“Erotic play discloses a nameless world which is revealed by the nocturnal language of lovers. Such language is not written down. It is whispered into the ear at night in a hoarse voice. At dawn it is forgotten.”
“Anyone who hasn't experienced the ecstasy of betrayal knows nothing of ecstasy at all.”
“A man must dream a long time in order to act with grandeur, and dreaming is nursed in darkness.”
“I could not take lightly the idea that people made love without me.”
“My heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught.”
“To achieve harmony in bad taste is the height of elegance.”
“First of all, don't mix your hairpins up with mine! You .... Oh! All right, mix your muck with mine. Mix it! Mix your rags with my tatters! Mix it all up. ...”
“...the characters in my books all resemble each other. They live, with minor variations, the same moments, the same perils, and when I speak of them, my language, which is inspired by them, repeats the same poems in the same tone.”
“She was happy, and perfectly in line with the tradition of those women they used to call "ruined," "fallen," feckless, bitches in heat, ravished dolls, sweet sluts, instant princesses, hot numbers, great lays, succulent morsels, everybody's darlings...”
“The rims of his eyelids were burning. A blow received straightens a man up and makes the body move forward, to return that blow, or a punch-to jump, to get a hard-on, to dance: to be alive. But a blow received may also cause you to bend over, to shake, to fall down, to die. When we see life, we call it beautiful. When we see death, we call it ugly. But it is more beautiful still to see oneself living at great speed, right up to the moment of death. Detectives, poets, domestic servants and priests rely on abjection. From it, they draw their power. It circulates in their veins. It nourishes them.”