J.D. Salinger photo

J.D. Salinger

Works, most notably novel

The Catcher in the Rye

(1951), of American writer Jerome David Salinger often concern troubled, sensitive adolescents.

People well know this author for his reclusive nature. He published his last original work in 1965 and gave his last interview in 1980. Reared in city of New York, Salinger began short stories in secondary school and published several stories in the early 1940s before serving in World War II. In 1948, he published the critically acclaimed story "A Perfect Day for Bananafish" in The New Yorker, his subsequent home magazine. He released an immediate popular success. His depiction of adolescent alienation and loss of innocence in the protagonist Holden Caulfield especially influenced adolescent readers. Widely read and controversial, sells a quarter-million copies a year.

The success led to public attention and scrutiny: reclusive, he published new work less frequently. He followed with a short story collection, Nine Stories (1953), of a novella and a short story, Franny and Zooey (1961), and a collection of two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). His last published work, a novella entitled "Hapworth 16, 1924", appeared in The New Yorker on June 19, 1965.

Afterward, Salinger struggled with unwanted attention, including a legal battle in the 1980s with biographer Ian Hamilton. In the late 1990s, Joyce Maynard, a close ex-lover, and Margaret Salinger, his daughter, wrote and released his memoirs. In 1996, a small publisher announced a deal with Salinger to publish "Hapworth 16, 1924" in book form, but the ensuing publicity indefinitely delayed the release.

Another writer used one of his characters, resulting in copyright infringement; he filed a lawsuit against this writer and afterward made headlines around the globe in June 2009. Salinger died of natural causes at his home in Cornish, New Hampshire.


“I privately say to you, old friend... please accept from me this unpretentious bouquet of early-blooming parentheses: (((()))).”
J.D. Salinger
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“John Keats / John Keats / John / Please put your scarf on.”
J.D. Salinger
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“Undoubtedly, though, what I'm really getting at is this: Since the bridegroom's permanent retirement from the scene, I haven't been able to think of anybody whom I'd care to send out to look for horses in his stead.”
J.D. Salinger
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“Liberate yourself from my vice-like grip!”
J.D. Salinger
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“One of the thousand reasons I quit going to the theater when I was about twenty was that I resented like hell filing out of the theater just because some playwright was forever slamming down his silly curtain. (What ever became of that stalwart Fortinbras? Who eventually fixed his wagon?) Nonetheless, I’m done here… Seymour once said that all we do our whole lives is go from one piece of Holy Ground to the next. Is he never wrong?Just go to bed, now. Quickly. Quickly and slowly.”
J.D. Salinger
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“...What gets me about D.B., though, he hated the war so much, and yet he got me to read this book A Farewell to Arms last summer. He said it was so terrific. That's what I can't understand. It had this guy in it named Lieutenant Henry that was supposed to be a nice guy and all. I don't see how D.B. could hate the Army and war and all so much and still like a phony like that. I mean, for instance, I don't see how he could like a phony like that and still like that one by Ring Lardner, or that other one he's so crazy about, The Great Gatsby. D.B. got sore when I said that, and said I was too young and all to appreciate it, but I don't think so. I told him I liked Ring Lardner and The Great Gatsby and all. I did, too. I was crazy about The Great Gatsby. Old Gatsby. Old sport. That killed me.”
J.D. Salinger
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“Probably for every man there is at least one city that sooner or later turns into a girl. How well or how badly the man actually knew the girl doesn’t necessarily affect the transformation. She was there, and she was the whole city, and that’s that.”
J.D. Salinger
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“If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddamn place. You're the only reason I'm around, practically.”
J.D. Salinger
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“They gave Sally this little blue butt-twitcher of a dress to wear. She really did look damn good in it, though. I have to admit it. And don't think she didn't know it. She kept walking ahead of me, so that I'd see how cute her little ass looked. It did look pretty cute, too. I hate to admit it.”
J.D. Salinger
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“Girls with their legs crossed, girls with their legs not crossed, girls with terrific legs, girls with lousy legs, girls that looked like swell girls, girls that looked like they'd be bitches if you knew them. It was really nice sightseeing, if you know what I mean. In a way, it was sort of depressing, too, because you kept wondering what the hell would happen to all of them. When they got out of school and college, I mean. You figured most of them would probably marry dopey guys. Guys that always talk about how many miles they get to a gallon in their goddam cars. Guys that get sore and childish as hell if you beat them at golf, or even just some stupid game like ping-pong. Guys that are very mean. Guys that never read books. Guys that are very boring— But I have to be careful about that. I mean about calling certain guys bores. I don't understand boring guys. I really don't.”
J.D. Salinger
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“She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.”
J.D. Salinger
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“She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.”
J.D. Salinger
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“We are, all four of us, blood relatives, and we speak a kind of esoteric, family language, a sort of semantic geometry in which the shortest distance between any two points is a fullish circle.”
J.D. Salinger
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“Just because somebody's dead, you don't just stop liking them-especially if they were about a thousand times nicer than the people you know that're alive and all.”
J.D. Salinger
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“In my mind, I'm probably the biggest sex maniac you ever saw.”
J.D. Salinger
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“When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.”
J.D. Salinger
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“Once, at one of the very rare and savory moments when my own teammates grudgingly allowed me to take the ball around one of the ends, Seymour, playing for the opposite side, disconcerted me by looking overjoyed to see me as I charged in his direction, as though it were an unexpected, an enormously providential chance encounter. I stopped almost dead short, and someone, of course, brought me down, in neighborhood talk, like a ton of bricks.”
J.D. Salinger
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“Everything everybody does is so - I don’t know - not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and - sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much as everybody else, only in a different way.”
J.D. Salinger
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“She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn't as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.”
J.D. Salinger
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“The cigars are ballast, sweetheart. Sheer ballast. If he didn’t have a cigar to hold on to, his feet would leave the ground. We’d never see our Zooey again.”
J.D. Salinger
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“God, could that dopey girl dance. Buddy Singer and his stinking band was playing 'Just One of Those Things' and even they couldn't ruin it entirely. It's a swell song. I didn't try any trick stuff while we danced--I hate a guy that does a lot of show-off tricky stuff on the dance floor--but I was moving her around plenty, and she stayed with me. The funny thing is, I thought she was enjoying it, too, till all of a sudden she came out with this very dumb remark. "I and my girl friends saw Peter Lorre last night," she said. "The movie actor. In person. He was buyin' a newspaper. He's cute.""You're lucky," I told her. "You're really lucky. You know that?" She was really a moron. But what a dancer. ”
J.D. Salinger
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“Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.”
J.D. Salinger
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“The Great Gatsby' [...] was my 'Tom Sawyer' when I was twelve [....]”
J.D. Salinger
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“I mean they don't seem able to love us just the way we are. They don't seem able to love us unless they can keep changing us a little bit. They love their reasons for loving us almost as much as they love us, and most of the time more.”
J.D. Salinger
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“Teddy looked at him directly for the first time.Are you a poet?' he asked.A poet?' Nicholson said. 'Lord, no. Alas, no. Why do you ask?'I don't know. Poets are always taking the weather so personally. They're always sticking their emotions in things that have no emotions.' "- Teddy and Nicholson in "Teddy" (Nine Stories)”
J.D. Salinger
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“She was around ten minutes late, as a matter of fact. I didn't give a damn, though. All that crap they have in cartoons in the Saturday Evening Post and all, showing guys on street corners looking sore as hell because their dates are late - that's bunk. If a girl looks swell when she meets you, who gives a damn if she's late? Nobody.”
J.D. Salinger
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“It always smelled like it was raining outside, even if it wasn't, and you were in the only nice, dry, cosy place in the world.”
J.D. Salinger
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“You don't know how to talk to people you don't like. Don't love, really. You can't live in the world with such strong likes and dislikes.”
J.D. Salinger
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“I don't even know what I was running for—I guess I just felt like it.”
J.D. Salinger
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“I was half in love with her by the time we sat down. That’s the thing about girls. Every time they do something pretty, even if they’re not much to look at, or even if they’re sort of stupid, you fall half in love with them, and then you never know where the hell you are.”
J.D. Salinger
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“The rest, with very little exaggeration, was books. Meant-to-be-picked-up books. Permanently-left-behind books. Uncertain-what-to-do-with books. But books, books. Tall cases lined three walls of the room, filled to and beyond capacity. The overflow had been piled in stacks on the floor. There was little space left for walking, and none whatever for pacing.”
J.D. Salinger
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“That cat was a spy. You had to take a pot shot at it. It was a very clever German midget dressed up in a cheap fur coat.”
J.D. Salinger
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“He said he was - this is exactly what he said - he said he was sitting at the table in the kitchen, all by himself, drinking a glass of ginger ale and eating saltines and reading 'Dombey and Son', and all of a sudden Jesus sat down in the other chair and asked if he could have a small glass of ginger ale. A small glass, mind you - that's exactly what he said. I mean he says things like that, and yet he thinks he's perfectly qualified to give me a lot of advice and stuff! I could just spit! I could! It's like being in a lunatic asylum and having another patient all dressed up as a doctor come over to you and start taking your pulse or something…”
J.D. Salinger
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“If God had wanted somebody with St. Francis's consistently winning personality for the job in the New Testament, he'd've picked him, you can be sure. As it was, he picked the best, the smartest, the most loving, the least sentimental the most unimitative master he could possibly have picked. And when you miss seeing that, I swear to you, you're missing the whole point of the Jesus Prayer. The Jesus Prayer has one aim, and one aim only. To endow the person who says it with Christ-consciousness. Not to set up some little cozy, holier-than-thou trysting place with some sticky, adorable divine personage who'll take you in his arms and relieve you of all your duties and make all your nasty weltschmerzen and Professor Tuppers go away and never come back. And by God, if you have intelligence enough to see that—and you do—and yet you refuse to see it, then you're misusing the prayer, you're using it to ask for a world full of dolls and saints and no Professor Tuppers.”
J.D. Salinger
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“You know, I'm the only one in this family who has no problems, . . . And you know why? Because any time I'm feeling blue, or puzzled, what I do, I just invite a few people to come visit me in the bathroom, and—well, we iron things out together, that's all.”
J.D. Salinger
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“If I'd wanted this place to fill up with every fat Irish rose that passes by, I'd've said so.”
J.D. Salinger
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“While I was walking I passed these two guys that were unloading this big Christmas tree off a truck. One guy, kept saying to the other guy, 'Hold the sonunvabitch up! Hold it up, for Chrissake!' It certainly was a gorgeous way to talk about a Christmas tree.”
J.D. Salinger
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“I took a look out the window before I left the room, though, to see how all the perverts were doing, but they all had their shades down. They were the heighth of modesty in the morning.”
J.D. Salinger
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“I know more damn perverts, at schools and all, than anybody you ever met, and they’re always being perverty when I’m around.”
J.D. Salinger
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“Oh, I don’t know. That digression business got on my nerves. I don’t know. The trouble with me is, I like it when somebody digresses. It’s more interesting and all.”
J.D. Salinger
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“I submit that Zooey's face was close to being a wholly beautiful face. As such, it was of course vulnerable to the same variety of glibly undaunted and usually specious evaluations that any legitimate art object is. I think it just remains to be said that any one of a hundred everyday menaces — a car accident, a head cold, a lie before breakfast — could have disfigured or coarsened his bounteous good looks in a day or a second.”
J.D. Salinger
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“Franny was staring at the little blotch of sunshine with a special intensity, as if she were considering lying down in it.”
J.D. Salinger
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“I love you to pieces, distraction, etc.”
J.D. Salinger
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“And the old horror of being a professional writer, and the usual stench of words that goes with it, is begining to drive me out of my seat. (Buddy)”
J.D. Salinger
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“The cards are stacked (quite properly, I imagine) against all professional aesthetes, and no doubt we all deserve the dark, wordy, academic deaths we all sooner or later die.”
J.D. Salinger
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“However contradictory the coroner's report — whether he pronounces Consumption or Loneliness or Suicide to be the cause of death — isn't it plain how the true artist-seer actually dies? I say that the true artist-seer, the heavenly fool who can and does produce beauty, is mainly dazzled to death by his own scruples, the blinding shapes and colors of his own sacred human conscience.”
J.D. Salinger
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“They love their reasons for loving us almost as much as they love us, and most of the time more. It's not so good, that way.”
J.D. Salinger
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“If I were God, I certainly wouldn't want people to love me sentimentally. It's too unreliable.”
J.D. Salinger
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“His eldest sister (who modestly prefers to be identified here as a Tuckahoe homemaker) has asked me to describe him as looking like 'the blue-eyed Jewish-Irish Mohican scout who died in your arms at the roulette table at Monte Carlo.”
J.D. Salinger
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“You take a really sleepy man, Esmé, and he always stands a chance of again becoming a man with all his fac—with all his f-a-c-u-l-t-i-e-s intact.”
J.D. Salinger
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