J.G. Ballard

“With its passive and unobtrusive despotism, the camera governed the smallest spaces of our lives. Even in the privacy of our own homes we had all been recruited to play our parts in what were little more than real-life commercials. As we cooked in our kitchens we were careful to follow the manufacturer's instructions, as we made love in our bedrooms we embraced within a familiar repertoire of gestures and affections. The medium of film had turned us all into minor actors in an endlessly running daytime serial. In the future, airliners would crash and presidents would be assassinated within agreed conventions as formalised as the coronation of a tsar.”

“Recently she had become intrigued by the admiring glances of other women. The admiration of her own sex existed on a higher and more intense plane than anything men could offer, like the romantic rivalries of sisters. Together, women formed a conspiracy of glances entirely exchanged behind the backs of their menfolk.”

“As Miriam released my hand I felt that she and Midwife Bell had returned to a more primitive world, where men never intruded and even their role in conception was unknown. Here the chain of life was mother to daughter, daughter to mother. Fathers and sons belonged in the shadows with the dogs and livestock, like the retriever growling at Midwife Bell's unfamiliar car from the window of my neighbours' living room.”

“Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.”

“The bourgeois novel is the greatest enemy of truth and honesty that was ever invented.”

“Even their insistence on educating their children, the last reflex of any exploited group before it sank into submission, marked the end of their resistance.”

“Already a sizable traffic jam blocked the Bund. Once again the crush and clutter of Shanghai had engulfed its invaders.”

“Какая деталь разбивающейся машины поцеловала этот пенис на свадьбе его оргазма и хромированной ручки прибора?”

“Jim knew that he was awake and asleep at the same time, dreaming of the war and yet dreamed of by the war.”

“His mother and father were agnostics, and Jim respected devout Christians in the same way that he respected people who were members of the Graf Zeppelin Club or shopped at the Chinese department stores, for their mastery of an exotic foreign ritual. Besides, those who worked hardest for others, like Mrs. Philips and Mrs. Gilmour and Dr. Ransome, often held beliefs that turned out to be correct.”

“To his surprise he felt a moment of regret, of sadness that his quest for his mother and father would soon be over. As long as he searched for them he was prepared to be hungry and ill, but now that the search had ended he felt saddened by the memory of all he had been through, and of how much he had changed. He was closer now to the ruined battlefields and this fly-infested truck, to the nine sweet potatoes in the sack below the driver's seat, even in a sense to the detention center, than he would ever be again to his house in Amherst Avenue.”

“All around them were the bodies of dead Chinese soldiers. They lined the verges of the roads and floated in the canals, jammed together around the pillars of the bridges. In the trenches between the burial mounds hundreds of dead soldiers sat side by side with their heads against the torn earth, as if they had fallen asleep together in a deep dream of war.”

“After a few minutes Jim was forced to admit that he could recognize none of the constellations. Like everything else since the war, the sky was in a state of change. For all their movements, the Japanese aircraft were its only fixed points, a second zodiac above the broken land.”

“Unhappy parents teach you a lesson that lasts a lifetime.”

“Put a higher value on yourself. Being hyper-realistic about everything is too simple a get-out.”

“Science and technology multiply around us. To an increasing extent they dictate the languages in which we speak and think. Either we use those languages, or we remain mute.”

“These people were the first to master a new kind of late twentieth-century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed.”

“Yes, we gave her drugs - we wanted to free her from those sinister clinics up in the hills, from those men in white coats who know best. Bibi needed to soar over our heads, dreaming her amphetamine dreams, coming off the beach in the evening and leading everyone into the cocaine night.”

“The human race sleepwalked to oblivion, thinking only of the corporate logos on it's shroud.”

“I wanted to rub the human race in its own vomit, and force it to look in the mirror.”

“On the morning after the storm the body of a drowned giant was washed ashore on the beach five miles to the north-west of the city.”

“I am looking into a silent world.”

“He methodically basted the dark skin of the Alsatian, which he had stuffed with garlic and herbs."One rule in life", he murmured to himself. "If you can smell garlic, everything is all right".”

“First she would try to kill him, but failing this give him food and her body, breast-feed him back to a state of childishness and even, perhaps, feel affection for him. Then, the moment he was asleep, cut his throat. The synopsis of the ideal marriage.”

“However, for all his affection and loyalty towards the animal, the dog would soon be leaving him - they would both be present at a celebratory dinner when they reached the roof, he reflected with a touch of gallows-humour, but the poodle would be in the pot.”

“They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never dissapointed.”

“The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends.Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.”

“I love the smell of male urine and the reek of his groin on my bath towels after he’d had a shower”

“The marriage of reason and nightmare that dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the spectres of sinister technologies and the dreams that money can buy. Thermo-nuclear weapons systems and soft-drink commercials coexist in an overlit realm ruled by advertising and pseudo-events, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century – sex and paranoia…In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other, in the most urgent and ruthless way.”

“The long triangular grooves on the car had been formed within the death of an unknown creature, its vanished identity abstracted in terms of the geometry of this vehicle. How much more mysterious would be our own deaths, and those of the famous and powerful?”

“The media landscape of the present day is a map in search of a territory. A huge volume of sensational and often toxic imagery inundates our minds, much of it fictional in content. How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant? What actually happens on the level of our unconscious minds when, within minutes on the same TV screen, a prime minister is assassinated, an actress makes love, an injured child is carried from a car crash? Faced with these charged events, prepackaged emotions already in place, we can only stitch together a set of emergency scenarios, just as our sleeping minds extemporize a narrative from the unrelated memories that veer through the cortical night. In the waking dream that now constitutes everyday reality, images of a blood-spattered widow, the chromium trim of a limousine windshield, the stylised glamour of a motorcade, fuse together to provide a secondary narrative with very different meanings.”

“The ambiguous role of the car crash needs no elaboration—apart from our own deaths, the car crash is probably the most dramatic event in our lives, and in many cases the two will coincide. Aside from the fact that we generally own or are at the controls of the crashing vehicle, the car crash differs from other disasters in that it involves the most powerfully advertised commercial product of this century, an iconic entity that combines the elements of speed, power, dream and freedom within a highly stylized format that defuses any fears we may have of the inherent dangers of these violent and unstable machines.”

“Science is the ultimate pornography, analytic activity whose main aim is to isolate objects or events from their contexts in time and space. This obsession with the specific activity of quantified functions is what science shares with pornography.”

“In his mind World War III represents the final self-destruction and imbalance of an asymmetric world, the last suicidal spasm of the dextro-rotatory helix, DNA. The human organism is an atrocity exhibition at which he is an unwilling spectator . . .”

“Deep assignments run through all our lives; there are no coincidences.”

“Sooner or later, all games become serious.”

“The twentieth century ended with its dreams in ruins. The notion of the community as a voluntary association of enlightened citizens has died forever. We realize how suffocatingly humane we've become, dedicated to moderation and the middle way. The suburbanization of the soul has overrun our planet like the plague.”

“If their work is satisfying people don't need leisure in the old-fashioned sense. No one ever asks what Newton or Darwin did to relax, or how Bach spent his weekends. At Eden-Olympia work is the ultimate play, and play the ultimate work.”

“I suspect that many of the great cultural shifts that prepare the way for political change are largely aesthetic”

“Strangman shrugged theatrically. "It might," he repeated with great emphasis. "Let's admit that. It makes it more interesting—particularly for Kerans. 'Did I or did I not try to kill myself?' One of the few existential absolutes, far more significant than 'To be or not to be?', which merely underlines the uncertainty of the suicide, rather than the eternal ambivalence of his victim." He smiled down patronisingly at Kerans as the latter sat quietly in his chair, sipping at the drink Beatrice had brought him. "Kerans, I envy you the task of finding out—if you can.”

“Dr. Ransome marked the exercises in the algebra textbook and gave him two strips of rice-paper bandage on which to solve the simultaneous equations. As he stood up, Dr. Ransome removed the three tomatoes from Jim's pocket. He laid them on the table by the wax tray.'Did they come from the hospital garden?''Yes.' Jim gazed back frankly at Dr. Ransome. Recently he had begun to see him with a more adult eye. The long years of imprisonment, the constant disputes with the Japanese had made this young physician seem middle-aged. Dr. Ransome was often unsure of himself, as he was of Jim's theft.'I have to give Basie something whenever I see him.''I know. It's a good thing that you're friends with Basie. He's a survivor, though survivors can be dangerous. Wars exist for people like Basie.' Dr. Ransome placed the tomatoes in Jim's hand. 'I want you to eat them, Jim. I'll get you something for Basie.”

“Yet she felt an impostor, and already the mask had begun to bite into her face.”

“The endless newsreel clips of nuclear explosions that we saw on TV in the 1960s (were) a powerful incitement to the psychotic imagination, sanctioning *everything*.”

“A kind of banalization of celebrity has occurred: we are now offered an instant, ready-to-mix fame as nutritious as packet soup.”

“In the post-Warhol era a single gesture such as uncrossing one's legs will have more significance than all the pages in War and Peace.”

“All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or Ancient Egypt, is re-assimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonize past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality, in attractive and instantly appealing forms.”

“...reason rationalizes reality for him (Dr. Nathan) as it does for the rest of us, in the Freudian sense of providing a more palatable or convenient explanation, and there are so many subjects about which we should not be reasonable.”

“He walked into the bathroom, wincing at himself in the mirror, that always more tired older brother.”

“Sex is now a conceptual act, it's probably only in terms of the perversions that we can make contact with each other at all.”

“Their violence (the jungle wars of the '70s), and all violence for that matter, reflects the neutral exploration of sensation that is taking place, within sex as elsewhere and the sense that the perversions are valuable precisely because they provide a readily accessible anthology of exploratory techniques.”