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Jesse Ball

Jesse Ball (1978-) Born in New York. The author of fourteen books, most recently, the novel How To Set a Fire and Why. His prizewinning works of absurdity have been published to acclaim in many parts of the world and translated into more than a dozen languages. The recipient of the Paris Review's Plimpton Prize, as well as fellowships from the NEA, the Heinz foundation, and others, he is on the faculty at the School of the Art Institute of Chicago.


“There will be no magic, whatsoever. Magic is either a poverty-stricken necessity or a wealthy fantasy. We are in neither of those straits, and what cannot be explained will be left unknown.”
Jesse Ball
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“In the next room, perhaps twenty people were sitting around, drinking what looked like wine out of wine-glasses. They were the sort of people William and Louisa used to be in the habit of knowing, a crowd of elegant furniture, like the legs of a herd of gazelle taken together, and equally useless, when all things are considered.”
Jesse Ball
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“Mr. Gibbons had the talent that many puppeteers have of speaking to children as though he believed they were intelligent and could understand a thing or two.”
Jesse Ball
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“We tire differently if we love or love not.”
Jesse Ball
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“We are born in this cemetery, but must not despair.-Piet Soron, 1847”
Jesse Ball
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“I mean that the book had better make life better better in at least six or seven definite ways immediately. Also, there had better be somewhere in it a method for handling fortune and chance so as to best provoke the most complicated, involved, and glorious refractions of what's possible.”
Jesse Ball
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“--Let us make a pact, she said. To madness at every juncture!”
Jesse Ball
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“The old man sang for a while, and Mora felt in her head the beginning of a long siege. A wilderness had crept up around a walled town, and the darkness of old woods and far-off places began to grow then, even within sight of where men walked together. By this she meant in her heart that all the useless things one remembers well just before waking and forgets just after were in fact very important and perhaps all that stood now between herself and oblivion.”
Jesse Ball
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“The old man began to sing. His voice was very lovely and obviously a part of something that the world had disposed of in its haste, evidence of a grander, kinder past.”
Jesse Ball
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“The old man took out an extraordinarily beautiful and elegant handkerchief and gave it to her to dry her tears. It was the sort of handkerchief that one might be content to be judged by if it was all that remained of one after one's death.”
Jesse Ball
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“One cultivates one's life, one's friends, one's means, one's hopes. One goes from place to place, from triumph to triumph, in search of ambition and ambition's remedy as though in flight across some imagined map, the subject of a conversation in a comfortable English room.”
Jesse Ball
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“-Lara is a weasel. I've always hated her. The only happy week I had as a child was when she fell from the roof and went into a coma. She came out of it, though. Everyone was so happy.-Is that true? asked James.-No, said Grieve. But they would have been happy. Everyone thinks she's so clever. And I would be happy if she went away and never came back.”
Jesse Ball
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“You live your life, you try to live compassionately, and that's the end of it. You do a little more than you should have to in order to be a good person, but you don't go making big changes in the world, trying to fix things. It presumes too much to do so. There's only this: if everyone acts quietly, compassionately, things will go a little better than they would have otherwise. But people will still suffer.”
Jesse Ball
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“The effect of untrue statements on casual conversations is one of my great loves, my great ongoing investigations.”
Jesse Ball
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“Sunday was always the best of days for being the self you had intended to be, but were not, for one reason or another.”
Jesse Ball
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“I shall introduce this city and its occupants as a series of objects whose relationship cannot be told with any certainty. Though violence may connect them, though pity, compassion, hope may marry one thing to another, still all that is in process cannot be judged, and that which has passed has gone beyond judgment, which leaves us again, with lives and belongings, places, shuttling here and there, hapless, benighted, discordant.”
Jesse Ball
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“In a long life, said many an old man, this is but one more thing. Yet there were others who were young and knew nothing about the helplessness of life's condition. Did they glow with light? They did, but of course, it could not be seen. And all the while, the grinding of bones like machinery, and the light step of tightrope walkers out beyond the windows.”
Jesse Ball
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“I'm an elephant today. I will need to have lots of room and also a bowl of water on the floor.”
Jesse Ball
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“First, he says, you have to go out into the world. This is not a simple matter of going outside one's door. No, that is simply going out. That's what one does when one is on the way to the store to buy a loaf of bread, some cheese, and a bottle of wine. When one goes out into the world, one is shedding preconceptions of past paths and ideas of past paths, and trying to move freely through an unsubstantiated and new geography.”
Jesse Ball
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“Not that believing such things has anything to do with whether they are true. You see that, don't you?”
Jesse Ball
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“The action of a thing is the same as the naming of it - is, in fact, the real name. The trees creak and they are saying, 'trees creak through the long night.' The long night - what is it? Trees creaking. There wasn't anything that tied life's moments together, except life. And when it was gone?”
Jesse Ball
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“If he acts, if he doesn't, it's meaningless. The whole thing goes forward. No one is important. No one at all.”
Jesse Ball
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“That would be the death of anyone - to recognize false hopes with a certainty. One mustn't know that. If it is offered, refuse!”
Jesse Ball
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“…In this way that he sought to control the very passage of his life, deftly and without forethought, yet precisely and with enormous care. Part of it was to allow what was enormous, what was profound, without limiting it.”
Jesse Ball
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“…There are times when something is asked of us, and we find we must do it. There is no calculation involved, no measure of the necessity of the thing itself, the action that must be performed. There is simply an acknowledgment that we will do the thing in question, and then the thing is done, often at considerable personal cost. ""What goes into these decisions? What tiny factors, invisible, in the jutting edges of personality and circumstance, contribute to this inevitability?”
Jesse Ball
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“Three things are required of you: the wishes you made when you first knew the breadth of this life; the contract you signed when you decided your wishes were not true or possible; and the exacting of the punishment you agreed to when you knew you would break the contract of your life.”
Jesse Ball
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