Janet Fitch was born in Los Angeles, a third-generation native, and grew up in a family of voracious readers. As an undergraduate at Reed College, Fitch had decided to become an historian, attracted to its powerful narratives, the scope of events, the colossal personalities, and the potency and breadth of its themes. But when she won a student exchange to Keele University in England, where her passion for Russian history led her, she awoke in the middle of the night on her twenty-first birthday with the revelation she wanted to write fiction. "I wanted to Live, not spend my life in a library. Of course, my conception of being a writer was to wear a cape and have Adventures." She has acquired a couple of capes since then, and a few adventures. And books.
Her current novels, THE REVOLUTION OF MARINA M. and CHIMES OF A LOST CATHEDRAL paint a portrait of a young poet coming of age during the Russian Revolution. Her last novel PAINT IT BLACK was made into a feature film, available on NETFLIX. Her novel WHITE OLEANDER was an Oprah Book Club pick and made into a motion picture.
“No matter where I was, my compass pointed west. I would always know what time it was in California.”
“I felt like an undeveloped photograph that he was printing, my image rising to the surface under his gaze.”
“Reading LOVE JUNKIE is like watching a sleepwalker taking a stroll on a freeway. All you can do is pray. Gorgeously written, piercingly honest.”
“She would buy magic every day of the week. Love me, that face said. I'm so lonely, so desperate. I'll give you whatever you want.”
“I don't let anyone touch me," I finally said.Why not?"Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (...) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette.”
“I emitted some civetlike female stink, a distinct perfume of sexual wanting, that he had followed to find me here in the dark.”
“(letters) They were like a kelp forest, they cast a weird green light, you could get lost there, become tangled and drown....still eyeing the letters like Portuguese man-of-wars floating on the innocent sea.”
“I took the volume to a table, opened its soft, ivory pages... and fell into it as into a pool during dry season.”
“Her fingers moved among barnacles and mussels, blue-black, sharp-edged. Neon red starfish were limp Dalis on the rocks, surrounded by bouquets of stinging anemones and purple bursts of spiny sea urchins.”
“It was her first book, an indigo cover with a silver moonflower, an art nouveau flower, I traced my finger along the silver line like smoke, whiplash curves. ... I touched the pages her hands touched, I pressed them to my lips, the soft thick old paper, yellow now, fragile as skin. I stuck my nose between the bindings and smelled all the readings she had given, the smell of unfiltered cigarettes and the espresso machine, beaches and incense and whispered words in the night. I could hear her voice rising from the pages. The cover curled outward like sails.”
“Her hatred glittered irresistibly. I could see it, the jewel, it was sapphire, it was the cold lakes of Norway.”
“His voice was cloves and nightingales, it took us to spice markets in the Celebs, we drifted with him on a houseboat beyond the Coral Sea. We were like cobras following a reed flute.”
“I closed my eyes to watch tiny dancers like jeweled birds cross the dark screen of my eyelids.”
“The night crackled ... Everything had turned to static electricity in the heat. I combed my hair to watch the sparks fly from the ends.”
“I thought of my mother as Queen Christina, cool and sad, eyes trained on some distant horizon. That was where she belonged, in furs and palaces of rare treasures, fireplaces large enough to roast a reindeer, ships of Swedish maple.”
“She would be half a planet away, floating in a turquoise sea, dancing by moonlight to flamenco guitar.”
“I thought clay must feel happy in the good potter's hand.”
“Whenever she turned her steep focus to me, I felt the warmth that flowers must feel when they bloom through the snow, under the first concentrated rays of the sun.”
“For lunch, we drove into the hills and parked in the dappled shade of a big sycamore, its powdery white bark like a woman's body against the uncanny blue sky.”
“He just wanted to stand close to her, touch her hair that was white as glacier milk...”
“Remember it all, every insult, every tear. Tattoo it on the inside of your mind. In life, knowledge of poisons is essential. I've told you, nobody becomes an artist unless they have to.”
“I hated labels anyway. People didn't fit in slots--prostitute, housewife, saint--like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.”
“Don't attach yourself to anyone who shows you the least bit of attention because you're lonely. Lonliness is the human condition. No one is ever going to fill that space. The best thing you can do it know yourself... know what you want.”
“Beauty was deceptive. I would rather wear my pain, my ugliness. I was torn and stitched. I was a strip mine, and they would just have to look. I hoped I made them sick. I hoped they saw me in their dreams.”
“A fish has no concept of water.”
“How many people ask you to come share their life?”
“I know what you are learning to endure. There is nothing to be done. Make sure nothing is wasted. Take notes. Remember it all, every insult, every tear. Tattoo it on the inside of your mind. In life, knowledge of poisons is essential. I've told you, nobody becomes an artist unless they have to.”
“I regret nothing. No woman with any self-respect would have done less. The question of good and evil will always be one of philosophy's most intriguing problems, up there with the problem of existence itself. I'm not quarreling with your choice of issues, only with your intellectually diminished approach. If evil means to be self-motivated, to live on one's own terms, then every artist, every thinker, every original mind, is evil. Because we dare to look through our own eyes rather than mouth cliches lent us from the so-called Fathers. To dare to see is to steal fire from the Gods. This is mankind's destiny, the engine which fuels us as a race. ”
“The phoenix must burn to emerge.”
“I felt like time was a great sea, and I was floating on the back of a turtle, and no sails broke the horizon.”
“I felt suddenly cruel, like I'd told small children there was no tooth fairy, that it was just their Mom sneaking into their room after they went to bed.”
“How easy I was. Like a limpet I attached myself to anything, anyone who showed me the least attention.”
“In a perverse way, I was glad for the stitches, glad it would show, that there would be scars. What was the point in just being hurt on the inside? It should bloody well show.”
“That was the thing about words, they were clear and specific-chair, eye, stone- but when you talked about feelings, words were too stiff, they were this and not that, they couldn't include all the meanings. In defining, they always left something out.”
“Nobody ever complained? Girls were kind. No one ever told him, I could barely stay awake. If only you'd come faster, I could have ignored it altogether. Girls were born knowing how destructive the truth could be. They learned to hold it in, tamp it down, like gunpowder in an old fashioned gun. Then it exploded in your face, on a November day in the rain.”
“ Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. An intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment. The best you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.”
“Girls were born knowing how destructive the truth could be. They learned to hold it in, tamp it down, like gunpowder in an old fashioned gun. Then it exploded in your face on a November day in the rain.”
“Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay.”
“You've got to let go of who you were, to become who you will be.”