Jennifer Egan

“When does a fake Mohawk become a real Mohawk? Who decides? How do you know if it's happened?”

“You said you were a fairy princessYou said you were a shooting starYou said we'd go to Bora BoraNow look at where the fuck we are”

“Now that Scotty has entered the realm of myth, everyone wants to own him. And maybe they should. Doesn't a myth belong to everyone?”

“There's a fine line between thinking about somebody and thinking about not thinking about somebody, but I have the patience and the self-control to walk that line for hours - days, if I have to.”

“See," Sasha muttered, eyeing the sun. "It's mine.”

“Rich children are always blond, Jocelyn goes. It has to do with vitamins.”

“I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.”

“Redemption, transformation--God how she wanted these things. Every day, every minute. Didn't everyone?”

“The site of his thinking and writing was a small office wedged in one corner of his shaggy house, on whose door he’d installed a lock to keep his sons out. They gathered wistfully outside it, his boys, with their chipped, heartbreaking faces. They were not permitted to so much as knock upon the door to the room in which he thought and wrote about art, but Ted hadn’t found a way to keep them from prowling outside it, ghostly feral creatures drinking from a pond in moonlight, their bare feet digging at the carpet, their fingers sweating on the walls, leaving spoors of grease that Ted would point out each week to Elsa, the cleaning woman. He would sit in his office, listening to the movements of his boys, imagining that he felt their hot, curious breath. I will not let them in, he would tell himself. I will sit and think about art. But he found, to his despair, that often he couldn’t think about art. He thought about nothing at all.”

“The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.”

“There are so many ways to go wrong. All we've got are metaphors, and they're never exactly right. You can never just Say. The. Thing.”

“This is the music business. 'Five years is five hundred years' - your words.”

“Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.”

“Structural dissatisfaction: Returning to circumstances that once pleased you, after having experienced a more thrilling or opulent way of life, and finding that you can no longer tolerate them.”

“You kneel beside her, breathing the familiar smell of Sasha's sleep, whispering into her ear some mix of I'm sorry and I will never leave you, I'll be curled around your heart for the rest of your life, until the water pressing my shoulders and chest crushes me awake and I hear Sasha screaming into my face: Fight! Fight! Fight!”

“I’m done. I’m old, I’m sad - that’s on a good day. I want out of this mess. But I don’t want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.”

“It was the hat. He looked sweet in the hat. How could a man in a fuzzy blue hat have used human bones to pave his roads?”

“Even the financial disclosure statements that political bloggers were required to post hadn't stemmed the suspicion that people's opinions weren't really their own. "Who's paying you?" was a retort that might follow any bout of enthusiasm, along with laughter - who would let themselves be bought?”

“I'm always happy," Sasha said. "Sometimes I just forget.”

“Things had gotten -- what's the word? Dry. Things had gotten sort of dry for me. I was working as a city janitor in a neighborhood elementary school and, in summers, collecting litter in the park alongside the East River near the WIlliamsburg Bridge. I felt no shame whatsoever in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.”

“Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words--"friend" and "real" and "story" and "change"--words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way?”

“She was clean": no piercings, tattoos, or scarifications. All the kids were now. And who could blame them, Alex thought, after watching three generations of flaccid tattoos droop like moth-eaten upholstery over poorly stuffed biceps and saggy asses?”

“And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.”

“Sure, everything is ending," Jules said, "but not yet.”

“We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?”

“And then I notice the music flooding out of every part of the apartment at once — the couch, the walls, even the floor — and I know Bennies alone in Lou’s studio, pouring music down around us. A minute ago it was “Don’t Let Me Down”. Then it was Blondie’s “Heart of Glass”. Now it’s Iggy Pop’s “The Passenger”. Listening, I think, You will never know how much I understand you.”

“Time’s a goon, right? You gonna let that goon push you around?” Scotty shook his head. “The goon won.”

“So this is it ⎯ what cost me all that time. A man who turned out to be old, a house that turned out to be empty.”

“If I had a view like this to look down on every day, I would have the energy and inspiration to conquer the world. The trouble is, when you most need such a view, no one gives it to you.”

“A frenzy of activity that had mostly led him in circles: wasn't that a fairly accurate description of lust?”

“She'd risked everything, and here was the result: the raw, warped core of her life.”

“I haven’t had trouble with writer’s block. I think it’s because my process involves writing very badly. My first drafts are filled with lurching, clichéd writing, outright flailing around. Writing that doesn’t have a good voice or any voice. But then there will be good moments. It seems writer’s block is often a dislike of writing badly and waiting for writing better to happen.”

“And sitting there, sea drifting in around them, Wolf had understood for the first time what kind of life he wanted to live with Faith. Maybe they wouldn't rise up into the sky the way he'd thought, maybe the real thing was doing what his parents had done, pay the rent, read the paper, hell, maybe that was the dare. To live--day in, day out. Just live.”

“Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.”

“I think, The world is actually huge. That's the part no one can really explain.”

“The world is full of shitheads, Rhea. Don’t listen to them—listen to me. And I know that Lou is one of those shitheads. But I listen.”

“Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out. And I, like a scientist unwittingly inhaling toxic fumes from the beaker I was boiling in my lab, had, through sheer physical proximity, been infected by that same delusion and in my drugged state had come to believe I was Excluded: condemned to stand shivering outside the public library at Fifth Avenue and Forty-second Street forever and...”

“happened as I listened: I felt pain. Not in my head, not in my arm, not in my leg; everywhere at once. I told myself there was no difference between being “inside” and being “outside,” that it all came down to X’s and O’s that could be acquired in any number of different ways, but the pain increased to a point where I thought I might collapse, and I limped away.”

“I wonder what Proust would have made of our present-day locus of collective fantasy, the Internet. I’m guessing he would have seized on its wistful aspect, pointing out gently and with wry humor that much of what beguiles us is the act of reaching for what isn’t there.”

“For years, he said, his life had felt to him like a kind of experiment. The question being, How long could he hold out before the whole thing came crashing down on his head? He'd pictured himself looking back on the present day or week from his jail cell, or while contemplating the grass outside the asylum where surely he was headed. But rather than defeating him, these thoughts had actually fueled Wolf with determination. Fuck it, he'd think, if he had to go down, he sure as hell wasn't going without a fight.”

“This vision tumbled over Phoebe with the force of revelation: she would stand somewhere and look back, she would live a life.”

“They sat in silence. Feathers, Phoebe thought, searching in vain for some moment of her own that could rival the beauty and mystery of Faith's act. She felt a disappointment so familiar it was almost a comfort.”

“They must have looked like traveling companions, Phoebe thought, possibly even a couple. She noticed her voice leaning into laughter, how she tossed her head, each tiny gesture like the sweet ache of a muscle craving exercise.”

“Something was wrong. She'd failed, Phoebe thought, but at what? Imagining herself in Europe, she'd always pictured someone else, physically even, a tall blonde with an answer for everything - as if, in the course of this journey, she would not only shed her former life but cease to exist as herself. Yes, she thought, to leave Phoebe O'Connor behind and be reborn as someone beautiful, mysterious. But the opposite had happened; her own narrow boundaries had hemmed her in, keeping everything real at a distance.”

“Phoebe burst into tears. For several minutes she stood weeping in the middle of the road, the choking, gulping sobs of childhood. Something was wrong; something was wrong but she didn't know what. She was alone in the middle of nowhere, behaving strangely, with no one around to help her, and what people were around she wanted only to escape.”

“And Phoebe saw, with a dreadful clarity, that in the end she'd failed to interest her mother enough, failed to hold her attention. Some flaw within herself made her extraneous to everyone. She stopped on a corner overwhelmed by a terrible pain. It was her fault, her own fault. She'd done everything wrong.Wait, she thought, but wait - walking again, faster now - maybe she'd misunderstood, maybe the deal with her mother had been that they each would live a secret life and not tell the other, but Phoebe hadn't realized - she'd failed to live the secret life and now her life was only this, a hundred empty years stretched uselessly behind her.”

“But try as Phoebe might to blend with her peers, it felt like bluffing, mouthing the words to a song she'd never been taught, always a beat late. At best, she fooled them. But the chance to distinguish herself, impress them in the smallest way, was lost. At her vast public high school Phoebe had felt reduced to a pidgin version of herself, as during "conversations" in French class - Where is the cat? Have you seen the cat? Look! Pierre gives the cat a bath - such was her level of fluency while discussing bongs or bands or how fucked-up someone was at a party.”

“When the clock stops on a life, all things emanating from it become precious, finite, and cordoned off for preservation. Each aspect of the dead person is removed from the flux of the everyday, which, of course, is where we miss him most. The quarantine around death makes it feel unlucky and wrong--a freakish incursion--and the dead, thus quarantined, come to seem more dead than they already are.... Borrowing from the dead is a way of keeping them engaged in life's daily transactions--in other words, alive.”

“th blu nytth stRs u can't cth hum tht nevr gOs awy”

“We lie. That's what we do. You're selling me a line of bullshit and you want me to sell you a line of bullshit back so you can write a major line of bullshit and be paid for it.”