James Salter

“It was love, the furnace into which everything was dropped.”

“The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta. Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.”

“The great chandeliers hang silent. The tables in the vast dining room overlooking the lake are spread with white cloth and silver as if for dinners before the war. At a little after 4, into the green room with the slow walk of aged people, the Nabokovs come. He wears a navy blue cardigan, a blue-checked shirt, gray slacks and a tie. His shoes have crepe soles. He is balding, with a fringe of gray hair. His hazel-green eyes are watering, oysterous, as he says. He is 75, born on the same day as Shakespeare, April 23. He is at the end of a great career, a career half-carved out of a language not his own.”

“Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future.”

“He liked to read with the silence and the golden color of the whiskey as his companions. He liked food, people, talk, but reading was an inexhaustible pleasure. What the joys of music were to others, words on a page were to him.”

“One should not believe too strongly in a life which can easily vanish.”

“One should not believe too easily in a life which can easily vanish.”

“As I look back, I see that life is like a game of solitaire and every once in a while there is a move.”

“Of them all, it was the true love. Of them all, it was the best. That other sumptuous love which made one drunk, which one longed for, envied, believed in, that was not life. It was what life was seeking; it was a suspension of life. But to be close to a child, for whom one spent everything, whose life was protected and nourished by one's own, to have that child beside one, at peace, was the real, the deepest, the only joy.”

“Suddenly I like him. Cristina can't take her eyes away. She asks when he was born, and it turns out he's a Sagittarius which is a very good sign. 'Really?' 'It's one of the best for me,' she says. 'Scorpio is the worst.”

“Eve was tall. Her face had cheekbones. Her shoulders slumped when she walked. The shelves in her living room were bent beneath the books. She worked for a publisher; oh, you’ve heard of him, she said.Her life was one in which everything was left undone—letters unanswered, bills on the floor, the butter sitting out all night. Perhaps that was why her husband had left her; he was even more hopeless than she. At least she was gay. She stepped from her littered doorway in pretty clothes, like a woman who lives in the barrio walking to a limousine, stray dogs and dirt on the way.”

“The book was in her lap; she had read no further. The power to change one’s life comes from a paragraph, a lone remark. The lines that penetrate us are slender, like the flukes that live in river water and enter the bodies of swimmers. She was excited, filled with strength. The polished sentences had arrived, it seemed, like so many other things, at just the right time. How can we imagine what our lives should be without the illumination of the lives of others?”

“They had a great deal in common, Bowman a little defiantly said. What they had in common was more vital than similar interests--it was wordless understanding and accord. It was love, the furnace into which everything is dropped.”

“Now they are lovers. The first, wild courses are ended. They have founded their domain. A satanic happiness follows.”

“Why is it so difficult to assemble those things that really matter in life and to dwell among them only? I am referring to certain landscapes, persons, beasts, books, rooms, meteorological conditions, fruits.”

“Sometimes you are aware when your great moments are happening, and sometimes they rise from the past. Perhaps it's the same with people.”

“Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave”

“They lay silently. She was staring at something across the room. She was making him feel uncomfortable. 'It wouldn't work. It's the attraction of opposites,' he said.We're not opposites.'I don't mean just you and me. Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave.”

“I'm tired of my life, my clothes, the things I say. I'm hacking away at the surface, as at some kind of gray ice, trying to break through to what is underneath or I am dead. I can feel the surface trembling—it seems ready to give but it never does. I am uninterested in current events. How can I justify this? How can I explain it? I don't want to have the same vocabulary I've always had. I want something richer, broader, more penetrating and powerful.”

“One is seduced and battered in turn. The result is presumably wisdom. Wisdom! We are clinging to life like lizards.Why is it so difficult to assemble those things that really matter in life and to dwell among them only? I am referring to certain landscapes, persons, beasts, books, rooms, meteorological conditions, fruits. In fact, I insist on it.A letter is like a poem, it leaps into life and shows very clearly the marks, perhaps I should say thumbprints, of an unwilling or unready composer.”

“Their life is mysterious, it is like a forest; from far off it seems a unity, it can be comprehended, described, but closer it begins to separate, to break into light and shadow, the density blinds one. Within there is no form, only prodigious detail that reaches everywhere: exotic sounds, spills of sunlight, foliage, fallen trees, small beasts that flee at the sound of a twig-snap, insects, silence, flowers.And all of this, dependent, closely woven, all of it is deceiving. There are really two kinds of life. There is, as Viri says, the one people believe you are living, and there is the other. It is this other which causes the trouble, this other we long to see.”