Jan-Philipp Sendker photo

Jan-Philipp Sendker

Jan-Philipp Sendker, born in Hamburg in 1960, and, longing to travel the world, became the American correspondent for Stern from 1990 to 1995, and its Asian correspondent from 1995 to 1999. In 2000 he published Cracks in the Great Wall, a nonfiction book about China. The Art of Hearing Heartbeats is his first novel, and since then, he has written 3 further novels, including a sequel to "The Art of Hearing Heartbeats", "A Well-Tempered Heart". In 2013, he received The indies Choice Honor Award in the category Adult Fiction for "The Art of Hearing Heartbeats. He lives in Potsdam with his family and is currently working on the third installment in his China-trilogy.

http://artofhearingheartbeats.com


“Can words sprout wings? Can they glide like butterflies through the air? Can they captivate us, carry us off into another world? Can they open the last secret chambers of our souls?”
Jan-Philipp Sendker
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“I found this butterfly dead on our porch a few weeks ago. I have pressed it. It's one of those whose wing beats you loved best. You once said it reminded you of my heartbeat. None sounded sweeter.”
Jan-Philipp Sendker
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“Life is a gift full of riddles in which suffering and happiness are inextricably intertwined. Any attempt to have one without the other was simply bound to fail.”
Jan-Philipp Sendker
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“She hoped that Tin Win would learn what she had learned over the years: that there are wounds time does not heal, though it can reduce them to a manageable size.”
Jan-Philipp Sendker
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“How can anyone truthfully claim to love someone when they’re not prepared to share everything with that person, including their past?”
Jan-Philipp Sendker
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“And so there must be in life something like a catastrophic turning point, when the world as we know ceases to exist. A moment that transform us into a different person from one heartbeat to the next.”
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“Of course I am not referring to those outburts of passions that drive us to do and say things we will later regret, that delude us into thinking we cannot life without a certain person, that set us quivering with anxiety at the mere possibility we might ever lose that person-a feeling that impoverishes rather than enriches us because we long to possess what we cannot, to hold on what we cannot.No. I speak of a love that brings sight to the blind. Of a love stronger than fear. I speak of a love that breathes meaning into life, that defies the natural laws of deterioration, that causes us to flourish, that knows no bounds. I speak of the triumph of the human spirit over selfishness and death.”
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“I am not without you, that you are with me from the moment I wake until the moment I fall asleep, that it's you when the wind caresses me, that it's your voice I hear in the silence, you whom I see when I close my eyes, you who make me laugh and sing when I know no one else is around.”
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“I'm not sure I would put it that way. When we get over something, we move on, we put it behind us. Do we leave the dead behind or do we take them with us? I think we take them with us. They accompany us. They remain with us, if in another form. We have to learn to live with them and their deaths.....I think of them every day, I wonder what they would say at a given moment. I ask them for advice, even today, at my age, when it will soon be time to be thinking of my own death"...”
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“The essence of a thing is invisible to the eye, U May said. Learn to perceive the essence of a thing. Eyes are more likely to hinder you in that regard. They distract us. We love to be dazzled.”
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“Who are you? What’s your name?”“Mi Mi.”“Do you hear that thumping noise?”“No.”“It must be here somewhere.” Tin Win knelt down. Now it was nearly next to his ear. “I hear it more and more distinctly. A soft pulsing. You really don’t hear it?”“No.”“Close your eyes.”Mi Mi closed her eyes. “Nothing,” she said, and laughed. Tin Win leaned over and felt her breath on his face. “I think it’s coming from you.” He crept closer to her and held his head just in front of her chest.There it was. Her heartbeat.”
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“Only a few days earlier he had explained to her that he did not merely read books but traveled with them, that they took him to other countries and unfamiliar continents, and that with their help he was always getting to know new people, many of whom even became his friends.”
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“I have often wondered what was the source of her beauty, her radiance. It’s not the size of one’s nose, the color of one’s skin, the shape of one’s lips or eyes that make one beautiful or ugly. So what is it? Can you, as a woman, tell me? I shook my head. I will tell you: It’s love. Love makes us beautiful. Do you know a single person who loves and is loved, who is loved unconditionally and who, at the same time, is ugly? There’s no need to ponder the question. There is no such person.”
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“Death is not the end of life, but a stage thereof.”
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“He expected nothing more from life. Not because he was disappointed or embittered. He expected nothing because there was nothing of importance that he had not already experienced. He possessed all the happiness that a person could find. He loved and was loved. Unconditionally.”
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“Ma i morti, ce li lasciamo alle spalle o li portiamo con noi? Credo che li portiamo con noi. Ci accompagnano. Ci restano vicini - solo in un'altra forma. Dobbiamo imparare a convivere assieme a loro e alla loro morte.”
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“Perché vediamo solo quello che conosciamo. Siamo convinti che gli altri siano capaci di fare solamente ciò che sappiamo fare anche noi, nel bene e nel male. Per questo riconosciamo come amore solo quello che corrisponde all'immagine che ne abbiamo. Vogliamo essere amati come amiamo noi. Ogni altro modo ci è estraneo, lo guardiamo con sfiducia, ne fraintendiamo i segni, non capiamo la sua lingua. Accusiamo. Affermiamo che l'altro non ci ama. E invece forse ci ama in un modo tutto suo, che noi non conosciamo.”
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