Jenna Blum
JENNA BLUM is the New York Times and internationally bestselling author of novels THOSE WHO SAVE US (Harcourt, 2004), THE STORMCHASERS (Dutton, 2010), and THE LOST FAMILY (Harper Collins, 2018); the novella "The Lucky One" in GRAND CENTRAL (Berkeley/Penguin, July 2014); the audio course “The Author At Work: The Art of Writing Fiction” (Recorded Books, 2015); memoir WOODROW ON THE BENCH, about her last seven months with her beloved 15-year-old black Lab and what they taught her (Harper Collins, 2021); and WWII audiodrama THE KEY OF LOVE (Emerald Audio Network, 2023), available on any major podcast streaming platform.
Jenna is the CoFounder/ CEO of online author platform A Mighty Blaze, and she's one of Oprah's Top 30 Women Writers. Jenna’s first novel, Those Who Save Us, was awarded the Ribalow Prize by Hadassah Magazine, adjudged by Elie Wiesel; it was a Borders pick and the #1 bestselling book in Holland. The Stormchasers, Jenna’s bestselling second novel, was a Target Emerging Authors pick, a Borders pick, and featured in French Elle. Her third bestseller, The Lost Family, was an Indiebound pick and garnered starred reviews from all four trades: Publishers’ Weekly, Kirkus, Booklist, LIbrary Journal. The bestselling memoir Woodrow on the Bench was a Midwestern Booksellers’ pick and is now available in paperback.
Jenna is based in Boston, where she taught at Boston University and at Grub Street Writers for over 20 years. Jenna currently teaches fiction, novel, and social media marketing for writers via Blaze Writers Project, based in Boston and online. She speaks nationally, internationally, and online about her work and writing life. Please visit Jenna on her website, www.jennablum.com, and on Facebook, Twitter, Instagram, and TikTok.
“For one of the odd things about death, Trudy has discovered, is that in its wake one must go about business as usual; it seems heartless and wrong, but now that the rituals of mourning have been attended to, the sole task left to Trudy is to try and comprehend the enormity of thes sudden change.”
“We are all ashamed in one way or another. Who among us is not stained by the past?”
“She can never tell him what she started to say: that we come to love those who save us. For although Anna does believe this is true, the word that stuck in her throat was not save but shame.”
“From this vantage point in the summer, the countryside below is a dreaming checkerboard over which it seems that one could, with a running start, spread one's arms and fly.”
“Een van de vreemde dingen aan de dood, heeft Trudy ontdekt, is namelijk dat je in het kielzog ervan gewoon verdergaat alsof er niets gebeurd is. Het lijkt harteloos en verkeerd, maar nu de rituelen van de rouw afgehandeld zijn, hoeft Trudy alleen nog maar de enorme omvang van deze plotselinge verandering proberen te bevatten.”
“Life is so often unfair and painful and love is hard to find and you have to take it whenever and wherever you can get it, no matter how brief it is or how it ends.”
“Nothing is ever quite right, is it, after a parent dies? No matter how well things go, something always feels slightly off...”
“Heimat. The word mean home in German, the place where one was born. But the term also conveys a subtler nuance, a certain tenderness. One's Heimat is not merely a matter of geography; it is where one's heart lies. ”
“How could she tell him that we come to love those who save us?”