Jeanette Winterson photo

Jeanette Winterson

Novelist Jeanette Winterson was born in Manchester, England in 1959. She was adopted and brought up in Accrington, Lancashire, in the north of England. Her strict Pentecostal Evangelist upbringing provides the background to her acclaimed first novel, Oranges Are Not the Only Fruit, published in 1985. She graduated from St Catherine's College, Oxford, and moved to London where she worked as an assistant editor at Pandora Press.

One of the most original voices in British fiction to emerge during the 1980s, Winterson was named as one of the 20 "Best of Young British Writers" in a promotion run jointly between the literary magazine Granta and the Book Marketing Council.

She adapted Oranges Are Not the Only Fruit for BBC television in 1990 and also wrote "Great Moments in Aviation," a television screenplay directed by Beeban Kidron for BBC2 in 1994. She is editor of a series of new editions of novels by Virginia Woolf published in the UK by Vintage. She is a regular contributor of reviews and articles to many newspapers and journals and has a regular column published in The Guardian. Her radio drama includes the play Text Message, broadcast by BBC Radio in November 2001.

Winterson lives in Gloucestershire and London. Her work is published in 28 countries.


“It takes much longer to leave the psychic place than the physical place." (p.120)”
Jeanette Winterson
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“You don't fall in love like you fall in a hole. You fall like falling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear. It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home. And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.)And you can bring your friends to visit. And read your favourite stories to each other. And the falling was really the big jump that you had to make to be with someone you don’t want to be without. That’s it.PS You have to be brave.”
Jeanette Winterson
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“Woolf worried about the childlessness from time to time, and suffered from the imposed anxiety that she was not, unlike her friend Vita Sackville-West, a real woman. I do not know what kind of woman one would have to be to stand unflinchingly in front of The Canon, but I would guess, a real one. There is something sadistic in the whip laid on women to prove themselves as mothers and wives at the same time as making their way as artists. The abnormal effort that can be diverted or divided. We all know the story of Coleridge and the Man from Porlock. What of the woman writer and a whole family of Porlocks?For most of us the dilemma is rhetorical but those women who are driven with consummate energy through a single undeniable channel should be applauded and supported as vigorously as the men who have been setting themselves apart for centuries.”
Jeanette Winterson
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“On the banks of the Euphrates find a secret garden cunningly walled. There is an entrance, but the entrance is guarded. There is no way in for you. Inside you will find every plant that grows growing circular-wise like a target. Close to the heart is a sundial and at the heart an orange tree. This fruit has tripped up athletes while others have healed their wounds. All true quests end in this garden, where the split fruit pours forth blood and the halved fruit is a full bowl for travelers and pilgrims. To eat of the fruits means to leave the garden because the fruit speaks of other things, other longings. So at dusk you leave the place you love, not knowing if you can ever return, knowing you can never return by the same way as this. It may be, some other day, that you will open the gate by chance, and find yourself again on the other side of the wall.”
Jeanette Winterson
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“Language is what stops the heart exploding.”
Jeanette Winterson
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“Life was a pre-death experience.”
Jeanette Winterson
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“Strange to dream in the right shape and build in the wrong shape, but maybe that is what we do every day, never believing that a dream could tell the truth.”
Jeanette Winterson
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“He liked me because I am short. I flatter myself. He did not dislike me. He liked no one except Josephine and he liked her the way he liked chicken.”
Jeanette Winterson
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“How else could it be with such consuming hair?”
Jeanette Winterson
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“When Jordan was a baby he sat on top of me much as a fly rests on a hill of dung. And I nourished him as a hill of dung nourishes a fly, and when he had eaten his fill he left me.Jordan...I should have named him after a stagnant pond and then I could have kept him, but I named him after a river and in the flood-tide he slipped away.”
Jeanette Winterson
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“The Hopi, an Indian tribe, have a language as sophisticated as ours, but no tenses for past, present and future. The division does not exist. What does this say about time?Matter, that thing the most solid and the well-known, which you are holding in your hands and which makes up your body, is now known to be mostly empty space. Empty space and points of light. What does this say about the reality of the world?”
Jeanette Winterson
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“Life has never been All or Nothing- it's All and Nothing. Forget the binaries.”
Jeanette Winterson
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“The trouble with babies is that they are made like a safe- no way to see what's inside and no guarantee that the effort will be worth the trouble. spin the numbers, crack the code, but the door won't swing open. Babies are safes on time-delay. It takes years for the door to swing open, and even when it does, the best minds are undecided as to the value of the contents”
Jeanette Winterson
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“Where you are born--what you are born into, the place, the history of the place, how that history mates with your own-- stamps who you are, whatever the pundits of globalisation have to say.”
Jeanette Winterson
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“Growing up is difficult. Strangely, even when we have stopped growing physically, we seem to have to keep on growing emotionally, which involves both expansion and shrinkage, as some parts of us develop and others must be allowed to disappear...Rigidity never works; we end up being the wrong size for our world.”
Jeanette Winterson
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“When you are born--what you are born into, the place, the history of the place, how that history mates with your own-- stamps who you are, whatever the pundits of globalisation have to say.”
Jeanette Winterson
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“your morse code interferes with my heart beat. I had a steady heart before you, I replied upon it, it had seen active service and grown strong. Now you alter its pace with your own rhythm you play upon me, drumming me taught.”
Jeanette Winterson
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“I wrote my way out.”
Jeanette Winterson
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“جمع الكتب هو استحواذ، ومرض، وإدمان، وفتنة، وقدر. هو ليس بهواية. من يقوم بذلك فلأنه عليه القيام به. ومن لا يقوم بذلك، فيعتقد أنه شبيه بجمع الطوابع”
Jeanette Winterson
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“The more I read, the more I felt connected across time to other lives and deeper sympathies. I felt less isolated. I wasn’t floating on my little raft in the present; there were bridges that led over to solid ground. Yes, the past is another country, but one that we can visit, and once there we can bring back the things we need.Literature is common ground. It is ground not managed wholly by commercial interests, nor can it be strip-mined like popular culture—exploit the new thing then move on.There’s a lot of talk about the tame world versus the wild world. It is not only a wild nature that we need as human beings; it is the untamed open space of our imaginations.Reading is where the wild things are.”
Jeanette Winterson
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“That is what literature offers—a language powerful enough to say how it is. It isn't a hiding place. It is a finding place.”
Jeanette Winterson
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“Romantic love has been diluted into paperback form and has sold thousands and millions of copies. Somewhere it is still in the original, written on tablets of stone.”
Jeanette Winterson
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“Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world. Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story’s silent twin. There are so many things that we can’t say, because they are too painful. We hope that the things we can say will soothe the rest, or appease it in some way. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold. When we write we offer the silence as much as the story. Words are the part of silence that can be spoken. Mrs Winterson would have preferred it if I had been silent.Do you remember the story of Philomel who is raped and then has her tongue ripped out by the rapist so that she can never tell? I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself.”
Jeanette Winterson
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“Our broken society is not born out of the triumph of the individual, but out of his effacement. He vanishes, she vanishes, ask them who they are and they will offer you a wallet or a child.”
Jeanette Winterson
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“The fatal combination of indulgence without feeling disgusts me. Strange to be both greedy and dead. For myself, I prefer to hold my desires just out of reach of appetite, to keep myself honed and sharp. I want the keen edge of longing. it is so easy to be a brute and yet it has become rather fashionable. Is that the consequence of leaving your body to science? Of assuming that another pill, another drug, another car, another pocket-sized home-movie station, a DNA transfer, or the complete freedom of choice that five hundred TV channels must bring, will make everything all right? Will soothe the nagging pain in the heart that the latest laser scan refuses to diagnose? The doctor's surgery is full of men and women who do not know why they are unhappy. "Take this", says the Doctor, "you'll soon feel better." They do not feel better, because, little by little, they cease to feel at all.”
Jeanette Winterson
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“The human heart is my territory. I write about love because it’s the most important thing in the world. I write about sex because often it feels like the most important thing in the world.”
Jeanette Winterson
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“We mostly understand ourselves through an endless series of stories told to ourselves by ourselves and others. The so-called facts of our individual worlds are highly coloured and arbitrary, facts that fit whatever reality we have chosen to believe in. . . . It may be that to understand ourselves as fictions, is to understand ourselves as fully as we can.”
Jeanette Winterson
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“Pursuing happiness, and I did, and still do, is not at all the same as being happy- which I think is fleeting, dependent on circumstances, and a bit bovine.If the sun is shining, stand in it- yes, yes, yes. Happy times are great, but happy times pass- they have to- because time passes.The pursuit of happiness is more elusive; it is lifelong, and it is not goal-centred.What you are pursuing is meaning- a meaningful life. There's the hap- the fate, the draw that is yours, and it isn't fixed, but changing the course of the stream, or dealing new cards, whatever metaphor you want to use- that's going to take a lot of energy. There are times when it will go so wrong that you will barely be alive, and times when you realize that being barely alive, on your own terms, is better than living a bloated half-life on someone else's terms.”
Jeanette Winterson
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“Death will be like that. We will be forever recognizing people we have never met.”
Jeanette Winterson
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“I think of love as a force of nature-as strog as the sun, as necessary, as impersonal, as gigantic, as impossible, as scorching as it is warming,as drought-making as it is life-giving.”
Jeanette Winterson
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“I do not accept that life has an ordinary shape, or that there is anything ordinary about life at all. We make it ordinary, but it is not.”
Jeanette Winterson
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“Words are the part of silence that can be spoken.”
Jeanette Winterson
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“Darkness as well as light. Or do I mean darkness, another kind of light? Lucifer would say so, and I have a weakness for fallen angels.”
Jeanette Winterson
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“Time is a great deadener; people forget, get bored, grow old, go away.”
Jeanette Winterson
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“No. Take the heart first. Then you don't feel the cold so much. The pain so much. With the heart gone, there's no reason to stay your hand. Your eyes can look on death and not tremble. It's the heart that betrays us, makes us weep, makes us bury our friends when we should be marching ahead. It's the heart that sickens us at night and makes us hate who we are. It's the heart that sings old songs and brings memories of warm days.”
Jeanette Winterson
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“I walked out to brood on this life of ours, which seems from birth to death to be a steady loss, disguised by sudden gains and happiness, which persuade us of good fortune, when all the while the glass is emptying.”
Jeanette Winterson
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“Living with life is very hard. Mostly we do our best to stifle life--to be tame or to be wanton. To be tranquillised or raging. Extremes have the same effect; they insulate us from the intensity of life.And extremes--whether of dullness or fury--successfully prevent feeling. I know our feelings can be so unbearable that we employ ingenious strategies--unconscious strategies--to keep those feelings away. We do a feelings-swap, where we avoid feeling sad or lonely or afraid or inadequate, and feel angry instead. It can work the other way, too--sometimes you do need to feel angry, not inadequate; sometimes you do need to feel love and acceptance, and not the tragic drama of your life.It takes courage to feel the feeling--and not trade it on the feelings-exchange, or even transfer it altogether to another person. You know how in couples one person is always doing all the weeping or the raging while the other one seems so calm and reasonable?I understood that feelings were difficult for me although I was overwhelmed by them.”
Jeanette Winterson
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“It is not the one thing nor the other that leads to madness, but the space in between them.”
Jeanette Winterson
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“If the demons lie within they travel with you. Everyone thinks their own situation most tragic. I am no exception.”
Jeanette Winterson
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“The tamer my love, the farther away it is from love. In fierceness, in heat, in longing, in risk, I find something of love's nature. In my desire for you, I burn at the right temperature to walk through love's fire. So when you ask me why I cannot love you more calmly, I answer that to love you calmly is not to love you at all.”
Jeanette Winterson
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“I can't do it. I've been here before and it's not a room with a view. The only power I have is the negative power of withdrawal. If I don't withdraw I have no power at all. A relationship where one person has no power or negative power, isn't a relationship, it's the bond between master and slave.”
Jeanette Winterson
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“If I want to say no, I will, but for the right reasons. If I want to say yes, I will, but for the right reasons. Leave the consequences. Leave the finale. Leave the grand statements. The simplicity of feeling should not be taxed. I can't work out what this will cost or what either of us owe. The admission charge is never on the door, but you are open and I want to enter.Let me in.You do.”
Jeanette Winterson
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“I don't want to conquer you; I just want to climb you.”
Jeanette Winterson
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“I don't want to eke out my life like a resource in short supply. The only selfish life is a timid one. To hold back, to withdraw, to keep the best in reserve, both overvalues the self, and undervalues what the self is.”
Jeanette Winterson
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“And I thought of us, years and years later, you and I, in Paris, and how you seemed to be saying we had every choice, every chance. You acted as though you were free, but you were a ransom note. I paid to watch. I watched your fingers, your red mouth. I watched you undress. I didn't see you go.Later I was still paying and I never counted the cost. You were worth it. Again and again you were worth it. My heart has unlimited funds. Draw on them. Draw them down. Draw me down on top of you. How much? Everything? All right.”
Jeanette Winterson
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“And if I say to you that I am glad of everything we have done together, and sorry that we will not be here together in forty years, laughing at a faded photo of you impersonating a lion, it having withered well, you less so, as we stand fabulously old, in a city that understands what spirit it takes to be old, to be beautiful, to be much looked at, to be itself, to be never quite caught, to have a past, to be content, to have seen much, to have remained, to have continued…”
Jeanette Winterson
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“Reading things that are relevant to the facts of your life is of limited value. The facts are, after all, only the facts, and the yearning passionate part of you will not be met there. That is why reading ourselves as a fiction as well as fact is so liberating. The wider we read the freer we become.”
Jeanette Winterson
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“I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it.”
Jeanette Winterson
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“Books, for me, are a home. Books don’t make a home--they are one, in the sense that just as you do with a door, you open a book, and you go inside. Inside there is a different kind of time and a different kind of space.”
Jeanette Winterson
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“Our own front door can be a wonderful thing, or a sight we dread; rarely is it only a door.”
Jeanette Winterson
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