to enamour, to mortify, to invest with beauty, to render insane, to incite to and aid delinquency: the tranquil inscrutability of her visage: the terribility of her isolated dominant resplendent propinquity: her omens of tempest and of calm: the stimulation of her light, her motion and her presence: the admonition of her craters, her arid seas, her silence: her splendour, when visible: her attraction, when invisible.”
James Joyce
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“and yet her name was like a summons to all my foolish blood.”
James Joyce
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“History, Stephen said, is a nightmare from which I am trying to awake.”
James Joyce
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“It pained him that he did not know well what politics meant and that he did not know where the universe ended. He felt small and weak. When would he be like the fellows in poetry and rhetoric? They had big voices and big boots and they studied trigonometry. That was very far away. First came the vacation and then the next term and then vacation again and then again another term and then again the vacation. It was like a train going in and out of tunnels and that was like the noise of the boys eating in the refectory when you opened and closed the flaps of the ears. Term, vacation; tunnel, out; noise, stop. How far away it was! It was better to go to bed to sleep. Only prayers in the chapel and then bed. He shivered and yawned. It would be lovely in bed after the sheets got a bit hot. First they were so cold to get into. He shivered to think how cold they were first. But then they got hot and then he could sleep. It was lovely to be tired. He yawned again. Night prayers and then bed: he shivered and wanted to yawn. It would be lovely in a few minutes. He felt a warm glow creeping up from the cold shivering sheets, warmer and warmer till he felt warm all over, ever so warm and yet he shivered a little and still wanted to yawn.”
James Joyce
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“Mr Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liverslices fried with crustcrumbs, fried hencods' roes. Most of all he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine.”
James Joyce
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