Jean Anouilh photo

Jean Anouilh

Works, such as

Antigone

(1944), of French playwright Jean Anouilh juxtapose harsh reality and fantasy.

A Basque family bore Anouilh in Cérisole, a small village on the outskirts of Bordeaux. From his father, a tailor, Anouilh maintained that he inherited a dignity in conscientious craftsmanship. He may owe his artistic bent to his mother, a violinist, whose summer seasons in the casino orchestra in the nearby seaside resort of Arcachon supplemented the meager income of the family.

He attended école primaire supérieure and received his secondary education at the Collège Chaptal. Jean-Louis Barrault, a pupil at the same time and later a major director, recalls Anouilh as an intense, rather dandified figure, who hardly noticed a boy some two years younger. Anouilh enrolled as a law student in the University of Paris but after just eighteen months then found employment in the advertising industry and abandoned the course. He spoke more than once with wry approval of the lessons in the classical virtues of brevity and precision of language he learned while drafting copy.

He followed his first unsuccessful

l’Hermine

in 1929 with a string. He struggled through years of poverty and produced several dramas until he eventually wound as secretary to the great actor-director Louis Jouvet. He quickly discovered inability to get with this gruff man and left his company. During the Nazi occupation, Anouilh not openly took sides, but people often view his most famous publication. He criticizes collaboration with the Nazis in an allegorical manner. Mostly keeping aloof from politics, Anouilh also clashed with Charles de Gaulle in the 1950s.

In 1964, people made

Becket ou l'honneur de Dieu

(Becket or The Honor of God) into a successful film, starring Peter O'Toole and Richard Burton. Edward Anhalt adapted and won an Academy Award for his screen.

Anouilh grouped on the basis of dominant tone: "black" tragedies, dominant "pink," "brilliant" combined in aristocratic environments, "jarring" with bitter humor, "costumed" historical characters feature, "baroque," and my failures.

In 1970, the Prix mondial Cino Del Duca recognized him.


“Are you in earnest? Seize this very minute! Boldness has genius, power, and magic in it. Only engage, and then the mind grows heated. Begin, and then the work will be completed.”
Jean Anouilh
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“Le jardin dormait encore. Je l'ai surpris, nourrice. Je l'ai vu sans qu'il s'en doute. C'est beau un jardin qui ne pense pas encore aux hommes.”
Jean Anouilh
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“Life is a wonderful thing to talk about, or to read about in history books - but it is terrible when one has to live it”
Jean Anouilh
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“C'est plein de disputes, un bonheur.”
Jean Anouilh
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“Rien n'est vrai que ce qu'on ne dit pas...”
Jean Anouilh
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“Talent is a faucet. When it is on, one must write. Inspiration is a farce that poets have invented to give themselves importance.”
Jean Anouilh
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“Si nous ne nous conduisons pas tout à fait bien, c’est parce qu’il nous reste, à tous, une vague petite notion de devoir au fond de notre désordre qui fait que nous n’avons pas le courage de nous conduire tout à fait mal.”
Jean Anouilh
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“Our entire life - consists ultimately in accepting ourselves as we are.”
Jean Anouilh
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“Comprendre... Vous n'avez que ce mot-là à la bouche, tous, depuis que je suis toute petite. Il fallait comprendre qu'on ne peut pas toucher à l'eau, à la belle eau fuyante et froide parce que cela mouille les dalles, à la terre parce que cela tache les robes. Il fallait comprendre qu'on ne doit pas manger tout à la fois, donner tout ce qu'on a dans ses poches au mendiant qu'on rencontre, courir, courir dans le vent jusqu'à ce qu'on tombe par terre et boire quand on a chaud et se baigner quand il est trop tôt ou trop tard, mais pas juste quand on en a envie ! Comprendre. Toujours comprendre. Moi, je ne veux pas comprendre. Je comprendrai quand je serai vieille [...]. Si je deviens vieille. Pas maintenant.”
Jean Anouilh
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“Et voilà. Maintenant le ressort est bandé. Cela n'a plus qu'à se dérouler tout seul. C'est cela qui est commode dans la tragédie. On donne le petit coup de pouce pour que cela démarre, rien, un regard pendant une seconde à une fille qui passe et lève les bras dans la rue, une envie d'honneur un beau matin, au réveil, comme de quelque chose qui se mange, une question de trop qu'on se pose un soir… C'est tout. Après, on n'a plus qu'à laisser faire. On est tranquille. Cela roule tout seul. C'est minutieux, bien huilé depuis toujours. La mort, la trahison, le désespoir sont là, tout prêts, et les éclats, et les orages, et les silences, tous les silences : le silence quand le bras du bourreau se lève à la fin, le silence au commencement quand les deux amants sont nus l'un en face de l'autre pour la première fois, sans oser bouger tout de suite, dans la chambre sombre, le silence quand les cris de la foule éclatent autour du vainqueur - et on dirait un film dont le son s'est enrayé, toutes ces bouches ouvertes dont il ne sort rien, toute cette clameur qui n'est qu'une image, et le vainqueur, déjà vaincu, seul au milieu de son silence…”
Jean Anouilh
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“Saintliness is also a temptation.”
Jean Anouilh
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“Il y a l'amour... Et puis il y a la vie, son ennemie.”
Jean Anouilh
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“I spit on your happiness! I spit on your idea of life--that life that must go on, come what may. You are all like dogs that lick everything they smell. You with your promise of a humdrum happiness--provided a person doesn't ask much of life. I want everything of life, I do; and I want it now! I want it total, complete: otherwise I reject it! I will not be moderate. I will not be satisfied with the bit of cake you offer me if I promise to be a good little girl. I want to be sure of everything this very day; sure that everything will be as beautiful as when I was a little girl. If not, I want to die!”
Jean Anouilh
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“Nobody has a more sacred obligation to obey the law than those who make the law.”
Jean Anouilh
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“Things are beautiful if you love them. ”
Jean Anouilh
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“Love is, above all, the gift of oneself.”
Jean Anouilh
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“A happy love is full of quarrels, you know.”
Jean Anouilh
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