James Meek

“And you thought: they're used to it. But that was how those who suffered less always thought about those who suffered more, that they were used to it, that they no longer felt it as you did. Nobody ever got used to it. All they learned to do was to stop letting it show.”

“He'd shot and beaten people because he couldn't talk to them.Violence was the only language nobody could understand. There were no translators.”

“She loved herself, and her body’s resistance to all those poisons was the exact measure of how indestructibly young and beautiful she felt she was.”

“What Dougie had actually said was You shouldn't get too up your own arse about being a dad. You get a wee man or a wee lassie to play with for a bit and the next thing you know there's this superfluous person knocking about who doesn't seem to know much about you, but it's all your fault.”

“Anna woke with the wonderful feeling bad sleepers have when they know they have slept well. As if they have stolen something and got away with it. At these times the memories of what led up to such deep sleep keep their distance for a few seconds and those few seconds are perhaps the only time the world can ever be said to show mercy.”

“The many mysteries boil down to three. There is the kind that can be solved: who planted the bomb? Will the travellers reach their destination? What is Mother's childhood secret? There is the supernatural: dark metaphysical forces, never to be fully exposed, yet hinting of themselves in a way that suggests the author could reveal more if he chose, and might do, in his next book. And there are the insoluble mysteries: what lies beyond life, what beauty is for, why the innocent suffer and the guilty prosper, what goes on in the heads of other people, why life keeps fucking us over just when we're doing all right -- these are the mysteries the books dealing with them can't solve, and it is for this reason that the best of these books are the ones we keep rereading.”

“ I wrote my first novel, McFarlane Boils The Sea, under the influence of Kelman and Proust, which is like drinking a cocktail of Bowmore and Châteauneuf du Pape.(James Meek in interview with TMO)”