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Jane Smiley

Jane Smiley is a Pulitzer Prize-winning American novelist.

Born in Los Angeles, California, Smiley grew up in Webster Groves, Missouri, a suburb of St. Louis, and graduated from John Burroughs School. She obtained a A.B. at Vassar College, then earned a M.F.A. and Ph.D. from the University of Iowa. While working towards her doctorate, she also spent a year studying in Iceland as a Fulbright Scholar. From 1981 to 1996, she taught at Iowa State University. Smiley published her first novel, Barn Blind, in 1980, and won a 1985 O. Henry Award for her short story "Lily", which was published in The Atlantic Monthly. Her best-selling A Thousand Acres, a story based on William Shakespeare's King Lear, received the Pulitzer Prize for Fiction in 1992. It was adapted into a film of the same title in 1997. In 1995 she wrote her sole television script produced, for an episode of Homicide: Life on the Street. Her novella The Age of Grief was made into the 2002 film The Secret Lives of Dentists.

Thirteen Ways of Looking at the Novel (2005), is a non-fiction meditation on the history and the nature of the novel, somewhat in the tradition of E. M. Forster's seminal Aspects of the Novel, that roams from eleventh century Japan's Murasaki Shikibu's The Tale of Genji to twenty-first century Americans chick lit.

In 2001, Smiley was elected a member of The American Academy of Arts and Letters.


“The novel is, above all, an intense experience of prolonged intimacy with another consciousness.”
Jane Smiley
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“Every first draft is perfect, because all a first draft has to do is exist.”
Jane Smiley
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“You know what getting married is? It's agreeing to taking this person who right now is at the top of his form, full of hopes and ideas, feeling good, looking good, wildly interested in you because you're the same way, and sticking by him while he slowly disintegrates. And he does the same for you. You're his responsibility now and he's yours. If no one else will take care of him, you will. If everyone else rejects you, he won't. What do you think love is? Going to bed all the time?”
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“The body, the mind, and the spirit don't form a pyramid, they form a circle. Each of them runs into the other two. The body isn't below the mind and the spirit; from the point of view it's between them. if you reside too much in the mind, then you get too abstract and cut off from the world. You long for the spiritual life, but you can't get to it, and you fall into despair. The exercise of the senses frees you from abstraction and opens the way to transcendence.”
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“If living is to progress, if you are lucky, from foolishness to wisdom, then to write novels is to broadcast the various stages of your foolishness.”
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“Shame is a distinct feeling. I couldn’t look at my hands around the coffee cup or hear my own laments without feeling appalled, wanting desperately to fall silent, grow smaller. More than that, I was uncomfortably conscious of my whole body, from the awkward way that the shafts of my hair were thrusting out of my scalp to my feet, which felt dirty as well as cold. Everywhere, I seemed to feel my skin from the inside, as if it now stood away from my flesh, separated by a millimeter of mortified space.”
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“The fact is that the same sequence of days can arrange themselves into a number of different stories.”
Jane Smiley
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“But even though I felt her presence, I also felt the habitual fruitlessness of thinking about her. Her images, partly memories of her, partly memories of photos I had seen of her, yielded no new answers to old mysteries.”
Jane Smiley
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“They throw themselves on the waters of the world, and they know they will be borne up.”
Jane Smiley
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“You know when we came out of the clinic, and we saw those flower beds that we hadn’t seen when we were walking in? That was so unexpected, I think it made me delirious somehow. And then it seemed like if we just threw off all restraints and talked wildly and ate wildly and shopped wildly, it would just turn up the delirium, and make it even better, or permanent somehow...”
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“I suspected that there were things he knew that I had been waiting all my life to learn.”
Jane Smiley
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“When people leave, they always seem to scoop themselves out of you.”
Jane Smiley
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“A novelist has two lives-- a reading and writing life, and a lived life. he or she cannot be understood at all apart from this.”
Jane Smiley
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“A reader's tastes are peculiar. Choosing books to read is like making your way down a remote and winding path. Your stops on that path are always idiosyncratic. One book leads to another and another the way one thought leads to another and another. My type of reader is the sort who burrows through the stacks in the bookstore or the library (or the Web site — stacks are stacks), yielding to impulse and instinct.”
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“...I had been with my father so constantly for so long that I knew less and less about him with every passing year. Every meaningful image was jumbled together with the countless moments of our daily life defeating my efforts to gain some perspective.”
Jane Smiley
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“Had I faced all the facts It seemed like I had but actually you never know just by remembering how many there were to have faced.”
Jane Smiley
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“I was depressed, but that was a side issue. This was more like closing up shop, or, say, having a big garage sale, where you look at everything you've bought in your life, and you remember how much it meant to you, and now you just tag it for a quarter and watch 'em carry it off, and you don't care. That's more like how it was.”
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“When I went to first grade and the other children said that their fathers were farmers, I simply didn't believe them. I agreed in order to be polite, but in my heart I knew that those men were impostors, as farmers and as fathers, too. In my youthful estimation, Laurence Cook defined both categories. To really believe that others even existed in either category was to break the First Commandment.”
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“Fascination with horses predated every other single thing I knew. Before I was a mother, before I was a writer, before I knew the facts of life, before I was a schoolgirl, before I learned to read, I wanted a horse.”
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“But what truly horsey girls discover in the end is that boyfriends, husbands, children, and careers are the substitute-for horses”
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“Failure was startling, really. So startling that I hardly noticed it at all.”
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“The fundamental condition of childhood is powerlessness.”
Jane Smiley
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“Leaving any bookstore is hard, especially on a day in August, when the street outside burns and glares, and the books inside are cool and crisp to the touch; especially on a day in January, when the wind is blowing, the ice is treacherous, and the books inside seem to gather together in colorful warmth. It's hard to leave a bookstore any day of the year, though, because a bookstore is one of the few places where all the cantankerous, conflicting, alluring voices of the world co-exist in peace and order and the avid reader is as free as a person can possibly be, because she is free to choose among them.”
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“She did not think it any coincidence that ideas denigrating literary authorship had taken center stage simultaneously with the emergence of formerly silent voices for whom the act of writing, and publishing, had the deepest and most delicious possible meaning, simultaneously with the emergence of an audience for whom the act of thinking and writing was an act of skeptical anger, sometimes a transitional act to violence.”
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“A moment later, Jackie lifts himself into a canter. It is analyzable - I have seen the picture of how he steps so far under with his supporting hind leg that he is placing it right beneath where I am sitting; his leg and body become a U-shaped spring that lifts me forward - but it is not describable. It is neither floating nor springing. It is power without labor, thrust without force, the very opposite of any sort of aggression, the particular physics of his anatomy, the demonstration and the effect of his personality.”
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“Many people, myself among them, feel better at the mere sight of a book.”
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“...and that's how the tournament started, the Million Dollar World Series of Monopoly......Jess and Pete thought alike -- like city boys, my father would have said, looking for the payoff in a situation rather than the pitfall. Rose and Ty and I played like farmers, looking for pitfalls, holes, drop-offs, something small that will tip the tractor, break it, eat into your time, your crop, the profits that already exist in your mind, and not only as a result of crop projections and long-range forecasts, but also as an ideal that has never been attained, but could be this year.”
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“Like most of the educated, I do harbor a fondness for the sins of my ignorant past.”
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“At sixty miles per hour, you could pass our farm in a minute, on County Road 686, which ran due north into the T intersection at Cabot Street Road.”
Jane Smiley
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“In her minds eye she sat there, in the domesticated golden sunlight on the velvet sofa, lapped around by carpets and books and mahogany, solitary and content, as if, in fact, cloistered.”
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“The novel as a form is usually seen to be moral if its readers consider freedom, individuality, democracy, privacy, social connection, tolerance and hope to be morally good, but it is not considered moral if the highest values of a society are adherence to rules and traditional mores, the maintenance of hierarchical relationships, and absolute ideas of right and wrong. Any society based on the latter will find novels inherently immoral and subversive.”
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“A child who is protected from all controversial ideas is as vulnerable as a child who is protected from every germ. The infection, when it comes- and it will come- may overwhelm the system, be it the immune system or the belief system.”
Jane Smiley
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“...and the thick, sugary covering of the snow...”
Jane Smiley
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“Almonds. Apricots. Avocadoes. Some peaches I don't know. Grapefruit. Lemones. Probably oranges.”
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