Jamie Russell
When Jamie was five, he saw a Space Invaders arcade machine in a greasy fish and chip shop at the seaside. It blew his mind and started a lifelong love of videogames.
After graduating from London University, Jamie became a film critic for the BBC and a contributing editor for Total Film magazine. He was sent to special movie screenings and fed free sandwiches. He thought it was the best job ever.
But he was wrong…
A little later, he wrote for videogame magazine EDGE and realised that you could actually get paid for shooting aliens in the face with shotguns.
Since then he has worked as a screenwriter, speechwriter and as a narrative consultant for a big US tech company that swore him to secrecy. He has written several non-fiction books for grown ups on everything from videogames to zombies.
His fiction debut is the SKYWAKE trilogy for readers 9+ launching in March 2021. It's a story about videogames, aliens and what it takes to be a leader.
“The texts' representation of homosexuality thus overturn the Christian fundamentalist accusation that it is sinful because it is not procreative. As the boys produce new beings through gay sex, they empower both themselves and the site of their desire, the anus. The heterosexual fear of the anus as a "grave", as death, and as nothingness, is challenged and transformed into a queer celebration of its role as a site of desire and alternate reproduction.”
“The main focus of Burroughs' Wild Boys tetralogy is an apocalyptic world in which the social order is disrupted enough to allow gay men the possibility of forming seperate communities. The eponymous characters of The Wild Boys band together in the deserts of North Africa to create an alternative to heterosexual society and simultaneously wage war on an intolerant, heterosexual social order that refuses them independence. Burroughs repeatedly links the boys with the youth movements of the late 1960's. He cites Genet's belief that 'it is time for writers to support the rebellion of youth not only with their words but with their presence as well.' The Wild Boys can thus be read as a progression from the riots of Chicago and Stonewall in that they are a radical group of youthful, queer, multiracial revolutionaries who echo Burroughs' own belief that non-violent action is not enough.”