Jean-Paul Sartre

“Me levanté, salí. Al llegar a la verja, me volví. Entonces el jardín me sonrió. Me apoyé en la verja y miré largo rato. La sonrisa de los árboles, de macizo de laurel quería decir algo; aquél era el verdadero secreto de la existencia.”

“El mundo de las explicaciones y razones no es el de la existencia.”

“Las palabras se habían desvanecido, y con ellas la significación de las cosas, sus modos de empleo, las débiles marcas que los hombres han trazado en su superficie. Estaba sentado, un poco encorvado, cabizbajo, solo frente a aquella masa negra y nudosa, enteramente bruta y que me daba miedo. Y entonces tuve esa iluminación.”

“Me gustaría tanto abandonarme, olvidarme, dormir. Pero no puedo, me sofoco: la existencia me penetra por todas partes, por los ojos, por la nariz, por la boca...Y de golpe, de un sólo golpe, el velo se desgarra, he comprendido, he visto.”

“Existence is not something which lets itself be thought of from a distance; it must invade you suddenly, master you, weigh heavily on your heart like a great motionless beast - or else there is nothing at all.”

“Yo no tengo tribulaciones, dispongo de dinero como un rentista, no tengo jefe, ni mujer, ni hijos; existo, eso es todo. Y esta tribulación es tan vaga, tan metafísica, que me da vergüenza.”

“I am alone in this white, garden-rimmed street. Alone and free. But this freedom is rather like death.”

“He loves me, he doesn't love my bowels, if they showed him my appendix in a glass he wouldn't recognize it, he's always feeling me, but if they put the glass in his hands he wouldn't touch it, he wouldn't think, "that's hers," you ought to love all of somebody, the esophagus, the liver, the intestines. Maybe we don't love them because we aren't used to them, but if we saw them the way we saw our hands and arms maybe we'd love them; the starfish must love each other better than we do.”

“He pensado lo siguiente: para que el suceso más trivial se convierta en aventura, es necesario y suficiente contarlo.”

“Algo comienza para terminar; la aventura no admite añadiduras; sólo cobra sentido con su muerte. Hacia esta muerte, que acaso sea también la mía, me veo arrastrado irreversiblemente. Cada instante aparece para traer los siguientes. Me aferro a cada instante con toda el alma; sé que es único, irreemplazable, y, sin embargo, no movería un dedo para impedir su aniquilación.”

“I enjoy feeling fastidious and aloof. I enjoy saying no, always no, and I should be afraid of any attempt to construct a finally habitable world, because I should merely have to say - Yes; and act like other people.”

“Life is a useless passion.”

“But everything changes when you tell about life; it's a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. You seem to start at the beginning: "It was a fine autumn eveningin 1922." And in reality you have started at the end. It was there, invisible and present, it is the one which gives to words the pomp and value of a beginning... And the story goes on in reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: "It was night, the street was deserted." The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice. I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail.”

“When I was little, my Aunt Bigeois told me "If you look at yourself too long in the mirror, you'll see a monkey." I must have looked at myself even longer than that: what I see is well below the monkey, on the fringe of the vegetable world, at the level of jellyfish... The eyes especially are horrible seen so close. They are glassy, soft, blind, red-rimmed, they look like fish scales... A silky white down covers the great slopes of the cheeks, two hairs protrude from the nostrils: it is a geological embossed map. And, in spite of everything, this lunar world is familiar to me. I cannot say I recognize the details. But the whole thing gives me an impression of something seen before which stupefies me.”

“I am beginning to believe that nothing can ever be proved. These are honest hypotheses which take the facts into account: but I sense so definitely that they come from me, and that they are simply a way of unifying my own knowledge. Not a glimmer comes from Rollebon's side. Slow, lazy, sulky, the facts adapt themselves to the rigour of the order I wish to give them; but it remains outside of them. I have the feeling of doing a work of pure imagination.”

“So that is what hell is. I would never have believed it. You remember: the fire and brimstone, the torture. Ah! the farce. There is no need for torture: hell is other people.”

“sólo el perro o el caballo podrían emitir un juicio de conjunto sobre el hombre y declarar que el hombre es asombroso, lo que ellos no se preocupan de hacer, por lo menos que yo sepa. Pero no se puede admitir que un hombre pueda formular un juicio sobre el hombre.”

“Never were we freer than under the German Occupation.”

“I looked anxiously around me: the present, nothing but the present. Furniture light and solid, rooted in its present, a table, a bed, a closet with a mirror-and me. the true nature of the present revealed itself: it was what exists, and all that was not present did not exist. The past did not exist. Not at all. Not in things, not even in my thoughts. It is true that I had realized a long time ago that mine had escaped me. But until then I had believed that it had simply gone out of my range. For me the past was only a pensioning off: it was another way of existing, a state of vacation and inaction; each event, when it had played its part, put itself politely into a box and became an honorary event: we have so much difficulty imagining nothingness. Now I knew: things are entirely what they appear to be-and behind them... there is nothing.”

“¡Que me den algo que hacer, lo que sea! Sería preferible que pensara en otra cosa, porque en este momento estoy por representarme la comedia. Sé muy bien que no quiero hacer nada; hacer algo es crear existencia, y ya hay bastante existencia.”

“Well, you're free without wanting to be,' he explained, 'it just happens so, that's all. But Mathieu's freedom is based on reason.''I still don't understand,' said Lola, shaking her head.'Well, he doesn't care a curse about his apartment: he lives there just as he would live anywhere else, and I've got the feeling that he doesn't care much about his girl. He stays with her because he must sleep with someone. His freedom isn't visible, it's inside him.”

“If... if I didn't try to get my life moving on my own account, I should think it just absurd to go on living.'A look of smiling obstinacy had come into Marcelle's face.'Yes, yes - it's your vice.''It's not a vice. It's how I'm made.''Why aren't other people made like that, if it isn't a vice?''They are, only they don't know it.”

“A doll with skin like that isn't going to mess it up with a revolver shot. [...] Revolvers are meant for crocodile-skins like ours.”

“Do you regret those days?''No,' replied Marcelle acidly: 'but I regret the life I might have had.”

“¡Qué tonto eres! Naturalmente, no he necesitado verte, si eso es lo que quieres decir. Ya sabes que no tienes nada regocijante para los ojos. Necesito que existas y que no cambies. Eres como ese metro de platino que se conserva en alguna parte, en París o en los alrededores. No creo que nadie haya tenido deseos de verlo.”

“Todo lo que existe nace sin razón, se prolonga por debilidad, y muere por casualidad”

“I want to leave, to go somewhere where I should be really in my place, where I would fit in . . . but my place is nowhere; I am unwanted.”

“The rain has stopped, the air is mild, the sky slowly rolls up fine black images : it is more than enough to frame the perfect moment ; to reflect these images, she would cause dark little tides to be born in our hearts. I don't know how to take advantage of the occasion : I walk at random, calm and empty, under this wasted sky.”

“Most of the time, because of their failure to fasten on to words, my thoughts remain misty and nebulous. They assume vague, amusing shapes and are then swallowed up: I promptly forget them.”

“I felt that the success of the enterprise was in my hands: the moment had an obscure meaning which had to be trimmed and perfected ; certain motions had to be made, certain words spoken : I staggered under the weight of my responsibility. I started and saw nothing, I struggled in the midst of rites which were invented on the spot and tore them to shreds with my strong arms. At those times she hated me.”

“Little flashes of sun on the surface of a cold, dark sea.”

“But you looked much more like a fellow who had just realised that he has been living on ideas that don’t pay.”

“I am abandoned in the world... in the sense that I find myself suddenly alone and without help, engaged in a world for which I bear the whole responsibility without being able, no matter what I do, to tear myself away from this responsibility for an instant.”

“J'existe, c'est tout.”

“What is important is not what happens to us, but how we respond to what happens to us.”

“Si seulement je pouvais m'arrêter de penser, ça irait déjà mieux. Les pensées, c'est ce qu'il y a de plus fade. Plus fade encore que de la chair. Ça s'étire à n'en plus finir et ça laisse un drôle de goût. Et puis il y a les mots, au-dedans des pensées, les mots inachevés, les ébauches de phrases qui reviennent tout le temps.”

“Dans les églises, à la clarté des cierges, un homme boit du vin devant des femmes à genoux.”

“C'est ça le temps, le temps tout nu, ça vient lentement à l'existence, ça se fait attendre et quand ça vient, on est écoeuré parce qu'on s'aperçoit que c'était déjà là depuis longtemps.”

“Dans mes mains, par exemple, il y a quelque chose de neuf, une certaine façon de prendre ma pipe ou ma fourchette. Ou bien c'est la fourchette qui a, maintenant, une certaine façon de se faire prendre, je ne sais pas.”

“All men are Prophets or else God does not exist.”

“Alors c'est ça l'enfer. Je ne l'aurais jamais cru… Vous vous rappelez : le souffre, le bûcher, le gril.. Ah quelle plaisanterie. Pas besoin de gril, l'enfer c'est les autres.”

“L'homme est une passion inutile”

“I do not feel that I am the product of chance, a speck of dust in the universe, but someone who was expected, prepared, prefigured. In short, a being whom only a Creator could put here; and this idea of a creating hand refers to God.”

“Höderer: You don't love men, Hugo. You love only principles. Hugo: Men? Why should I love them? Do they love me?Höderer: Then why did you come to us? If you don't love men, you can't fight for them.Hugo: I joined the party because its cause is just, and I shall leave it when that cause ceases to be just. As for men, it's not what they are that interests me, but what they can become.Höderer: And I, I love them for what they are. With all their filth and and all their vices. I love their voices and their warm grasping hands, and their skin, the nudest skin of all, and their uneasy glances, and the desperate struggle each has to pursue against anguish and against death. For me, one man more or less in the world is something that counts. It's something precious. You, I know you now, you are a destroyer. You detest men because you detest yourself. Your purity resembles death. The revolution you dream of is not ours. You don't want to change the world, you want to blow it up.”

“J'ai envie de partir, de m'en aller quelque part où je serais vraiment à ma place, où je m'emboîterais... Mais ma place n'est nulle part; je suis de trop.”

“kutsal bir sektör laikleştirildikçe, tanrı yeniden göğe yükselmeye hazırdır.”

“Existo. Es algo tan dulce, tan dulce, tan lento. Y leve; como si se mantuviera solo en el aire. Se mueve. Por todas partes, roces que caen y se desvanecen. Muy suave, muy suave”

“I dreamed vaguely of killing myself to wipe out at least one of these superfluous lives. But even my death would have been In the way. In the way, my corpse, my blood on these stones, between these plants, at the back of this smiling garden. And the decomposed flesh would have been In the way in the earth which would receive my bones, at last, cleaned, stripped, peeled, proper and clean as teeth, it would have been In the way: I was In the way for eternity.”

“You cling so tightly to your purity, my lad! How terrified you are of sullying your hands. Well, go ahead then, stay pure! What good will it do, and why even bother coming here among us? Purity is a concept of fakirs and friars. But you, the intellectuals, the bourgeois anarchists, you invoke purity as your rationalization for doing nothing. Do nothing, don’t move, wrap your arms tight around your body, put on your gloves. As for myself, my handsare dirty. I have plunged my arms up to the elbows in excrement and blood. And what else should one do? Do you suppose that it is possible to governinnocently?”

“A madman's ravings are absurd in relation to the situation in which he finds himself, but not in relation to his madness.”